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Garrett Bradley (filmmaker)

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Garrett Bradley (filmmaker)
Rayuwa
Cikakken suna Garrett Alexandra Bradley
Haihuwa New York, 1986 (39/40 shekaru)
ƙasa Tarayyar Amurka
Mazauni New Orleans
Ƴan uwa
Mahaifi Peter Bradley
Mahaifiya Suzanne McClelland
Karatu
Makaranta University of California, Los Angeles (en) Fassara
Smith College (en) Fassara
Skowhegan School of Painting and Sculpture (en) Fassara
Sana'a
Sana'a darakta, marubin wasannin kwaykwayo da video artist (en) Fassara
Muhimman ayyuka Time (en) Fassara
Kyaututtuka
Ayyanawa daga
IMDb nm3797834
garrettabradley.com…

Garrett Bradley (an haife ta a shekara ta 1986) ƙwararriyar mai shirya fina-finai ce ta Amurka kuma darakta a fina-finan gajeru, fina-finai masu kayatarwa, shirye-shiryen shirye-shirye, da talabijin. An san ta da haɗa nau'ikan fina-finai don bincika babban mahimmancin zamantakewa da siyasa na lokutan yau da kullun na rayuwar waɗanda abin ya shafa.

Rayuwar farko da ilimi

[gyara sashe | gyara masomin]

An haifi Bradley a birnin New York a shekarar 1986 [1] ga masu zane-zane masu ban mamaki Suzanne McClelland da Peter Bradley . [2] Iyayenta sun rabu lokacin da take da shekaru biyu. [3] Tana da shekaru goma sha shida, Bradley ta yi fim ɗinta na farko, wanda ya haɗa da yin hira da iyayenta game da zane-zane, ɗayan iyaye, da kuma dalilin da ya sa suka sake su. [2] Ga Bradley, wannan aikin fim na farko ya kasance dama ta yi wa iyayenta tambayoyi waɗanda "ba ta ji daɗin tambaya ba tare da kyamara ba." Ta sanya wa fim ɗin suna Be-Bop Fidelity kuma ta miƙa shi ga bikin fina-finai na Bridge wanda makarantar sakandare ta ke gudanarwa, Makarantar Abokan Brooklyn ; a can ne ta lashe kyautar fim ɗinta ta farko. [4] [5]

Bradley ta yi karatun addini a Kwalejin Smith, inda ta kammala karatunta a shekarar 2007, sannan ta sami digiri na biyu a fannin jagoranci a UCLA a shekarar 2012. [3] [6] Ta kammala karatun digiri na farko a Makarantar Zane da Zane ta Skowhegan . [1]

Fim ɗinta na farko mai tsawon lokaci, Below Dreams, ya fara fitowa a bikin Tribeca na 2014 kuma ya biyo bayan rayuwar mutane uku a baya-bayan nan daga arewa zuwa kudu, don neman sabon farawa. An san Bradley saboda salon waƙarta mai hade da salon shirya fina-finai wanda Bilge Ebiri na Mujallar New York ya bayyana a matsayin "kyakkyawa mai saurin konawa...mai kyau, kallo, kyakkyawa kuma game da ingancin rubutu da hotunan kamar yadda yake game da haɓaka hali ko rikicin aji." [7] An fitar da Below Dreams gaba ɗaya daga Craigslist ; hanyar da Bradley ya bi bayan rashin sa'ar yin aiki tare da daraktocin shirya fina-finai na gargajiya a New Orleans. [8]

A shekarar 2017, Bradley ya kafa Creative Council tare, wani shiri na bayan makaranta wanda masu fasaha ke jagoranta wanda aka yi niyya don haɓaka manyan takardu na kwaleji da aikace-aikacen ɗalibai ga ɗaliban da ke halartar makarantun sakandare na gwamnati a New Orleans. Cibiyar Samun Bidiyo ta New Orleans (NOVAC) ta sami goyon bayan Majalisar Creative Council.

