Jump to content

Fayil:Gillray Shakespeare Sacrificed 20 June 1789.jpg

Page contents not supported in other languages.
Daga Wikipedia, Insakulofidiya ta kyauta.

Hoton asali (pikisal 650 × 846, girman fayil: 106 KB, irin MIME: image/jpeg)

Wannan hoto yazo daga Wikimedia Commons kuma za'a iya amfani dashi a wasu projects. Anan kasa an nuna asalin bayanin shi

Taƙaici

Bayani

Shakespeare Sacrificed: Or the Offering to Avarice, etching and aquatint with engraving, hand-colored. "For much of the eighteenth century, English patricians collected Old Master paintings by European artists, virtually ignoring their own native painters. To address this slight and to create a school of English history painting, John Boydell, printseller and engraver, undertook a campaign to commission British artists to paint works on Shakespearean themes. The project was to be funded by the sale of prints engraved after those paintings, and ultimately assembled in an illustrated edition of Shakespeare. The first group of thirty-four paintings by eighteen artists went on view at Boydell’s Shakespeare Gallery in May 1789; the first one hundred engravings were issued in a set of nine volumes in 1802. Unfortunately, war with France ended the export market for the Shakespeare engravings and led to Boydell’s ruin.

Gillray was not invited to engrave any of the commissioned paintings, and he exacted his revenge in this print. Alderman Boydell is seen kneeling before an altar where copies of Shakespeare’s plays are consumed by fire, fanned by a fool; within the rising smoke, which obscures a statue of Shakespeare, are figures from paintings by Reynolds, West, Fuseli, Northcote, Barry, and Opie, commissioned by Boydell. Gillray implies that Boydell was motivated purely by Avarice, here a strange gnome who, perched on a bound volume of subscribers’ names, clutches two moneybags. Vanity, blowing a bubble of Immortality, perches on Avarice’s shoulder. Gillray also takes a swipe at the Academy by including, in the left foreground, a little boy, palette and brushes in hand, who prevents a second child, with an engraver’s burin, from entering the hallowed circle of the Royal Academy (the Greek words within, which translate as “Let no stranger to the Muses enter,” were inscribed above the Academy’s Great Exhibition Room at Somerset House). Engravers, considered to be mere copyists, did not qualify for full membership in the Academy. Gillray’s print was apparently very popular with Boydell’s artists, who “could neither eat, drink or sleep til they had procured this print.” Draper Hill notes that colored impressions of Shakespeare-Sacrificed were not issued until 1800." (NYPL)
Rana Published by Hannah Humphrey: June 20, 1789
Masomi New York Public Library digital collection
Marubucin
James Gillray  (1756–1815)  wikidata:Q520806 s:en:Author:James Gillray q:en:James Gillray
 
James Gillray
Alternative names
James Gilray; Gillay; Gillray
Description British caricaturist da engraver
Date of birth/death 13 Agusta 1756 Edit this at Wikidata 1 Yuni 1815 Edit this at Wikidata
Location of birth/death Landan Landan Edit this at Wikidata
Work location
Authority file
creator QS:P170,Q520806

Lasisi

This is a faithful photographic reproduction of a two-dimensional, public domain work of art. The work of art itself is in the public domain for the following reason:
Public domain

This work is in the public domain in its country of origin and other countries and areas where the copyright term is the author's life plus 100 years or fewer.


You must also include a United States public domain tag to indicate why this work is in the public domain in the United States.
This file has been identified as being free of known restrictions under copyright law, including all related and neighboring rights.
The official position taken by the Wikimedia Foundation is that "faithful reproductions of two-dimensional public domain works of art are public domain".
This photographic reproduction is therefore also considered to be in the public domain in the United States. In other jurisdictions, re-use of this content may be restricted; see Reuse of PD-Art photographs for details.

Take

Add a one-line explanation of what this file represents

Abubuwan da aka nuna a cikin wannan fayil

depicts Turanci

media type Turanci

image/jpeg

data size Turanci

108,387 byte

height Turanci

846 pixel

width Turanci

650 pixel

checksum Turanci

1f4f16ce60418cc3a4e02897333be9de0e53c6d6

Tarihin fayil

Ku latsa rana/lokaci ku ga fayil yadda yake a wannan lokaci

Rana/LokaciWadar sufaKusurwowiMa'aikaciBahasi
na yanzu20:01, 26 Nuwamba, 2007Wadar sufa ta zubin 20:01, 26 Nuwamba, 2007650 × 846 (106 KB)Rupert Clayton{{Information |Description=''Shakespeare Sacrificed: Or the Offering to Avarice'' |Source=New York Public Library digital collection |Date=20 June 1789 |Author=James Gillray |Permission= |other_versions= }} {{PD-Art}}

Wadannan shafi na amfani wannan fayil:

Amfanin fayil a ko'ina

Wadannan sauran wikis suna amfani da fayil din anan

bayannan meta