Isa Genzken
 Isa Genzken | |
|---|---|
 | |
| Rayuwa | |
| Haihuwa | Bad Oldesloe (en)  da Schleswig-Holstein (mul) , 27 Nuwamba, 1948 (77 shekaru) |
| ƙasa | Jamus |
| Ƙabila | Germans (en) |
| Ƴan uwa | |
| Abokiyar zama | Gerhard Richter (mul) (1982 - 1993) |
| Karatu | |
| Makaranta | Kunstakademie Düsseldorf (mul) Hochschule für bildende Künste Hamburg (en) |
| Harsuna | Jamusanci |
| Sana'a | |
| Sana'a | mai sassakawa, painter (en) , mai daukar hoto, mai zane-zane, draftsperson (en) , filmmaker (en) , video artist (en) , collagist (en) da installation artist (en) |
Mahalarcin
| |
| Wurin aiki | Köln da Berlin |
| Kyaututtuka | gani
|
| Fafutuka | contemporary art (en) |
| Artistic movement | abstract art (en) |
Isa Genzken (an haife ta a ranar 27 ga Nuwamba 1948) wata 'yar wasan kwaikwayo ce 'yar ƙasar Jamus wadda ke zaune kuma tana aiki a Berlin. Babban kayan aikinta shine sassaka da kuma girka su, ta amfani da nau'ikan kayan aiki iri-iri, ciki har da siminti, siminti, itace da yadi. Tana kuma aiki da daukar hoto, bidiyo, fim da kuma hotunan kwaikwayo.
Rayuwar farko da ilimi
[gyara sashe | gyara masomin]Hanne-Rose "Isa" Genzken (wanda ake kiransa EE-sa GENZ-ken ) an haife shi ne galibi a ƙaramin birnin Bad Oldesloe na arewacin Jamus da kuma a Hamburg .
Ta yi karatun zane-zane da tarihin zane-zane tare da Almir Mavignier da Kai Sudeck a Jami'ar Fasaha ta Hamburg [1] (1968 [2] –1971) da kuma Jami'ar Fasaha ta Berlin (1971–1973). Domin biyan kuɗin karatunta, Genzken ta yi aiki na ɗan lokaci a matsayin mai ƙirar mota. A shekarar 1973 ta koma Kwalejin Fasaha ta Düsseldorf yayin da take karatun tarihin fasaha da falsafa a Jami'ar Cologne . [2] A makarantar, abokan karatun sun haɗa da masu fasaha Katharina Fritsch da Thomas Struth . [2]
Bayan kammala karatunsa a shekarar 1977, Genzken ta koyar da sassaka a makarantar. Ta auri mai zane-zanen Jamus Gerhard Richter a shekarar 1982 sannan ta koma Cologne a shekarar 1983. Ma'auratan sun rabu a shekarar 1993 kuma Genzken ta koma Berlin.
Genzken yana da matsalar bipolar, yana fuskantar yanayi na manic da depression kuma ya shafe lokaci a asibitocin tabin hankali. Ta sha fama da shan miyagun ƙwayoyi akai-akai. A wata hira da ta yi da ita a shekarar 2016, ta ce matsalolin barasa sun fara ne bayan rabuwarta kuma ta kasance cikin maye tun daga shekarar 2013. [3]
Genzken ya yi aiki a ɗakunan studio a Düsseldorf, Cologne (wanda mai zane Frank Tebroke ya tsara a shekarar 1993); na ɗan gajeren lokaci a Amurka, a Lower Manhattan da Hoboken, New Jersey ; kuma a halin yanzu yana Berlin .