A watan Oktoba na 2025, an ba Bradley kyautar MacArthur Foundation Fellowship, wacce aka fi sani da "Genius Award" ta Gidauniyar MacArthur. [9]

Ayyuka Masu Muhimmanci

[gyara sashe | gyara masomin]

Fim ɗin Bradley mai tsawon mintuna 13 mai suna Alone (2017), kamar fim ɗinta na gaskiya, Time, ya mayar da hankali kan ɗaurin kurkuku a Amurka daga abin da Bradley ya bayyana a matsayin "ra'ayin mata na Baƙar fata na kudu." [10] Gajerun fina-finan sun ƙunshi Aloné Watts, wata matashiya da saurayinta (wanda aka yi magana a cikin fim ɗin Bradley na 2014 Below Dreams ) yake a kurkuku. Fim ɗin ya nuna rayuwar Watts ta yau da kullun yayin da take la'akari da makomarta tare da saurayinta; Fox Rich, jarumin Time, ya fito a cikin gajeren fim ɗin. Alone ya fara fitowa a bikin fina-finai na Sundance na 2017 inda aka ba shi lambar yabo ta Short Form Jury Award a cikin labaran da ba na almara ba kuma New York Times OpDocs ta fitar da shi. [11] A cikin 2021, an haɗa Alone a cikin Grief and Grievance: Art and Mourning in America, wani baje kolin da Okwui Enwezor ya ƙirƙira don Sabon Gidan Tarihi . [12]

Aikin Bradley na 2019, Amurka, duka fim ne na tashoshi ɗaya da kuma shigarwa na tashoshi da yawa - wanda ya ƙunshi gyare-gyare guda biyu daban-daban. An fara sanya Amurka a Gidan Tarihi na Fasaha na New Orleans kuma an haɗa ta a cikin baje kolin yawon shakatawa na farko na Bradley, Garrett Bradley: American Rhapsody, a Gidan Tarihi na Fasaha na Zamani Houston, wanda Rebecca Matalon ta shirya. [13] American Rhapsody ya kuma yi tafiya zuwa The Momentary, August Wilson African American Cultural Center, [14] da Gidan Tarihi na Fasaha na Zamani, Los Angeles . [15] Ayyuka: Garrett Bradley ya buɗe a ranar 21 ga Nuwamba, 2020 a Gidan Tarihi na Fasaha na Zamani, kuma Thelma Golden da Legacy Russell ne suka shirya shi. Nunin ya kasance wani ɓangare na haɗin gwiwa na shekaru da yawa tsakanin Gidan Tarihi na Studio da ke Harlem, Gidan Tarihi na Fasaha na Zamani da MoMA PS1. Roberta Smith ta jaridar The New York Times ta rubuta game da shirin "Ƙoƙarin Bradley mai girma ya ƙara sabon kuzari ga fasahar Post-Minimalism da kuma fasahar tsara hotuna ta hanyar amfani da hotuna .... An tsara ta da ƙarfin hali da saurin "Field Day," fim ɗin Bradley mai suna " America" ya sa mu cikin motsi, yana zagayawa a allon, yana bincika asalinsu, labarai da alamomin labaran da ke canzawa da lokutan da suke canzawa na waƙoƙin sauti da na fim. Ba tare da ambaton wasu abubuwan da suka wuce gona da iri ba: Shin wannan shirin yana amfani da tashoshi biyu, uku ko huɗu? Kuna tsammanin hotunan suna tafiya a cikin nau'i-nau'i biyu - musamman tunda ana iya ganin na'urori biyu kawai - amma ba zato ba tsammani, ba sa yi. A kowace hanya, wannan aikin abin bincike ne akai-akai. "

Mai sukar fina-finai na Observer Simran Hans ya kira wannan gajeren fim mai suna "fim mafi asali" da ta gani a bikin fina-finai na Sundance na 2019, an zaɓe shi don kyautar fina-finai mai zaman kanta ta ƙungiyar fina-finai ta duniya kuma an sake shi a 2020 ta Field of Vision da The Criterion Channel. Amurka ta kafa sabon misali a matsayin ɗan gajeren fim a 2019 lokacin da aka ba shi sati guda a Brooklyn Academy of Music, ƙarƙashin taken Garrett Bradley's America: A Journey Through Time . An shirya shi tare da ayyukan da suka yi tasiri da wahayi da kuma sake duba fina-finan Bradley na baya. Masu jawabi da aka gayyata sun haɗa da Saidiya Hartman, Julie Dash, da RaMell Ross . Taron ya kasance tare da haɗin gwiwar Jami'ar New York "Black Portraiture: V Memory and the Archive Past. Present. Future." A cikin Jaridar New York Review of Books , marubuciya Maya Binyam ta rubuta "Tun bayan fitowar Amurka, Bradley ya shiga sahun masu zane-zane na tarihi, waɗanda masu suka da masu kula da su kan ce manufarsu ita ce gyara ga ƙarancin tarihin. Labarun da suka ƙunshi tarihi suna da iyakoki bayyanannu: suna barin mutane. A gefe guda kuma, kusan kowa yana ganin fasaha ba ta da iyaka, sai dai waɗanda suka yi ta, ba ta da iyaka. Don haka ana ba wa masu ƙirƙira aikin yin abin da cibiyoyin da ke ba da labari da adana tarihi da ake tsammanin ba za su iya yi ba: sauƙaƙe gyara. Aikin Bradley ya rage wannan tsammanin". [16]

