Louisine Havemeyer
|
| |
| Rayuwa | |
| Haihuwa | New York, 28 ga Yuli, 1855 |
| ƙasa | Tarayyar Amurka |
| Mutuwa |
Manhattan (mul) |
| Makwanci |
Green-Wood Cemetery (en) |
| Ƴan uwa | |
| Mahaifi | George William Elder |
| Abokiyar zama |
Henry Osborne Havemeyer (en) |
| Yara |
view
|
| Ƴan uwa |
view
|
| Karatu | |
| Harsuna | Turanci |
| Sana'a | |
| Sana'a |
art collector (en) |
| Wurin aiki | New York |
| Mamba |
Silent Sentinels (en) Jam'iyyar Mata ta Kasa |

Louisine Waldron Elder Havemeyer (28 ga Yuli, 1855 - 6 ga Janairu, 1929) ta kasance mai tattara zane-zane, mai kare hakkin mata, kuma mai taimakon jama'a . Baya ga kasancewa mai kula da zane-zanen imprisonist, ta kasance ɗaya daga cikin fitattun masu ba da gudummawa ga ƙungiyar zaɓe a Amurka. Mai zane-zanen imprisonist Edgar Degas da mai kare hakkin mata Alice Paul suna cikin shahararrun waɗanda suka sami goyon bayan wannan mai taimakon jama'a .
Bayani
[gyara sashe | gyara masomin]An haifi Louisine Waldron Elder a birnin New York a ranar 28 ga Yuli, 1855, ga wani ɗan kasuwa George W. Elder (1831–1873) da matarsa, Matilda Adelaide Waldron (1834–1907). Ita ce ta biyu a cikin 'ya'ya huɗu: Anne Eliza Elder, daga baya Mrs. Henry Norcross Munn (1853–1917), Adaline Deliverance Mapes Elder, daga baya Mrs. Samuel Twyford Peters (1859–1943), da ɗan'uwa George Waldron Elder (1860–1916).[1]
Rayuwa a Paris
[gyara sashe | gyara masomin]Ba da daɗewa ba bayan mutuwar mahaifinta, Louisine Elder da iyalinta suka yi tafiya zuwa Turai na tsawon shekaru uku. Sun tashi a ranar 25 ga Mayu, 1873, a cikin jirgin ruwa na SS Calabria, tare da danginsu na nesa, goggo Amanda McCready da danginta, da kuma 'yar uwar Mary Mapes Dodge, editan mujallar St. Nicholas kuma marubucin Hans Brinker; ko kuma Silver Skates . [2]'Yar uwar Mary Mapes Dodge Sophie Mapes Tolles tana zaune a Paris tare da kawarta Emily Sartain, tana karatun fasaha a cikin gidan cin abinci na Evariste Luminais da kuma shiga cikin shirin Mme. Del Sarte, bazawara ga François Del Sarte, malamin da ya shahara a fannin fasahar bayyana abubuwa. Louisine da 'yar uwarta Addie sun haɗu da Sophie Mapes Tolles da Emily Sartain a cikin jirgin a cikin shirin Mme. Del Sarte, kuma a wannan lokacin ne Sartain ta gabatar da Louisine ga Mary Cassatt . 'Yan uwan Philadelphia, Cassatt da Sartain sun yi karatu tare a Kwalejin Fasaha ta Pennsylvania a farkon shekarun 1860 kuma sun yi tafiya tare zuwa Turai tare a kaka ta 1871. A wannan lokacin, Mary Cassatt ta ɗauki Louisine Elder a ƙarƙashin fikafikanta, ta zama mai ba da shawara kuma ta ƙarfafa ta ta yi siyayyar fasaha ta farko, ta Edgar Degas. Yayin da lokaci ya shuɗe, musamman bayan Louisine ta auri Henry O. Havemeyer, Cassatt ta zama mai ba da shawara ga Havemeyers, tana taimakawa wajen gina tarin fasaharsu da kuma sauƙaƙe dangantakar aiki da za su yi da Impressionist Artists, ciki har da Edgar Degas, Édouard Manet, Camille Pissarro da Claude Monet . Abota ta tsawon rai ta haɗu tsakanin Louisine Havemeyer da Mary Cassatt, waɗanda daga baya suka yi pastels da yawa na Louisine da 'ya'yanta.
