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Folk dances of Punjab

Daga Wikipedia, Insakulofidiya ta kyauta.
Folk dances of Punjab
type of dance (en) Fassara
Bayanai
Ƙaramin ɓangare na Indian folk dance (en) Fassara

Rawar Punjabi jerin raye-rayen gargajiya da na addini ne na mutanen Punjabi 'yan asalin yankin Punjab, suna ratsa kan iyakar Indiya da Pakistan. Salon rawa na Punjabi ya kama daga mai ƙarfi sosai zuwa mai jinkiri da kuma mai tsari, kuma akwai salon rawa na musamman ga maza da mata.

Masu rawa na Bhangra a Punjab, Indiya

Bhangra ita ce rawar gargajiya mafi shahara daga Punjab, wadda ta samo asali daga yankin Sialkot na Punjab, Pakistan . [1] [2] Ana danganta ta musamman da bikin vernal Vaisakhi . [3]

Manoma 'yan Punjabi ne ke yin Bhangra galibi a lokacin girbi. Ana yin sa ne galibi yayin da manoma ke yin ayyukan gona. Yayin da suke yin kowane aikin noma, suna yin motsin bhangra a nan take. [4] Wannan ya ba su damar kammala aikinsu cikin daɗi. Bayan girbin amfanin gonakinsu na alkama a lokacin Vaisakhi, mutane suna halartar bukukuwan al'adu yayin da suke rawa da bhangra. [4] Shekaru da yawa, manoma suna yin bhangra don nuna jin daɗin nasara da kuma maraba da sabon lokacin girbi.

Masu rawa daga Punjab suna wasa a bikin rawa na kwanaki shida 'Lok Tarang, a New Delhi a ranar 19 ga Janairu, 2007

Giddha wata rawa ce ta mata da ta shahara a yankin Punjab. Giddha tana nuna salon gargajiya na yin rawar mata ta Punjabi, kamar yadda aka gani ta hanyar sutura, wasan kwaikwayo, da harshe. [5] Duk da cewa nau'in giddha bai yi tasiri sosai ba a Partition of India, Gibb Schreffler ya rubuta cewa an sanya shi a matsayin rawa ta mata da ta maza ta hanyar bhangra, duk da cewa ba haka lamarin yake ba gaba ɗaya. [6]

A al'ada, mata kan sanya salwar kameez da Ghagra a launuka masu haske da kayan ado. Ana kammala suturar ta hanyar sanya gashin a cikin kitso biyu da kayan ado na gargajiya sannan a sanya tikka a goshi.

Malwai Gidha

[gyara sashe | gyara masomin]

Malwai Giddha rawa ce ta maza daga yankin Malwa na Punjab. [7] [8] [9] [10] Da farko dai tsofaffi ne suka yi rawar. Rawar ta samo asali ne daga yankin Malwa na yankin Punjab kuma tana da alaƙa da gundumomin Muktsar, Bathinda, Faridkot, Sangrur, Ferozpur, Mansa da Patiala. [11]

Ana yin Luddi a da'ira ta maza da mata yayin da suke danna yatsunsu suna tafa hannuwa, tsalle-tsalle da kuma juyawa rabi-rabi. [12] [13] [14] Ana yin ta ne a bukukuwan aure da wasanni don murnar nasara. [15] Ana iya yin ta a bibbiyu ko kuma a rukuni a waƙoƙin dhol da shenayi. 'Luddi hay jamalo' wata shahararriyar waƙa ce da Noor Jehan ta rera a shekarun 1980 kuma galibi mata ne ke rera ta a bukukuwan aure.

Sammi wata rawa ce ta gargajiya da ta samo asali daga yankin ƙabilar Punjab, musamman a yankin Sandalbar da yankin Pothohar na Punjab na Pakistan . [16] [17] Maza galibi suna yin rawar Sammi a lokacin bukukuwan gargajiya na Punjab. Mata kuma suna yin ta, waɗanda ke sanye da kurtas masu haske da lehengas, waɗanda galibi suna tare da kayan adon gashi na azurfa. [18]

Yawanci, yana da saurin gudu kuma mutane suna rawa a cikin da'ira. Yayin da suke yin zobe, masu rawa suna jujjuya hannayensu daga gefe suna kawo su gaba. [18] Mutane suna aiwatar da jerin tsalle-tsalle, tare da amfani da sanduna a hannunsu. Waƙar Coke Studio 'Sammi Meri Waar' ta Umair Jaswal da Quratulain Baloch waƙar shahara ce ta wannan nau'in rawa. [18]

Fayil:Jhumar Dance Punjab.JPG
An yi waƙar Jhumar kafin shekarar 1947

Jhumar, wanda kuma ake kira Ghumbar a yankin Sandalbar, kuma sananne ne a yankunan Sandalbar na Punjab. Yana da sassauƙa kuma yana da tsari mai kyau. [19] Kalmar "Jhumar" ta fito ne daga Jhum/Jhoom, wanda ke nufin Swaying. Ana yin Jhumar a bukukuwan aure yawanci. [20] Ana kuma yin rawar da'ira, har zuwa waƙoƙin motsin rai. [20]