Aiki
[gyara sashe | gyara masomin]Duk da cewa Isa Genzken ta fi mayar da hankali kan sassaka, ta samar da kafofin watsa labarai daban-daban, ciki har da daukar hoto, fim, bidiyo, ayyuka a kan takarda, aiki a kan zane mai mai, zane-zane, littattafan zane-zane, rubutun fina-finai, har ma da rikodin. Aikinta daban-daban yana amfani da gadon Constructivism da Minimalism kuma sau da yawa ya ƙunshi tattaunawa mai mahimmanci da buɗewa tare da gine-ginen zamani da al'adun gani da kayan zamani. Ayyukan Genzken daban-daban kuma suna hana ta kasancewa a sahun gaba a cikin ayyukanta. Duk da ayyukan Genzken daban-daban, yawancin ayyukanta har yanzu suna ci gaba da kiyaye al'adun sassaka na gargajiya. Ta amfani da siminti, siminti, samfuran gini, hotuna, da kuma bric-a-brac, Genzken yana ƙirƙirar gine-ginen gine-gine waɗanda aka bayyana a matsayin tarkacen zamani. Ta kuma haɗa madubai da sauran wurare masu haske don jawo hankalin mai kallo cikin aikinta. Genzken kuma tana amfani da hanyoyin sanya wurin zama don sanya motsin rai ga masu kallon sassakanta ta hanyar sa masu kallonta su kauce wa hanyar sassaka Genzken saboda sanya sassaka. Wannan ginshiƙi wani abu ne da ake yawan amfani da shi a Genzken, wani tsari mai "tsarki" na gine-gine wanda za a bincika alaƙar da ke tsakanin "fasaha mai girma" da kayayyakin da al'adun gargajiya suka samar da yawa.
A shekarun 1970, Genzken ta fara aiki da itace wanda ta sassaka shi zuwa siffofi na geometric daban-daban kamar su hyperboloids da ellipsoids. A cikin hotunan Hi-Fi-Series ɗinta (1979), ta sake buga tallace-tallace don na'urorin sauti na sitiriyo.
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A cikin 1980, Genzken da Gerhard Richter an ba su izini don tsara tashar karkashin kasa ta König-Heinrich-Platz a Duisburg ; an kammala shi a shekarar 1992. Tsakanin 1986 da 1992, Genzken ta ƙirƙiro jerin sassaka na siminti da siminti don bincika gine-gine. Waɗannan sassaka sun ƙunshi sassaka na siminti da aka zubar a jere tare da ramuka masu kauri, tagogi da ciki. Jerin da aka yi daga baya ya ƙunshi wasu zance na zane-zanen gine-gine ko na ciki da aka yi da simintin epoxy resin, kamar sassaka ginshiƙi ko fitila. A shekarar 1986, bayanan gine-ginen Genzken sun sauya daga shekarun 1910, 20 da 30 zuwa shekarun 1950, 60 da 70. A shekarar 1990 ta sanya firam ɗin ƙarfe, Kyamara (1990) a kan rufin wani gidan tarihi na Brussels, wanda ke ba da damar kallon birnin da ke ƙasa. [4] A shekara ta 2000, an rubuta jerin samfuran gine-gine da aka haɗa su wuri ɗaya tare da Fuck the Bauhaus . Daga baya, a cikin jerin Sabbin Gine-gine na Berlin, wanda aka nuna a Documenta 11, Genzken ya tsara wahayin gine-gine na manyan gine-gine na gilashi.
Aikin mai suna Der Spiegel 1989–1991 jerin hotuna ne da suka ƙunshi kwafi 121 na hotuna baƙi da fari da aka zaɓa kuma aka yanke daga jaridar Der Spiegel ta Jamus mai mako-mako. An gabatar da shi ta hanyar da ba ta jere ba amma ta hanyar tsari, kowanne hoto an manne shi a kan wani farin kati kuma an ɗora shi daban-daban a cikin firam mai sauƙi. Duk da cewa hotunan ba su da taken rubutu, kwanakin da ke cikin jerin sunayen sun ba da alamu game da manufar mawakin.
Zane-zanenta na ƙwallon ƙafa da aka dakatar, waɗanda aka haɗa da MLR (Ƙarin Bincike Mai Haske) (1992), sun nuna cewa na'urar motsa jiki ta kama a tsakiyar juyawa kuma ta daskare a kan lokaci.
Tun daga shekarar 1995, lokacin da take birnin New York na tsawon watanni da dama, Genzken ta ƙirƙiri wani littafi mai jigo uku mai suna I Love New York, Crazy City (1995–1996), wani tarin abubuwan tunawa daga zamanta daban-daban a birnin, ciki har da hotunan gine-ginen Midtown, hotuna, taswira, kuɗin otal, fosta na kulob na dare, da tikitin kade-kade, da sauransu.
