Harry Lapow
 Harry Lapow | |
|---|---|
| Rayuwa | |
| Haihuwa | 6 ga Faburairu, 1909 |
| ƙasa | Tarayyar Amurka |
| Mutuwa | 14 Satumba 1982 |
| Sana'a | |
| Sana'a | mai daukar hoto da mai zanen hoto |
Harry Lapow (Fabrairu 6, 1909 - Satumba 14, 1982) ɗan Amurka ne mai ɗaukar hoto kuma mai zanen hoto kuma.
Sana'a
[gyara sashe | gyara masomin]An haife shi a Newark, New Jersey, a cikin shekarar 1909, Lapow ya ɗauki azuzuwan fasaha yayin da yake makarantar sakandare da kuma bayan kammala karatunsa, yana da shekaru 15 ya horar da fasahar kasuwanci kafin a cikin shekarar 1934 [1] ya koma New York City don yin aiki ga mai tsara kunshin Martin Ullman kuma ya auri Ruth Benzer a watan Fabrairu na wannan shekarar. Lapow ya yi rajista don daftarin Sojan Amurka a cikin Oktoba 1940.
Har zuwa shekarar 1957 shi da wasu bakwai sun yi aiki a matsayin Koodin-Lapow, tare da Ben Koodin yana jagorantar siyar, kuma shi ne ke kula da ƙirar marufi don RH Macys, Wamsutta Mills, Seagram, Startex da Rokeach, da sauransu. Ya kafa kansa a matsayin Harry Lapow Associates a cikin shekarar 1960, yana neman ƙarin 'yanci don ɗaukar hoto, [2] kuma ya ƙara abokan ciniki ciki har da Peter Pan Foundations. [3]
Bayan yakin yayin da kasuwancin ya faɗa dagaa sun dauki hayar matasan Cooper Union da suka kammala digiri Milton Glaser, Seymour Chwast da Edward Sorel . Ya kasance daya daga cikin mambobi 13 da suka kafa Majalisar Zane-zanen Kunshin. [4] A cikin labarin jarida na shekarar 1957 ya bayyana yanayin ganuwa da ƙirar 'saya-ni' a cikin marufi kamar yadda clichés suka cika aiki, yana ba da shawarar a maimakon la'akari da masu zanen 'bagability,' sauƙin buɗewa da rarraba abubuwan ciki, ɗaukar hoto da 'kyauta.' A tsakiyar 1960s ya kasance darektan ƙira na kamfani tare da kamfanin Lehn & Fink Products Corporation [5] [6] daga 1962 kuma ya rubuta labarai don mujallar Packaging Design akan batutuwa daban-daban ciki har da yin amfani da takarda flocked, [7] Matsayin bincike a cikin ƙirar marufi, [8] da kuma nuna damuwa game da Dokar Tarayya ta Amurka. zai "yi lalata da zanenmu." [9]
Mai daukar hoto
[gyara sashe | gyara masomin]Lapow ya ɗauki kwasa-kwasan tare da Lisette Model na kusa da Sid Grossman a New School for Social Research tare da abokinsa mai kyau, Leon Levinstein, ta amfani da kyamarar 6x6 twin-lens reflex na kyamarar Ciroflex na biyu wanda ya karɓa don ranar haihuwarsa ta arba'in da uku a shekarar 1952, yana neman abin da nake nema. hoto yana nemana idan na ga wani abu sai in harba shi."