A shekarar 2020, Bradley ta gabatar da shirinta na farko mai tsawon lokaci, Time, wanda aka zaba don kyaututtuka sama da 57 da nasarori ashirin, ciki har da nadin Academy Award, 2020 Peabody Award, da kuma kyautar darakta mafi kyau a gasar shirye-shiryen Amurka a bikin fina-finai na Sundance na 2020 . [ <span title="This claim needs references to reliable sources. (March 2024)">ana buƙatar ambato</span> ] An kuma haɗa shirinta na farko a cikin jerin fina-finan Time Magazine mai suna "25 Defining Works of the Black Renaissance," jerin fina-finan da Barack Obama ya fi so a shekarar 2020, da kuma "Hollywood Reporter Critics Pick the 50 Best Films of the 21st Century (So Forever)" na The Hollywood Reporter. [17]

A shekarar 2021, Netflix ta fitar da Naomi Osaka, wani shiri mai sassa uku wanda Bradley ya jagoranta. Shirin ya biyo bayan ƙwararren ɗan wasan tennis Naomi Osaka tsawon shekaru biyu a lokacin annobar COVID-19 ta 2020. [18] An gudanar da ɗaukar fim a ko'ina cikin Amurka, Japan, Haiti da Ostiraliya. A lokacin ɗaukar fim ɗin, Bradley ta ba Osaka kyamarar daukar hoto don ɗaukar bidiyonta wanda aka yi amfani da shi a duk tsawon shirin. Wannan kallo ne a cikin rayuwar wata ƙwararriyar 'yar wasa da ke ƙoƙarin shawo kan matsin lambar zama tauraro a duniya. [ <span title="This claim needs references to reliable sources. (July 2023)">ana buƙatar ambato</span> ]

A shekarar 2022, Bradley ta yi bikin baje kolin farko tare da Lisson Gallery . Safe, ita ce ta biyu a cikin jerin fina-finai uku da suka haɗa da AKA . Waɗannan gajerun fina-finai suna bincika bambance-bambancen da ke tsakanin rayuwar ciki da ta waje ta mata. [19] Haka kuma, a shekarar 2022, Bradley da mai zane Arthur Jafa, sun yi aiki tare kan wani fim mai suna Negro, wani Lim-o, wanda aka ba da umarnin a yi shi don baje kolin MoMA na Just Above Midtown: Changing Spaces . An samo wannan fim ne daga dangantakar mai zane da "JAM" kuma yana amfani da kayan tarihi na "JAM", tattaunawa, da kuma hotunan asali. [20]

Nunin kai kaɗai

[gyara sashe | gyara masomin]
2023
  • AKA, COMA, Sydney, Ostiraliya [21]
2022
  • Garrett Bradley: Safe, Lisson Gallery, London, Birtaniya [19]
  • Garrett Bradley: American Rhapsody, Gidan Tarihi na Fasaha na Zamani, Los Angeles, CA
  • Garrett Bradley: American Rhapsody, August Wilson Cibiyar Al'adu ta Baƙar fata ta Amurka, Pittsburgh, PA
  • Ayyuka 111: Garrett Bradley, Gidan Tarihi na Fasaha na Zamani, New York, NY
2021
  • Garrett Bradley: American Rhapsody, The Momentary, Bentonville, AR
2019
  • Garrett Bradley: American Rhapsody, Gidan Tarihi na Fasaha na Zamani Houston, Houston, TX
  • Amurka ta Garrett Bradley: Tafiya Ta Tsare-Tsare da Lokaci, BAM Rose Cinemas, New York, NY

