Houria Niati
 Houria Niati | |
|---|---|
| Rayuwa | |
| Haihuwa | Khemis Miliana (en)  , 1948 (77/78 shekaru) |
| ƙasa | Aljeriya |
| Karatu | |
| Makaranta | Camden Art Centre (en) |
| Harsuna | Larabci |
| Sana'a | |
| Sana'a | contemporary artist (en) |
| hourianiati.com | |
Houria Niati (an haife ta a shekara ta 1948) 'yar wasan kwaikwayo ce ta zamani ta Aljeriya da ke zaune a Landan . [1] Niati ta ƙware a cikin shigarwar kafofin watsa labarai waɗanda ke sukar wakilcin Yamma da kuma nuna mata na arewacin Afirka da Gabas ta Tsakiya.[2] Ayyukanta musamman suna da wasan kwaikwayo na rayuwa mafi yawan kiɗa na gargajiya na Aljeriya kamar Raï, a matsayin mahimmin wakilci na gani na ƙasar Niati da al'adu.[3] Salah M. Hassan ya ci gaba da ba da cikakken bayani game da wasan kwaikwayonta, "Ta yi amfani da synthesizers, rikodin sauti, da tasirin haske na musamman don ƙirƙirar yanayin wasan kwaikwayo da yanayin sihiri mai ƙarfi na sauti, motsi na jiki, da launi. " [3] Shirye-shiryen da nune-nunen sun haɗu tare da zane-zane, zane-zane.
Rayuwa ta farko da aiki
[gyara sashe | gyara masomin]Niati ta girma ne a Aljeriya da ke zaune a Faransa, inda aka kashe 'yan Aljeriya sama da miliyan daya saboda tsayayya da mamayewa. Lokacin da Niati ke da shekaru goma sha biyu, ta nuna adawa da mulkin mallaka na Faransa tare da rubutun adawa da mallaka, wanda ya sa ta a kurkuku. Kwarewar Niati tare da mamayar Faransa da juyin juya halin mutanenta ya rinjayi fasaharta sosai daga baya a rayuwa.
Niati ta koma London a ƙarshen shekarun 1970, inda ta lura da fasahar Yammacin da ke nuna mutanen Aljeriya, musamman mata, a cikin hanyar da ba a sani ba.[3] Wannan ya rinjayi nata nuni na al'adu, al'ummai, da mutane bayan mulkin mallaka.[3] Ta halarci Cibiyar Fasaha ta Camden da Kwalejin Fasaha ta Croydon, kuma daga baya ta ci gaba da samun MA a Fine Arts a Jami'ar Middlesex. [4][5]
Zaɓuɓɓukan nune-nunen
[gyara sashe | gyara masomin]- 1983: Five Black Women, Africa Centre, London
- 1984: Into the Open: New Painting, Prints and Sculpture by Contemporary Black Artists, Mappin Art Gallery, Sheffield
- 1986: From Two Worlds, Whitechapel Gallery, London[6]
- 1988: An Exhibition of Pastels & Paintings by Houria Niati, Africa Centre, London[6]
- 1990: No to the Torture, first displayed at the Cartwright Hall Museum in Bradford, England, in 1990[3]
- 1991: Four x 4, Harris Museum and Art Gallery, Preston[6]
- 1991: Bringing Water from the Fountain, first displayed at the Harris Museum in Preston, England, 1991[3][7]
- 2013: Houria Niati: Identity Search, Conway Hall, London, UK[8]
Littattafai
[gyara sashe | gyara masomin][Inda Aka Ɗauko Hoto da ke shafi na 9] "Jiki daban-daban na Kwarewa". A cikin Lloyd, Fran (ed). Fasahar Mata ta Larabawa ta zamani: Tattaunawa na Yanzu. WAL Women's Art Library. .ISBN 9781902770000
Manazarta
[gyara sashe | gyara masomin]- ↑ name="Ruggles">Empty citation (help)
- ↑ name="Review">De Weever, Jacqueline (Spring 2004). "Review: Women, Patronage, and Self-Representation in Islamic Societies by D. FAIRCHILD RUGGLES". Arthuriana. 14 (1): 114–116. doi:10.1353/art.2004.0029. JSTOR 27870591. S2CID 201754269.
- 1 2 3 4 5 6 Empty citation (help)Fairchild Ruggles, D. (2006). Women, Patronage, and Self-Representation in Islamic Societies. Albany: SUNY Press. p. 243. ISBN 0791493075. Retrieved 6 March 2015.
- ↑ Hassan, Salah M. (26 January 2013). "The Installations of Houria Niati". Nka: Journal of Contemporary African Art. 3 (1): 50–55. Retrieved 7 March 2015.
- ↑ "Houria Niati - MA Fine Arts". hourianiati.com. Archived from the original on 6 May 2021. Retrieved 4 March 2020.
- 1 2 3 Cite error: Invalid
<ref>tag; no text was provided for refs named ":1". - ↑ Cite error: Invalid
<ref>tag; no text was provided for refs named ":0". - ↑ Highet, Juliet (16 September 2013). "Houria Niati: Identity Search". Asharq Al Awsat. Archived from the original on 2 April 2015. Retrieved 7 March 2015.