Hissa Hilal
| Rayuwa | |
|---|---|
| Cikakken suna | Hissa Hilal al-Malihan al-'Unzi |
| Haihuwa | 1974 (51/52 shekaru) |
| ƙasa | Saudi Arebiya |
| Karatu | |
| Harsuna | Larabci |
| Sana'a | |
| Sana'a | ɗan jarida, maiwaƙe da marubuci |
| Sunan mahaifi | Remia |
| IMDb | nm5782089 |
Hissa Hilal (Arabic) mawakiyace a kasar Saudi Arabia. A baya an buga ta a karkashin sunan Remia (Arabic), ta sami shahara a wajen Larabawa a cikin shiekara ta 2010 lokacin da ta karanta waka game da fatwas a kan Million's Poet, gasar waka ta talabijin ta Emirati, kuma ta zama mace ta farko da ta kai wasan karshe na shirin.
Rayuwa da aiki na farko
[gyara sashe | gyara masomin]Hilal, wanda cikakken sunansa shine Hissa Hilal al-Malihan al-'Unzi, an haife shi ne a arewa maso yammacin Saudi Arabia, kusa da Jordan, a cikin al'ummar Bedouin, kuma ya fara rubuta waka yana da shekaru 12, gami da jigogi na rubutu da adalci. Ta ɓoye waƙarta daga iyalinta, waɗanda ba su yarda ba. Ta tafi makarantar sakandare a Bahrain, inda ta gamu da litattafan Ingilishi na gargajiya, amma ba ta iya halartar jami'a ba saboda dalilai na kudi.[1]
Hilal ta sami damar buga wasu waƙoƙinta a cikin jaridu da mujallu na Saudiyya yayin da take aiki a matsayin malami a asibiti a Riyadh, ta amfani da kuɗin daga tallace-tallace na farko don siyan na'urar fax don ta iya rubuta labaran zane-zane daga gida. Hilal ya yi aiki a matsayin edita da wakilin jaridu da mujallu da yawa a Saudi Arabia da yankin Gulf na Farisa, kuma shi ne kuma editan shayari na al-Hayat. Ta wallafa tarin shayari guda biyu, The Language of the Sand Heap (1993) da The Bedewed One . A wannan lokacin, ta rubuta a ƙarƙashin sunan "Remia." [2][3]
Hilal ta ce yin aure ya ba ta karin 'yanci daga iyalinta, kuma cewa' ya'yanta huɗu tushen kwanciyar hankali ne. Mijinta shi ma mawaki ne. Hilal ta so ta yi gasa a lokutan da suka gabata na Million's Poet, amma mijinta, yayin da bai hana ta izinin rubuce-rubuce da ita a matsayin mace ta Saudiyya za ta buƙaci tafiya a waje da kasar ba, ya yi jinkirin ba da shi. Ya kasance a karo na huɗu ne ya ba ta izini.[4]
Mawallafin Miliyan
[gyara sashe | gyara masomin]of the subversive fatwas,
In a time when what is permitted
is confused with what is forbidden.
Hissa Hilal, "The Chaos of Fatwas," 2010[5]
Hilal da waƙarta sun sami yabo da sha'awa daga alƙalai da masu sauraron Million's Poet . [6] Wani alƙali ya ce, "Ƙarfinta ya ta'allaka ne a cikin kirkirar hotuna...Waƙarta tana da iko. Kullum tana da saƙo da ra'ayi mai ƙarfi, har ma a kan batutuwa masu rikitarwa. " Mafi shahararren waka ta Hilal daga gasar ita ce "The Chaos of Fatwas. " Ya soki a cikin dactyls da aka yi waƙaryaci malamai "bary" da ke gudanar da ƙasar ta, suna Allah wadai da tashin hankali da ƙuntata haƙƙin haƙƙin haƙƙoƙin da aka haifar da matsayinsu na tsattsauran ra'ayi. An ga waka a matsayin amsawa musamman ga maganganun da Sheikh Abdul-Rahman al-Barrak ya yi kwanan nan wanda ya yi kira ga a kashe magoya bayan haɗin jima'i. Hilal ya sami barazanar mutuwa a kan layi don wannan waka. Ta ce tana amfani da harshe mai tayar da hankali da hotuna a cikin waƙoƙinta, kamar bayanin malamai masu tsattsauran ra'ayi wanda ke haifar da hoton masu fashewar bam, saboda "tsattsauran hali yana da ƙarfi sosai kuma ba za ku iya magana game da shi ta wata hanya ba. " Waƙar Hilal a makon da ya biyo baya ya kasance ayoyi 15 a kan irin wannan taken, kuma ya ba ta babbar maki na zagaye, wuri a karshe, da kuma yabon alƙalai don ƙarfin hali.[7]
Waƙar Hilal a zagaye na ƙarshe ta ce ana iya amfani da kafofin watsa labarai, batun da alƙalai suka zaɓa, don yaki da jahilci da tantancewa. "Na shiga tsuntsayen haske a cikin yakin haske, muna so mu tashi tare da duniyar da ke yaki da jahilcinta. "
Hilal ta zo a matsayi na uku a gasar, inda ta lashe dirhams miliyan 3 kuma ta sa mata da yawa su halarci wasan karshe fiye da kowane lokaci. Shigar da ita ta ƙarshe ita ce adireshi daga mawaki zuwa waƙoƙinta: "Kana da fuka-fuki mai girgiza / Ba za a ci amanar ku da sararin samaniya ba. " Ta sami mafi girman maki daga kwamitin alƙalai, wanda ya ƙidaya kashi 60% na ƙimar ƙarshe ta mai hamayya, amma bai sami isasshen kuri'un masu sauraro don lashe gasar ba.