A cikin shekarun 1960 Lapow ya yi karatun zane-zane tare da Evsa Model, mijin Lisette, amma ya ci gaba da ɗaukar hoto, galibi a tsibirin Coney, a cikin lokaci mai yawa daga aikinsa na ƙirar kunshin;
Tsibirin Coney kamar guntun alewa ne a gare ni. Na je rairayin bakin teku masu yawa - Miami, Maroko, Sardinia, Atlantic City - amma tsibirin Coney shine wuri mai ban mamaki. Ban san dalili ba, kuma ba na so in san dalili, to amma waɗannan mutane suna roƙona. [10]
Daga cikin batutuwan hotonsa da yawa shine Victor Perera, kuma ya yi tafiya don ɗaukar hotunan mutanen hamada na Arewacin Afirka, Crow People a Montana, masunta Gaspé na Kanada, manoma a Sicily, da makiyayan Sardiniya, tare da aikin da aka buga a mujallar Masana'antu, [4] Mujallar <i id="mwjw">New York</i>, [11] [10] da New York Times da New York Times . [12]
Ganewa
[gyara sashe | gyara masomin]Sama da shekaru 25, tsakanin shekara ta 1952 da 1977, Lapow ya ɗauki hotuna na tsibirin Coney, kamar yadda Model da Grossman suka yi, kuma kamar yadda sauran manyan masu ɗaukar hoto suka yi, gami da Weegee .
Ɗaya daga cikin Hotunan farko na Lapow na bikin auren Italiya a bakin teku a tsibirin Coney Edward Steichen ya zaɓa don nunin Gidan Gidan Mutum a Gidan Tarihi na Art Modern, wanda ya zagaya duniya kuma 9 miliyan baƙi ya gani. Littafin na Jerry Mason na Iyalin Mata na 1979 ya haɗa da hoton Lapow na wata tsohuwa tana tuka kekenta.
Ya yi tafiya sosai, yana daukar hoto a cikin ƙananan ƙauyukan kamun kifi a Nova Scotia, noma da kuma kamun kifi a cikin Gaspé Peninsula na Quebec, ajiyar Crow Nation a Montana, tsibirin Magdalen, tsibirin Prince Edward, kuma daga baya, a Maroko, Sardinia, da Italiya.
Helen Gee ta ba Lapow baje kolinsa na farko a Gidan Gidanta na Limelight a Kauyen Greenwich a shekarar 1959. Har ila yau, ya nuna a cikin nune-nunen nune-nunen na A Photographer's Gallery, New York, Washington, DC, Photokina a Cologne, Vu Par Cultural Center a Paris, kuma a Expo 67, Montreal, Canada. A cikin shekarar 1970 ya gudanar da nunin haɗin gwiwa a Kwalejin Ashland da aka keɓe ga Tsibirin Coney tare da mawaƙi Mark McCloskey wanda ƙarshen ya nuna ayar a cikin baƙaƙen launin toka wanda Hotunan Lapow monochrome suka haɗa. Nunin ya biyo baya a farkon wannan shekarar wanda ya haɗa da su biyu a Kwalejin Jami'ar Jihar a Potsdam Lapow ya gabatar da laccoci game da aikinsa, ciki har da a Kwalejin Jami'ar Jihar a shekarar 1975, da kuma a Tompkins Cortland Community College a shekarar 1978.
A cikin shekarar 1978 Dover Publications ya buga littafin aikinsa na Tsibirin Coney, Coney Island Beach People, cikakken shafi ɗari da talatin da takwas ko ɗimbin hotuna masu matsakaicin matsakaici waɗanda aka shirya don haɗin gani na gani maimakon tsarin lokaci. A cikin gabatarwar, David Toor ya rubuta cewa;
Harry Lapow yana mai da hankali kan daidaikun mutane da ƙananan ƙungiyoyi. Yana amfani da yashi, teku, sama da siffar mutum don ƙirƙirar sararin samaniya mara kyau, nau'i mai ban mamaki, abun da ke ciki mai ban mamaki. Ya jaddada ma'amala da maimaita sifofin da batutuwa suka yi da baya, inuwa a kan yashi, tunani a cikin ruwa.
John Gabree, yana bitar ta ga kalaman Newsday cewa;
Wani lokaci ’yan Adam da ke zaune a tsibirin Coney na Harry Lapow ba su yi kama da mutane ba fiye da abubuwan al'amuran ƙasa, tsaunuka musamman, ko duwatsun da suka bazu a bakin teku. Wani lokaci kuma, a cikin tsattsauran ra'ayi, suna kama da sassaka. Tare da rufe hancinsu da tabarau, da yawa suna kama da halittu daga Mars. Lapow yana haifar da kyau maimakon kama shi. Babu wani halitta mai rai a bikinis da ke yiwa hotunansa murnar... Kuma duk da haka akwai kyan gani na ban mamaki a cikin waɗannan hotunan.