Tarin zane-zane
[gyara sashe | gyara masomin]Tare da mijinta, Louisine za ta gina mafi kyawun tarin zane-zane a Amurka. Gidanta mai hawa uku a Fifth Avenue da East 66th Street a New York ya cika da mafi kyawun misalai na ayyukan Manet, El Greco, Rembrandt, da Corot . Louis Comfort Tiffany da Samuel Colman sun yi wa gidan ado a tsakanin 1889-1890, waɗanda suka sanya shi wuri mai kyau don tarin kayan tarihi daban-daban masu mahimmanci na mai gidansu. Henry Clay Frick, JP Morgan, da Mrs. Isabella Stewart Gardner suna cikin masu tattara kayan tarihi waɗanda Mr. da Mrs. Havemeyer za su sani kuma su yi gasa da su.
Rayuwar iyali
[gyara sashe | gyara masomin]A ranar 22 ga Agusta, 1883, shekaru goma bayan mutuwar mahaifinta, Louisine ta auri Henry O. Havemeyer na Kamfanin Refining Sugar na Amurka .
Louisine da Henry Osborne suna da 'ya'ya uku:
- Adaline Havemeyer, wacce aka fi sani da Mrs. Peter HB Frelinghuysen — (1884–1963)
- Horace Havemeyer — (1886–1956)
- Electra Havemeyer, wanda aka fi sani da Mrs. James Watson Webb — (1888–1960)
* (Kafin aurensa da Louisine, Henry ya auri goggon Louisine Mary Louise Elder (1847–1897 ), amma wannan auren ya ƙare da saki.)
Gado
[gyara sashe | gyara masomin]Baya ga matsayinta na farko kuma mai mahimmanci wajen tattara zane-zanen Impressionist, Louisine Havemeyer ta kasance mai fafutukar kare haƙƙin mata.

Mai fafutukar kare haƙƙin jama'a
[gyara sashe | gyara masomin]Bayan mutuwar mijinta a shekarar 1907, Mrs. Havemeyer ta mayar da hankalinta kan fafutukar mata ta zaɓe . A shekarar 1912 ta ba da rancen tarin kayanta na fasaha ga Knoedler 's Gallery da ke New York don tara kuɗi don wannan manufa. [3] A shekarar 1913, ta kafa Jam'iyyar Mata ta Ƙasa tare da mai ra'ayin mazan jiya Alice Paul . (A da an san ƙungiyar da "Congressal Union for Women Suffrage".) Ta maimaita baje kolin fasahar tara kuɗi a Knoedler's a shekarar 1915. [3]
Tare da tallafin kuɗi daga Mrs. Havemeyer da wasu irinta, Ms. Paul ta ƙaddamar da jerin zanga-zangar da ke ƙara tayar da hankali waɗanda ke tayar da hankalin 'yancin zaɓe. Kokarin da Paul ya fi shahara shi ne na 1913 National Suffrage Parade, wanda ya haifar da tarzoma a jajibirin rantsar da Shugaba Woodrow Wilson na farko, kuma a matsayinta na memba na Silent Sentinels, zanga-zangar yaƙi a Fadar White House. A lokacin na ƙarshe, Paul ya yi amfani da wasu sassan jawabin Shugaban ƙasa da ke shelar kare dimokuraɗiyya a Turai wanda ta kwatanta da hana 'yanci ga matan Amurka. Lokacin da aka daure ta saboda toshe zirga-zirga a shekarar 1917, yunwa ta kama ta, wanda ya kawo matsin lamba mai yawa ga Majalisa da Gwamnatin Wilson. An yi muhawara kan Kwaskwarima ta Sha Tara, wadda ta faɗaɗa haƙƙin zaɓe ga mata, Majalisa ta yi muhawara a kai, ta sami ƙuri'u 2/3 da ake buƙata a shekarar 1919, an aika ta zuwa jihohi don amincewa, kuma ta sami 3/4 na jihohi da suka amince da ita a shekarar 1920.
Louisine Havemeyer ta zama fitacciyar mai rajin kare haƙƙin jama'a, inda ta buga labarai biyu game da aikinta na wannan manufa a cikin Mujallar Scribner . Na farko, mai taken "The Prison Special: Memories of a Military", ya bayyana a watan Mayu 1922, ɗayan kuma, "The Suffrage Torch: Memories of a Military" ya bayyana a watan Yuni a wannan shekarar. A cikin 1912 da 1915, Mrs. Havemeyer ta shirya nune-nunen ayyukan fasaha daga tarin kayanta a Knoedler Gallery don tara kuɗi don tallafawa ƙoƙarin zaɓe. Ta halarci zanga-zangar, abin da ya ɓata wa 'ya'yanta rai. , a kan sanannen titin Fifth Avenue na New York kuma ya yi wa masu sauraro jawabi a ɗakin tsaye kawai a Carnegie Hall bayan kammala rangadin jawabi a duk faɗin ƙasar. Wani sanannen hoton Mrs. Havemeyer ya nuna ta da tocilar lantarki, irin ta Statue of Liberty, tare da sauran fitattun masu ra'ayin 'yancin zaɓe. Yunkurinta na ƙona wani mutum-mutumin Shugaba Wilson a wajen Fadar White House a shekarar 1919 ya jawo hankalin ƙasa.
