Cheryl Buckley

Cheryl Buckley
Rayuwa
Haihuwa	1956 (69/70 shekaru)
ƙasa	Birtaniya
Karatu
Makaranta	University of East Anglia (mul) ; (1 Oktoba 1974 - 26 ga Yuni, 1977) Bachelor of Arts (mul) ; Newcastle University (en) ; (1 ga Janairu, 1980 - 1 ga Janairu, 1982) ; University of East Anglia (mul) ; (1 ga Janairu, 1984 - 1 Disamba 1991) Doctor of Philosophy (en)
Harsuna	Turanci
Sana'a
Sana'a	art historian (en) , social historian (en) da Masanin tarihi
Employers	Northumbria University (en) (1 ga Maris, 1980 - 14 Oktoba 2013); University of Brighton (mul) (15 Oktoba 2013 -

Cheryl Buckley (an haife ta a shekara ta 1956) masaniyar zane ce 'yar Birtaniya wacce bincikenta ya mayar da hankali kan hanyoyin mata na zane-zane . Ta wallafa a kan zane-zane da salon zane na Birtaniya. Ayyukanta sun haɗa da labarin mai tasiri "Made in Patriarchy: Toward a Feminist Analysis of Women and Design" (1986) da littattafan Potters and Paintresses (1990) da Designing Modern Britain (2007). Ta kasance farfesa a fannin tarihin zane-zane da zane a Jami'ar Brighton daga 2013 zuwa 2021, kuma a baya farfesa ce a tarihin zane a Jami'ar Northumbria . A shekara ta 2021, an naɗa ta Farfesa Emerita a Jami'ar Brighton.

Ilimi da aiki

Buckley ta halarci Jami'ar East Anglia, inda ta sami digiri a fannin tarihin fasaha da gine-gine (1977). Ta sami digiri na biyu a fannin tarihin zane daga Jami'ar Newcastle (1982). Ta koma Jami'ar East Anglia don samun digirin digirgir a fannin tarihin zane, wanda aka ba ta a shekarar 1991. ^[1] Ta yi aiki daga 1980 a Kwalejin Kimiyya da Fasaha ta Newcastle da ke Newcastle-upon-Tyne, wadda aka sake mata suna Jami'ar Northumbria a shekarar 1992, daga baya kuma ta zama farfesa a fannin tarihin zane, kafin ta shiga Jami'ar Brighton a shekarar 2013, inda take farfesa a fannin tarihin zane da zane. A shekarar 2017, ita da Jeremy Aynsley sun kafa Cibiyar Tarihin Zane a Brighton.

A shekara ta 2000, ta haɗu da kafa mujallar Visual Culture in Britain . Ta jagoranci ƙungiyar Tarihin Zane (2006–09) kuma ta yi aiki a matsayin babban edita na mujallarta, Journal of Design History (2011–16).

Bincike da rubuce-rubuce

Buckley ta bayyana abubuwan da take sha'awa a bincike a yanzu a matsayin jinsi da zane, kuma an bayyana ta a matsayin masaniyar zane-zane ta mata . Ta wallafa a kan zane-zanen yumbu da salon zamani, inda ta mayar da hankali kan Birtaniya tun daga tsakiyar zamanin Victorian har zuwa yau. Labarinta mai suna "Made in Patriarchy: Toward a Feminist Analysis of Women and Design", wanda aka buga a cikin Zane Issues a 1986, ya buɗe:

Women have been involved with design in a variety of ways – as practitioners, theorists, consumers, historians, and as objects of representation. Yet a survey of the literature of design history, theory, and practice would lead one to believe otherwise. Women's interventions, both past and present, are consistently ignored. Indeed, the omissions are so overwhelming, and the rare acknowledgment so cursory and marginalized, that one realizes these silences are not accidental and haphazard; rather, they are the direct consequence of specific historiographic methods.^[2]

A cikin labarin, wanda Victor Margolin ya bayyana a matsayin "seminal" da kuma "mai ban mamaki" ta Grace Lees-Maffei, ^[3] Buckley ta yi tsokaci kan gudummawar zane da mata suka bayar, kuma ta nuna cewa an yi watsi da fasahar kere-kere a nazarin tarihin zane.

A cikin littafinta na farko, Potters and Paintresses: Women Designers in the Pottery Industry, 1870–1955 (1990), Buckley ta tattauna yadda mata suka shiga cikin ƙirar yumbu a wannan lokacin.

A cikin littafin Fashioning the Feminine: Representation and Women's Fashion from the Fin de Siècle to the Present (2002), Buckley da marubuciyar Hilary Fawcett sun yi bitar salon a Birtaniya daga 1890, suna nuna hulɗarsa da ra'ayin mata da kuma na mata da kuma alaƙarta da zamani . Kwanan nan, Buckley ta rubuta tare da Fashion and Everyday Life: London da New York tare da Hazel Clark (2017).

A cikin littafinta na biyu wanda shi kaɗai ya rubuta, Designing Modern Britain (2007), Buckley ta yi nazari kan ƙirar Birtaniya tsakanin 1890 da 2001, ta hanyar nazarin yanayi daban-daban. Ta yi amfani da faffadan ma'anar ƙira, wanda ta ɗauka a matsayin "ma'aunin ayyukan da suka dogara da juna", wanda ya ƙunshi gine-gine, tsare-tsaren birni, ƙirar ciki, tukwane, yadi, da kuma salon zamani.

Littattafai da aka zaɓa

Littattafai

Tushe:

Labarai kan bincike

Cheryl Buckley (2020), 'An yi a cikin Patriarchy II: Bincike (ko sake bincike) Mata da Zane', Matsalolin Zane, juzu'i na 36, lamba 1, Lokacin hunturu 2020, 19-29. https://doi.org/10.1162/desi_a_00572

Manazarta

↑ Cite error: Invalid <ref> tag; no text was provided for refs named ORCID
↑ Cheryl Buckley (1986), "Made in Patriarchy: Toward a Feminist Analysis of Women and Design", Design Issues, 3 (2): 3–14, doi:10.2307/1511480, JSTOR 1511480, S2CID 145562599
↑ Grace Lees-Maffei, "Judith Attfield", in The Bloomsbury Encyclopedia of Design, Vol. 1 (Clive Edwards, ed.) (Bloomsbury Academic; 2016), pp. 96–97 (ISBN 978-1-4725-2157-6) (Downloaded from ; 25 November 2020)

[ORCID-1] Cite error: Invalid <ref> tag; no text was provided for refs named ORCID

[2] Cheryl Buckley (1986), "Made in Patriarchy: Toward a Feminist Analysis of Women and Design", Design Issues, 3 (2): 3–14, doi:10.2307/1511480, JSTOR 1511480, S2CID 145562599

[3] Grace Lees-Maffei, "Judith Attfield", in The Bloomsbury Encyclopedia of Design, Vol. 1 (Clive Edwards, ed.) (Bloomsbury Academic; 2016), pp. 96–97 (ISBN 978-1-4725-2157-6) (Downloaded from ; 25 November 2020)

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