Fotofolio, kamfanin katin waya, ya rarraba hotunan Lapow da yawa. Robert L. Pincus, nazarin Lapow's 1981 haɗin gwiwa show tare da John Brumfield da Lou Stoumen a G. Ray Hawkins Gallery a Los Angeles ɗauke da cewa shi ne;
... Hotunansa na shekarun 70s da suka fi dacewa da fahimta. Hoton a shekarar 1975 na wasu tsofaffin mata biyu a cikin hular wanka suna yawo a bakin teku yana da ban sha'awa musamman; duka tsayawarsu da yanayin fuskarsu, da ba a sani ba, suna da rauni sosai.
nune-nunen
[gyara sashe | gyara masomin]Solo
[gyara sashe | gyara masomin]- 1959: solo show a Limelight Gallery, Greenwich Village, New York
- 1975, 29 Janairu–24 Fabrairu Tsibirin Coney. Midtown Y Gallery, New York. [10]
Rukuni da hadin gwiwa
[gyara sashe | gyara masomin]- 1955: Iyalin Mutum, MoMA Museum Modern Art, New York
- 1970, Fabrairu: Andre Billeci (gilashi), Linda Plotkin (buga) Harry Lapow (hotuna), Mark McKoskey (wasika). Fine art gallery Kwalejin Jami'ar Jiha a Potsdam
- 1970, 13–30 Oktoba: Tsibirin Coney, Lapow da mawaki Mark McCloskey. Kwalejin Ashland
- 1971, Maris: Hotunan Harry Lapow da wakoki na Mark MeCioskey. Fine Arts Gallery a Jami'ar Jihar New York a Oneonta
- 1981, 3 Mayu–6 Yuni: John Brumfield. Harry Lapow, Lou Stoumen, daukar hoto. G. Ray Hawkins Gallery, 7224 Melrose Ave. Los Angeles
- 1982, 7–31 Disamba: Hotunan Kwanan nan: Michelle Dearborn da Harry Lapow. Hoton Gallery, San Francisco [13]
Bayan mutuwa
[gyara sashe | gyara masomin]Solo
[gyara sashe | gyara masomin]- 1984, zuwa 4 ga Yuli: Coney Island Beach People . Scheinbaum & Russek Gallery na Hoto, Santa Fe
- 1986: Harry Lapow's Coney Island, Gidan kayan tarihi na Hotuna, Gidan Gidan Gida, Gidan George Eastman
- 2002: Mutanen Coney Island Beach: Hotunan Harry Lapow, Klotz/Sirmon Gallery, 511 West 25th Street, New York
Rukuni
[gyara sashe | gyara masomin]- 1980; Janairu: 12 masu daukar hoto na Brooklyn, Lou Bernstein, Mark Boritz, Wayne Clark, Laimute E. Druskis, Alan Forman, Thomas Germano, Barry Gerson, Roger Haile. Harry Lapow, Arnold Meisner, Marilyn Nance da Neil Trager. Hotunan Al'umma na Gidan Tarihi na Brooklyn
- 2007: Alida Fish, Harry Lapow, Robert Richfield, Alan Klotz Gallery, Amurka
- 2015/16: Har abada Coney: Hotuna daga tarin kayan tarihi na Brooklyn, Gidan kayan gargajiya na Brooklyn, New York
- 2018: Sabbin Saye, Alan Klotz Gallery, Amurka
- Ci gaba: Iyalin Mutum, Ƙwaƙwalwar UNESCO na Duniya, Tarin Steichen, Gidan Clervaux, Luxembourg
Tari
[gyara sashe | gyara masomin]- Gidan kayan tarihi na fasahar zamani, New York
- Gidan kayan tarihi na Art na Metropolitan, New York [14]
- Gidan kayan tarihi na birnin New York, New York [15]
- Gidan kayan tarihi na Brooklyn, Brooklyn, New York [16]
- G. Ray Hawkins Gallery
- Cibiyar Smithsonian, Washington, DC [17]
- Gidan Tarihi na Fasahar Fine na Houston, Houston, TX [18]
- Musée Des Beaux-Arts Du Canada [18]