Nunin rukuni

[gyara sashe | gyara masomin]
2022
  • Sama da Tsakiyar Gari: 1974 zuwa Yanzu, Gidan Tarihi na Fasaha na Zamani, New York, NY [20]
  • Nunin Gayyata na 2022 na Fasahar Kayayyaki, Kwalejin Fasaha da Wasiku ta Amurka, New York, NY
  • Littafin Baya na Toni Morrison, David Zwirner, New York, NY [22]
2021
  • Baƙin Ciki da Baƙin Ciki: Fasaha da Makoki a Amurka, Sabon Gidan Tarihi, New York, NY [12]
  • Iyali: Ra'ayoyi na Raba Dan Adam, Gidan Tarihi na New South Wales, Sydney, Ostiraliya
2020
  • Cinque Monstre 2020: Haɗuwa, Kwalejin Amurka ta Rome, Rome, Italiya
2019
  • Shirin Neshat + Garrett Bradley, The Broad @ Array, Los Angeles, CA
  • Jikunan Ilimi, Gidan Tarihi na Fasaha na New Orleans . New Orleans, LA
  • Whitney Biennial, Gidan Tarihi na Whitney na Fasaha ta Amurka, New York, NY

Fim ɗin fim

[gyara sashe | gyara masomin]

Fim da talabijin

Shekara Lakabi Bayanan kula
2014 Mafarkai a ƙasa [23] Fim ɗin Bradley na farko a bikin fina-finai na Tribeca na 2014 [24]
2015 Rufe Ni [25] Fasaha ta Prospect 3 a kowace shekara biyu
2016 Kamar [26] Gajere
2017 Shi kaɗai Kyautar Short Form Jury Award a cikin labaran da ba na almara ba a bikin fina-finai na Sundance na 2017; Mai fafatawa a gasar Oscar na 2017 (Jerin 'Yan Takaici)
2017 Sarauniyar Sugar [27] Daraktan wani shiri, "Rayuwa a Duk Lokacin" [28]
2018 Duniya Tana Tafiya [29] Takaitaccen shirin gaskiya
2019 Amurka [30] Takaitaccen shirin fim [31]
2019 Idan Suka Gani Mu Daraktan sashe na biyu, shirye-shirye 4
2019 AKA Shigar da Bidiyo a bikin Whitney Biennial na 2019 [32]
2020 Lokaci Mafi kyawun Darakta a Gasar Fina-finai ta Amurka a bikin Fina-finai na Sundance na 2020