Ɗaya daga cikin shahararrun ayyukan Genzken, Rose (1993/7), wani sassaka ne na jama'a na wani fure mai tsayi wanda aka yi da bakin ƙarfe mai enamel wanda ya kai mita takwas sama da filin wasan kwaikwayo na Leipzig . An girka zane-zane na farko da mawakiyar ta yi a bainar jama'a a Amurka, kwafinta Rose II (2007) a wajen Sabon Gidan Tarihi a matsayin wani ɓangare na aikin da aka yi na shekara guda a watan Nuwamba 2010.
Har ila yau Genzken ya samar da fina-finai da yawa, ciki har da Zwei Frauen im Gefecht, 1974, Chicago Drive, 1992, Meine Großeltern im Bayerischen Wald, 1992, da bidiyon Empire/Vampire, Who Kills Death, 2003.
A matsayinta na mai zane ta wallafa littattafai guda biyar masu tsarin fayil. Kowannensu, gami da ayyukanta masu bayyana ra'ayi, ana iya siyan su a gidan yanar gizon David Zwirners Books. Littattafan ta sun haɗa da Sculpture as a World Receiver, October Files, Isa Genzken: Retrospective, Isa Genzken: Oil, da Isa Genzken.
Tun daga ƙarshen rabin shekarar 1990, Genzken ta fara tunanin sassaka da zane-zanen allo a siffar kayan da aka ɗauka daga shagunan gyaran gashi da kuma daga hotuna da kuma yanke jaridu. Sau da yawa tana amfani da kayan da ke nuna yanayin aikinta na ɗan lokaci. A matsayin wani ɓangare na sha'awarta ga sararin samaniyar birane, tana kuma shirya kayan gini masu rikitarwa, kuma galibi suna da ban tsoro, tare da zane-zane, tsana, hotuna, da kuma tarin abubuwa da aka samo. An tattara sabbin gine-gine na New York daga tarkacen filastik, ƙarfe da kwali na akwatin pizza. Tarin abubuwan da aka tattara daga jerin Empire/Vampire, Who Kills Death, waɗanda suka ƙunshi sassaka sama da ashirin da aka ƙirƙira bayan hare-haren Satumba 11, haɗuwa ne na abubuwan da aka samo - siffofi masu aiki, tasoshin filastik, da abubuwa daban-daban na tarkacen mabukaci - waɗanda aka shirya a kan tushe a cikin wuraren da aka yi wahayi zuwa ga gine-gine, bayan halaka. Elefant (2006) ginshiƙi ne na labule masu tsayi da aka yi wa ado da bututun filastik, foil, furanni na wucin gadi, yadi da wasu ƙananan sojoji da 'yan Indiyawa. A lokacin da take shigar da Oil, mai zane ta canza gidan tarihi na Jamus a Venice Biennale na 2007 zuwa wani sabon salo na Gesamtkunstwerk mai cike da abubuwan ban mamaki.
Genzken ta yi aiki akai-akai tare da Zwirner, wacce ta gudanar da bikin baje kolin Paris New York daga ranar 29 ga Agusta zuwa 10 ga Oktoba, 2020. Ta yi nunin fina-finai guda biyar tare da shi, kuma wannan na ƙarshe shine na biyar da ta yi. Ta yi aiki tare da shi tun daga shekarar 2010. Baje kolin ya haɗa da ayyukan farko na Genzken a Kunstmuseum Basel. Shigar da sassaken Genzken na "hasumiya" na baya-bayan nan. Ya samo asali ne daga sha'awar da masu zane-zane suka nuna wa gine-gine da kuma sararin samaniyar birane tsawon shekaru da dama. Ta yi amfani da siffofi daban-daban waɗanda suka haɗa da, tsarin tsaye, na allon fiber mai matsakaicin yawa tare da haɗa foil ɗin madubi, fenti mai feshi da sauran kayan aikin.
Ganewa
[gyara sashe | gyara masomin]Ta lashe kyautar Fasaha ta Duniya (Gudummawar Al'adu ta SSK Munich) a shekara ta 2004 da kuma kyautar Wolfgang-Hahn-Prize ( Museum Ludwig, Cologne) a shekara ta 2002.
Manazarta
[gyara sashe | gyara masomin]- ↑ "HFBK: HFBK Hamburg". www.hfbk-hamburg.de. Archived from the original on October 15, 2006.
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