Labarai
[gyara sashe | gyara masomin]Gado
[gyara sashe | gyara masomin]Har yanzu yana daukar hoto a 67 kuma yana zaune a Greenwich Village, Lapow ya kasance mai magana a cikin labaran da aka haɗa a cikin jarida da kuma a talabijin a tsakiyar 1970s game da shekaru da kuma tilasta yin ritaya. Matarsa Ruth ta rasu a shekara ta 1979. Ya mutu da ɗansa mawaƙa Gary a Berkeley, wanda album ɗin Bamboo a cikin Wind Harry ya ɗauki hoton murfin, da 'yarsa, mai zane / mai tsara Marcelle Lapow Toor, wanda mijinta SUNY malamin Ingilishi David ya rubuta gabatarwar zuwa 1978 Dover monograph, kuma wanda har mutuwarta a 2009 ya kasance mai aiwatar da aikin Lapowcutor. A cikin 1983, ɗan Gary ya samar da wasan kwaikwayo na musamman a Cibiyar Al'adu ta La Peña a Berkeley, wanda ya haɗa da tsinkaya na hotunan Harry's Coney Island, kuma ya tuna da ƙarfafawar mahaifinsa don "zama m."
Manazarta
[gyara sashe | gyara masomin]- ↑ Vaughn, Betty (February 1970). "The Business of Packaging Design : Where Is It Going ... And Why". Packaging Design. 11 (1): 81.
- ↑ Teague, Walter Dorwin (October 1960). "Large offices and cooperative effort". Industrial Design. 7 (10): 69.
- ↑ "'Conventional' Packaging For Undergarments". Packaging Design. 2 (6): 9, 57. December 1961.
- 1 2 Caplan, Ralph, ed. (March 1961). "In This Issue". Industrial Design. 8 (3): 8. Cite error: Invalid
<ref>tag; name ":6" defined multiple times with different content - ↑ "Reclosable Cosmetic Blister-Packs". Packaging Design. 9 (1): 43. February 1968.
- ↑ "Showcase for liquid-into-foam action". Packaging Design. 7 (1): 29. February 1966.
- ↑ Cahn, Joel G. (October 1965). "Harry Lapow: A Designer Looks at Materials". Packaging Design. 6 (5): 26–30.
- ↑ "The Role of Research In Packaging : A Panel Discussion : The advantages and limitations of research as seen from five different vantage points". Packaging Design. 6 (2): 32. April 1965.
- ↑ Cahn, Joel G. (February 1968). "The Packaging Year in Review: An Industry Report". Packaging Design. 9 (1): 13, 16, 19, 72–3.
- 1 2 3 "Sunday Best". New York Magazine. 8 (4): 53. 27 January 1975. Cite error: Invalid
<ref>tag; name ":7" defined multiple times with different content - ↑ "Best Bets". New York Magazine. 11 (17): 69. 24 April 1978.
- ↑ Cite error: Invalid
<ref>tag; no text was provided for refs named:5 - ↑ "Focus Gallery Presents Photography With Different Views Of Beauty". West Art. 21 (7). 17 December 1982.
- ↑ "Coney Island 1970s Harry Lapow". Metropolitan Museum. 11 December 1970. Retrieved 2022-12-27.
- ↑ Cite error: Invalid
<ref>tag; no text was provided for refs named:0 - ↑ "Harry Lapow". Brooklyn Museum.
- ↑ "Record Couple on Beach, Coney Island | Collections Search Center, Smithsonian Institution". collections.si.edu. Retrieved 2022-12-27.
- 1 2 "Harry Lapow Photograph". Musée Des Beaux-Arts Du Canada. Retrieved 27 December 2022.