An Zaɓe Shi Don Kyautar Academy Award Don Mafi Kyawun Fim Din Takardu
2021 Naomi Osaka An siya ta Netflix
  1. 1.0 1.1 "Garrett Bradley | Artists". Lisson Gallery (in Turanci). Retrieved 2023-07-22. Cite error: Invalid <ref> tag; name ":3" defined multiple times with different content
  2. 2.0 2.1 "There's No Time Like the Present—or the Past—in Garrett Bradley's Mesmerizing Films". ELLE (in Turanci). 2020-10-15. Retrieved 2023-07-23.
  3. 3.0 3.1 Brennan, Matt (2015-04-22). "Garrett Bradley on Millennials, Making Films as a Woman of Color, and New Orleans-Set Debut 'Below Dreams'". IndieWire (in Turanci). Retrieved 2023-07-23. Cite error: Invalid <ref> tag; name ":5" defined multiple times with different content
  4. July, Beandrea (2020-10-16). "'Time' Director Garrett Bradley on the Importance of Creative Community and Confronting the Idea of the Auteur - sundance.org" (in Turanci). Retrieved 2023-07-25.
  5. "Brooklyn Friends School | Let Your Films Speak: The Bridge Film Festival,15 Years Young" (in Turanci). March 27, 2014. Retrieved 2023-07-25.
  6. Muhammad, Ismail (2020-10-06). "A Filmmaker Who Sees Prison Life With Love and Complexity". The New York Times (in Turanci). ISSN 0362-4331. Retrieved 2023-07-24.
  7. Muhammad, Ismail (2020-10-06). "A Filmmaker Who Sees Prison Life With Love and Complexity". The New York Times (in Turanci). ISSN 0362-4331. Retrieved 2023-07-24.
  8. July, Beandrea (2020-10-16). "'Time' Director Garrett Bradley on the Importance of Creative Community and Confronting the Idea of the Auteur - sundance.org" (in Turanci). Retrieved 2023-07-25.
  9. Muhammad, Ismail (2020-10-06). "A Filmmaker Who Sees Prison Life With Love and Complexity". The New York Times (in Turanci). ISSN 0362-4331. Retrieved 2023-07-24.
  10. Muhammad, Ismail (2020-10-06). "A Filmmaker Who Sees Prison Life With Love and Complexity". The New York Times (in Turanci). ISSN 0362-4331. Retrieved 2023-07-24.
  11. Cite error: Invalid <ref> tag; no text was provided for refs named :6
  12. 12.0 12.1 "Grief and Grievance: Art and Mourning in America". www.newmuseum.org (in Turanci). Retrieved 2023-07-22. Cite error: Invalid <ref> tag; name ":0" defined multiple times with different content
  13. Muhammad, Ismail (2020-10-06). "A Filmmaker Who Sees Prison Life With Love and Complexity". The New York Times (in Turanci). ISSN 0362-4331. Retrieved 2023-07-24.
  14. July, Beandrea (2020-10-16). "'Time' Director Garrett Bradley on the Importance of Creative Community and Confronting the Idea of the Auteur - sundance.org" (in Turanci). Retrieved 2023-07-25.
  15. "Brooklyn Friends School | Let Your Films Speak: The Bridge Film Festival,15 Years Young" (in Turanci). March 27, 2014. Retrieved 2023-07-25.
  16. "Brooklyn Friends School | Let Your Films Speak: The Bridge Film Festival,15 Years Young" (in Turanci). March 27, 2014. Retrieved 2023-07-25.
  17. July, Beandrea (2020-10-16). "'Time' Director Garrett Bradley on the Importance of Creative Community and Confronting the Idea of the Auteur - sundance.org" (in Turanci). Retrieved 2023-07-25.
  18. Muhammad, Ismail (2020-10-06). "A Filmmaker Who Sees Prison Life With Love and Complexity". The New York Times (in Turanci). ISSN 0362-4331. Retrieved 2023-07-24.
  19. 19.0 19.1 "Garrett Bradley: Safe | Exhibitions". Lisson Gallery (in Turanci). Retrieved 2023-07-22. Cite error: Invalid <ref> tag; name ":2" defined multiple times with different content
  20. 20.0 20.1 "VIA Art Fund | Garrett Bradley and Arthur Jafa: a Negro, a Lim-o (2022)". VIA Art Fund (in Turanci). Retrieved 2023-07-22. Cite error: Invalid <ref> tag; name ":1" defined multiple times with different content
  21. Muhammad, Ismail (2020-10-06). "A Filmmaker Who Sees Prison Life With Love and Complexity". The New York Times (in Turanci). ISSN 0362-4331. Retrieved 2023-07-24.
  22. Muhammad, Ismail (2020-10-06). "A Filmmaker Who Sees Prison Life With Love and Complexity". The New York Times (in Turanci). ISSN 0362-4331. Retrieved 2023-07-24.
  23. Muhammad, Ismail (2020-10-06). "A Filmmaker Who Sees Prison Life With Love and Complexity". The New York Times (in Turanci). ISSN 0362-4331. Retrieved 2023-07-24.
  24. July, Beandrea (2020-10-16). "'Time' Director Garrett Bradley on the Importance of Creative Community and Confronting the Idea of the Auteur - sundance.org" (in Turanci). Retrieved 2023-07-25.
  25. "Brooklyn Friends School | Let Your Films Speak: The Bridge Film Festival,15 Years Young" (in Turanci). March 27, 2014. Retrieved 2023-07-25.
  26. Muhammad, Ismail (2020-10-06). "A Filmmaker Who Sees Prison Life With Love and Complexity". The New York Times (in Turanci). ISSN 0362-4331. Retrieved 2023-07-24.
  27. July, Beandrea (2020-10-16). "'Time' Director Garrett Bradley on the Importance of Creative Community and Confronting the Idea of the Auteur - sundance.org" (in Turanci). Retrieved 2023-07-25.
  28. Muhammad, Ismail (2020-10-06). "A Filmmaker Who Sees Prison Life With Love and Complexity". The New York Times (in Turanci). ISSN 0362-4331. Retrieved 2023-07-24.
  29. Muhammad, Ismail (2020-10-06). "A Filmmaker Who Sees Prison Life With Love and Complexity". The New York Times (in Turanci). ISSN 0362-4331. Retrieved 2023-07-24.
  30. Muhammad, Ismail (2020-10-06). "A Filmmaker Who Sees Prison Life With Love and Complexity". The New York Times (in Turanci). ISSN 0362-4331. Retrieved 2023-07-24.
  31. Muhammad, Ismail (2020-10-06). "A Filmmaker Who Sees Prison Life With Love and Complexity". The New York Times (in Turanci). ISSN 0362-4331. Retrieved 2023-07-24.
  32. "Whitney Biennial 2019". whitney.org.