Bayan tsawon lokaci na rashin lafiya, Mrs. Havemeyer ta mutu a shekarar 1929. An binne Mrs. Havemeyer a Makabartar Green-Wood da ke Brooklyn, New York . Wa'adin wasiyyarta ya bar wasu zane-zane da aka zaɓa ga Gidan Tarihi na Fasaha na Metropolitan da ke birnin New York. Wa'adin ƙarshe, wanda ya samu ta hanyar karimcin 'ya'yanta, ya haɗa da ayyukan da suka wadatar da kusan kowane ɓangare na tarin kayan tarihin.
Ana nuna kayan ado da yawa na Tiffany daga gidanta na Fifth Avenue, gami da wani kyakkyawan kayan ado na peacock mantelpie, da kuma chandelier na dindindin a Gidan Tarihi na Fasaha na Jami'ar Michigan . [4] Wani ɓangare na ɗakin kayan daki na ɗakin kiɗa yana nan a Gidan Tarihi na Shelburne . [5]
Gadon iyali
[gyara sashe | gyara masomin]'Ya'yan Louisine za su ci gaba da ginawa a kan gadon iyalansu a matsayin masu tattara zane-zane. 'Yar Louisine Electra Havemeyer Webb ta tattara zane-zane da sassaka na Amurka da suka taimaka wajen kafa Gidan Tarihi na Shelburne . Gidan Tarihi yana nuna "tarin tarin abubuwa" a cikin kyawawan misalai na gidajen Amurka na farko da gine-ginen jama'a; shago na gabaɗaya, gidan taro, ɗakin katako, har ma da jirgin ruwa mai tururi a filin. Jikan jikan ta, John Wilmerding, sanannen farfesa ne na fasaha, mai tattarawa, da mai kula da shi, kuma an fi saninta a matsayin marubuciya mai hazaka a fannin littattafai kan fasahar Amurka. [6] 'Yarta Adaline da ɗanta Horace Havemeyer, da jikoki Horace Havemeyer, Jr. da Harry W. Havemeyer sun ba da ayyuka da yawa daga Vermeer, Goya, Corot, Manet, da sauransu ga Gidan Tarihi na Ƙasa . [7]
Zane-zanen da aka ba wa Gidan Tarihi na Fasaha na Metropolitan
[gyara sashe | gyara masomin]| image | title | painter | date | accession number | The Met url |
|---|---|---|---|---|---|
| Portrait of Herman Doomer | Rembrandt | 1640 | 29.100.1 | MET | |
| Portrait of an Old Woman | Jacob Adriaensz Backer | 1640s | 29.100.2 | MET | |
| Portrait of a Man, probably a Member of the Van Beresteyn Family | Rembrandt | 1632 | 29.100.3 | MET | |
| Portrait of a Woman, probably a Member of the Van Beresteyn Family | Rembrandt | 1632 | 29.100.4 | MET | |
| Cardinal Fernando Niño de Guevara | El Greco | 1600 | 29.100.5 | MET | |
| View of Toledo | El Greco | 1596 | 29.100.6 | MET | |
| The Visit | Pieter de Hooch | 1657 | 29.100.7 | MET | |
| Portrait of Petrus Scriverius | Frans Hals | 1626 | 29.100.8 | MET | |
| Portrait of Anna van der Aar | Frans Hals | 1626 | 29.100.9 | MET | |
| Majas on a Balcony | Francisco de Goya | 1808 | 29.100.10 | MET | |
| María Luisa of Parma (1751–1819), Queen of Spain | Copy after Goya | 1900s | 29.100.11 | MET | |
| A City on a Rock | Style of Goya | 1900s | 29.100.12 | MET | |
| Saint Cecilia | Abraham van Diepenbeeck | 1700s | 29.100.14 | MET | |
| Portrait of a Man | Hugo van der Goes | 29.100.15 | MET | ||
| Portrait of a Young Man with a Book | Bronzino | 1540 | 29.100.16 | MET | |
| Madonna and Child with Two Angels | Botticelli | 1500s | 29.100.17 | MET | |
| The Burning of Sodom | Jean-Baptiste Camille Corot | 1850s | 29.100.18 | MET | |
| Bacchante by the Sea | Jean-Baptiste Camille Corot | 1860 1865 |