Kikkli tana rawa

Kikkli wata rawa ce ta mata da aka fi sani da ita wadda ake yi ta hanyar riƙe hannuwa biyu suna juyawa juna a da'ira suna daidaita matsayinsu a cikin motsi na zagaye. [21] Ya shahara a cikin ƙananan 'yan mata kuma ana yin ta ne a nau'i biyu. [22] Ana amfani da waƙoƙi iri-iri tare da tafawa, yawanci mata biyu suna tsaye fuska da fuska kusa da juna kuma suna riƙe hannayen da ke haɗa hannuwa da jikin da ke juyawa baya; [21] [23] [24] a wannan matsayi ana miƙa hannayen zuwa matsakaicin matsayi kuma hannayen suna manne da ƙarfi. [24] Sannan suna zagaye da sauri akai-akai tare da <i id="mwAQ8">dupatta</i> ɗinsu suna shawagi a sama da ƙafafu suna yin ƙara mai ƙarfi. [22] [24] Ana tare da shi da waƙoƙi tare da tafawa. [23] Wani lokaci mata huɗu ne ke yin ta.

Zanga-zangar Gatka a Bedford, Ingila

Gatka wani nau'i ne na fasahar yaƙi da ke da alaƙa da Sikhs na Punjab. Salon faɗa ne na sanda, tare da sandunan katako da aka yi niyya don kwaikwayon takuba . Wani makamin da ake amfani da shi shine garkuwa, wanda aka fi sani da phari Gatka yanzu ya shahara a matsayin wasan kwaikwayo na rawa ko rawa ta takobi kuma ana nuna shi sau da yawa a lokacin bukukuwan Sikh . Malaman Sikh ne suka koyar da ka'idar Gatka da dabarunsa, kuma an yi amfani da shi a yaƙe-yaƙen Sikh kuma an gwada shi sosai a yaƙi.

  1. "Bhangra – dance". Encyclopedia Britannica.
  2. Muhammad Ahmed (31 January 2023). "Pakistani Folk Dances". Youlin magazine. Archived from the original on 14 January 2024. Retrieved 13 January 2026.
  3. Manuel, Peter (2001). doi:10.1093/gmo/9781561592630.article.47339. Missing or empty |title= (help); Missing or empty |url= (help)
  4. 4.0 4.1 Pandher, Gurdeep. "Bhangra History". Archived from the original on 28 November 2019. Retrieved 28 November 2019.
  5. "Giddha Origin and history". utsavpedia.com. 15 July 2013. Retrieved 9 March 2017.
  6. Schreffler, Gibb (2004). "Vernacular Music and Dance of Punjab". Journal of Punjab Studies. 11 (2): 197–214.
  7. Roy, Anjali Gera (April 2020). "Gendering Dance". Religions. 11 (4): 202. doi:10.3390/rel11040202.
  8. David, Ann R. (10 December 2015). "Embodied cultural memories of the Punjab: Giddha dance and song in migrant London space". Traditiones. 44 (2): 149–171. doi:10.3986/Traditio2014440208. Retrieved 29 March 2023.
  9. Singh, Nahar; Gill, R.S. (2004). "Folk Practices in Punjab" (PDF). Journal of Punjab Studies. 11 (2): 171–196. Retrieved 29 March 2023.
  10. Mooney, Nicola (September 19, 2008). "Aaja Nach Lai [Come Dance]: Performing and Practicing Identity among Punjabis in Canada". Ethnologies. 30 (1): 103–124. doi:10.7202/018837ar. Retrieved 29 March 2023.
  11. Cite error: Invalid <ref> tag; no text was provided for refs named Walia
  12. "Luddi - Kalapeet" (in Turanci). 21 April 2021.
  13. Post, Like This. "Luddi Dance – Punjab". School Chalao (in English).CS1 maint: unrecognized language (link)
  14. "luddi | Pakistani folk dance | Britannica". www.britannica.com (in Turanci).
  15. "The Most Popular Dances of Pakistan". DESIblitz (in Turanci). 21 August 2018.
  16. "Culture". www.punjab.gov.in. Archived from the original on 2020-04-28. Retrieved 2016-07-24.
  17. Schreffler, Gibb (2012). "DESPERATELY SEEKING SAMMI: RE-INVENTING WOMen's DANCE IN PUNJAB". Sikh Formations (in Turanci). 8 (2): 127–146. doi:10.1080/17448727.2012.702416. ISSN 1744-8727. S2CID 144763946.
  18. 18.0 18.1 18.2 Manga, Dhiren (2018-08-21). "The Most Popular Dances of Pakistan". DESIblitz (in Turanci). Retrieved 2023-05-16. Cite error: Invalid <ref> tag; name ":0" defined multiple times with different content
  19. "Jhumar Dance - Folk Dance Performed on Marriage Ceremonies by Men". Archived from the original on 2015-08-29. Retrieved 2015-01-16.CS1 maint: unfit url (link)
  20. 20.0 20.1 Manga, Dhiren (2018-08-21). "The Most Popular Dances of Pakistan". DESIblitz (in Turanci). Retrieved 2023-01-16.
  21. 21.0 21.1 "Kikli". www.folkpunjab.com. Archived from the original on January 23, 2013. Retrieved March 19, 2012.
  22. 22.0 22.1 "Kikli dance". www.dance.anantagroup.com. 12 March 2012. Retrieved March 19, 2012.
  23. 23.0 23.1 Cite error: Invalid <ref> tag; no text was provided for refs named ds
  24. 24.0 24.1 24.2 "Kikli". www.punjabijanta.com. Archived from the original on November 22, 2022. Retrieved March 19, 2012.