The Independent ya rubuta cewa "Million's Poet wani wuri ne mai ban mamaki musamman ga sakonta saboda ra'ayin mazan jiya na tsarinsa," wanda ke inganta waƙoƙin gargajiya kuma yana iya kaiwa ga masu sauraro da ra'ayin rikon kwarya fiye da yawancin tasirin Yammacin Turai; saboda ana girmama jinsi da al'ada, abun ciki yana iya tura iyakoki. Hilal ya kara da cewa tunda malamai masu tsattsauran ra'ayi suna iya riƙe da goyon baya ta hanyar amfani da "kalmomin addini da maganganun da ke da tushe mai zurfi a cikin tunanin kowa, masu matsakaici ya kamata su kalubalanci su ta amfani da irin wannan maganganu maimakon harshen zamani wanda mutane ba za su danganta da shi ba. Masu sharhi sun ba da shawarar cewa ana amfani da wannan nau'in waka don tattauna matsalolin zamantakewa kuma cewa sa hannun Hilal zai iya ci gaba da wannan yanayin.
An lura da bayyanar Hilal a cikin shirin sanye da niqab a cikin kafofin watsa labarai. Ta bayyana cewa ta yi haka ne don danginta maza, waɗanda ke goyon bayan waƙarta, wasu maza ba za su soki su ba, kuma tana fatan 'ya'yanta mata ba za su rufe fuskokinsu ba. Hilal ta ce kwarewarta ta sa niqab yayin tafiya a waje da Saudi Arabia wani bangare ne na abin da ya haifar da abun da ke ciki na "The Chaos of Fatwas"; mummunan martani da ta samu daga mutanen yamma ya sa ta yi tunanin yadda masu tsattsauran ra'ayi na addininta suka ba dukkan Musulmai mummunan suna.
Ayyukan da suka biyo baya
[gyara sashe | gyara masomin]Bayan ya shiga cikin Million's Poet, Hilal ya buga wasu littattafai da yawa.
Saki da Waƙoƙin Kholu: Karatun Matsayin Mata a cikin Ƙabilar Ƙabilar da Nabati Waƙoƙi a matsayin Shaida (2010) tarin waƙoƙi ne da matan Bedouin suka rubuta kafin 1950. Hilal ta shirya tarin, wanda ta ga yana nuna 'yancin magana da cin gashin kai a cikin al'amuran iyali da mata a Saudi Arabia ke da su a cikin tsararraki na baya. Littafin ya ƙunshi waƙoƙi na mata mawaƙa hamsin daga kabilun Bedouin daban-daban kuma ya ƙunshi sassan biyu, "The Right of Choice" da "Rejection and Resistance". Ranar waƙoƙin waƙoƙi sun bambanta, tare da tsofaffi sama da ƙarni biyu da kuma mafi sabo game da shekaru arba'in. Hilal ya ce game da wannan littafin, "Mata na kabilanci sun saba karanta waƙoƙi suna neman saki, kuma lokacin da mazajensu suka ji shi, za su sake su. " Abdallah ibn Raddas ne ya fara tattara waƙoƙin da ke cikin littafin a cikin shekarun 1950 da 1960 kuma sun dogara ne akan labaru daga al'adar baki game da mata waɗanda suka nemi rabuwa da mazajinsu, ko kuma 'yancin kansu, takaici tare da miji, ko masu iko ko masu tsattsauran ra'ayi a cikin umarnin saki, ko waɗanda aka fara da su.[8] Tarihin Hilal ya saba wa ra'ayin da ke da shi cewa al'ummar zamani sun fi wayewa fiye da al'ummar kabilanci na tsofaffi, kuma suna nuna bambance-bambance tsakanin matsayin jinsi a cikin al'ummomin hamada na Bedouin da kuma cikin al'ummar birane waɗanda suka mamaye.
Enlightenment (2011) tarin waƙoƙin Hilal ne daga shekaru goma da suka gabata, kuma ya haɗa da "The Chaos of Fatwas. "
manazarta
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