29.100.19 | MET | |
| Orpheus and Eurydice | painting in the manner of Nicolas Poussin | 29.100.20 | MET | ||
| Mercury and Battus | Francisque Millet | 29.100.21 | MET | ||
| Portrait of a Man | Corneille de Lyon | 1540 | 29.100.22 | MET | |
| Joseph-Antoine Moltedo | Jean Auguste Dominique Ingres | 1810 | 29.100.23 | MET | |
| Portrait of a Man with a Rosary | Lucas Cranach the Elder | 29.100.24 | MET | ||
| Dancers Practicing at the Barre | Edgar Degas | 1877 | 29.100.34 | MET | |
| Woman Having Her Hair Combed | Edgar Degas | 29.100.35 | MET | ||
| Woman Drying Her Foot | Edgar Degas | 29.100.36 | MET | ||
| Woman with a Towel | Edgar Degas | 29.100.37 | MET | ||
| At the Milliner's | Edgar Degas | 1882 | 29.100.38 | MET | |
| The Rehearsal Onstage | Edgar Degas | 1874 | 29.100.39 | MET | |
| The Artist's Cousin, Probably Mrs. William Bell (Mathilde Musson, 1841–1878) | Edgar Degas | 1873 | 29.100.40 | MET | |
| Woman Bathing in a Shallow Tub | Edgar Degas | 1885 | 29.100.41 | MET | |
| Dancers, Pink and Green | Edgar Degas | 29.100.42 | MET | ||
| Sulking | Edgar Degas | 29.100.43 | MET | ||
| The Collector of Prints | Edgar Degas | 1866 | 29.100.44 | MET | |
| Madame Théodore Gobillard (Yves Morisot, 1838–1893) | Edgar Degas | 1869 | 29.100.45 | MET | |
| A Woman Ironing | Edgar Degas | 1873 | 29.100.46 | MET | |
| Mother and Child (The Oval Mirror) | Mary Cassatt | 29.100.47 | MET | ||
| Young Mother Sewing | Mary Cassatt | 1900 | 29.100.48 | MET | |
| The Dead Christ with Angels | Édouard Manet | 1864 | 29.100.51 | MET | |
| A Matador | Édouard Manet | 1866 1867 |
29.100.52 | MET | |
| Mademoiselle V. . . in the Costume of an Espada | Édouard Manet | 1862 | 29.100.53 | MET | |
| Young man in Mayo costume | Édouard Manet | 1863 | 29.100.54 | MET | |
| George Moore (1852–1933) | Édouard Manet | 29.100.55 | MET | ||
| Mademoiselle Isabelle Lemonnier (1857–1926) | Édouard Manet | 29.100.56 | MET | ||
| Woman with a Parrot | Gustave Courbet | 1866 | 29.100.57 | MET | |
| The Source | Gustave Courbet | 1862 | 29.100.58 | MET | |
| Woman in a Riding Habit (L'Amazone) | Gustave Courbet | 1856 | 29.100.59 | MET | |
| Nude with Flowering Branch | Gustave Courbet | 1863 | 29.100.60 | MET | |
| After the Hunt | Gustave Courbet | 29.100.61 | MET | ||
| The Woman in the Waves | Gustave Courbet | 1868 | 29.100.62 | MET | |
| Jo, La Belle Irlandaise | Gustave Courbet | 29.100.63 | MET | ||
| Mont Sainte-Victoire and the Viaduct of the Arc River Valley | Paul Cézanne | 1882 | 29.100.64 | MET | |
| Gustave Boyer (b. 1840) in a Straw Hat | Paul Cézanne | 29.100.65 | MET | ||
| Still Life with Jar, Cup, and Apples | Paul Cézanne | 1877s | 29.100.66 | MET | |
| The Gulf of Marseilles Seen from L'Estaque | Paul Cézanne | 1885 | 29.100.67 | MET | |
| Portrait of a Man with a Breastplate and Plumed Hat | Rembrandt | 1640s | 29.100.102 | MET | |
| Portrait of a Woman | Rembrandt Ferdinand Bol Jan Victors |
1640s | 29.100.103 | MET | |
| Portrait of a Woman | Francesco Montemezzano | 29.100.104 | MET | ||
| Boy with a Greyhound | Paolo Veronese | 29.100.105 | MET | ||
| Chrysanthemums | Claude Monet | 1882 | 29.100.106 | MET | |
| Bouquet of Sunflowers | Claude Monet | 1881 | 29.100.107 | MET | |
| Ice Floes | Claude Monet | 1893 | 29.100.108 | MET | |
| Haystacks (Effect of Snow and Sun) | Claude Monet | 1891 | 29.100.109 | MET | |
| The Four Trees | Claude Monet | 1891 | 29.100.110 | MET | |
| The Green Wave | Claude Monet | 29.100.111 | MET | ||
| La Grenouillère | Claude Monet | 1869 | 29.100.112 | MET | |
| Bridge over a Pond of Water Lilies | Claude Monet | 1899 | 29.100.113 | MET | |
| Copy after Delacroix's "Bark of Dante" | Édouard Manet | 29.100.114 | MET | ||
| Boating | Édouard Manet | 1874 | 29.100.115 | MET | |
| The Allegory of the Sorbonne | Pierre Puvis de Chavannes | 1889 | 29.100.117 | MET | |
| Madame de Brayer | Gustave Courbet | 1858 | 29.100.118 | MET | |
| Portrait of a Woman, Called Héloïse Abélard | Style of Gustave Courbet | 1900s | 29.100.119 | MET | |
| Charles Suisse | Gustave Courbet | 1861 | 29.100.120 | MET | |
| Spring Flowers | Copy after Gustave Courbet | 1855 | 29.100.121 | MET | |
| The Source of the Loue | Gustave Courbet | 1864 | 29.100.122 | MET | |
| Apples | painting in the style of Gustave Courbet | 1900s | 29.100.123 | MET | |
| The Young Bather | Gustave Courbet | 1866 | 29.100.124 | MET | |
| By the Seashore | Pierre-Auguste Renoir | 1883 | 29.100.125 | MET | |
| Bather in the Woods | Camille Pissarro | 1895 | 29.100.126 | MET | |
| Dancers in the Rehearsal Room with a Double Bass | Edgar Degas | 29.100.127 | MET | ||
| A Woman Seated beside a Vase of Flowers | Edgar Degas | 1865 | 29.100.128 | MET | |
| The Third-Class Carriage | Honoré Daumier | 1862 | 29.100.129 | MET | |
| Madame Auguste Cuoq (Mathilde Desportes, 1827–1910) | Gustave Courbet | 29.100.130 | MET | ||
| Christ Asleep during the Tempest | Eugène Delacroix | 29.100.131 | MET | ||
| Alphonse Promayet (1822–1872) | Gustave Courbet | 1851 | 29.100.132 | MET | |
| Portrait of a Man | Gaspare Traversi | 1800s | 29.100.179 | MET | |
| Narcisa Barañana de Goicoechea | Francisco de Goya y Lucientes | 1815 | 29.100.180 | MET | |
| Joseph-Henri Altès (1826–1895) | Edgar Degas | 1868 | 29.100.181 | MET | |
| Marie Dihau (1843–1935) | Edgar Degas | 29.100.182 | MET | ||
| Portrait of a Young Woman | Edgar Degas | 29.100.183 | MET | ||
| The Dancing Class | Edgar Degas | 1870s | 29.100.184 | MET | |
| Woman on a Sofa | Edgar Degas | 1875 | 29.100.185 | MET | |
| Two Dancers | Edgar Degas | 1873 | 29.100.187 | MET | |
| Dancer with a Fan | Edgar Degas | 29.100.188 | MET | ||
| Two Dancers | Edgar Degas | 29.100.189 | MET | ||
| Bather Stepping into a Tub | Edgar Degas | 29.100.190 | MET | ||
| The Muse: History | Jean-Baptiste Camille Corot | 1865 | 29.100.193 | MET | |
| Rocks in the Forest | Paul Cézanne | 29.100.194 | MET | ||
| The Experts | Alexandre-Gabriel Decamps | 1837 | 29.100.196 | MET | |
| Anne de Pisseleu (1508–1576), Duchesse d'Étampes | Corneille de Lyon | 29.100.197 | MET | ||
| Man with a Tankard | Style of Adriaen van Ostade | 1700s | 29.100.198 | MET | |
| The Connoisseur | Honoré Daumier | 1862s | 29.100.200 | MET | |
| Portrait of a Man | Gustave Courbet | 29.100.201 | MET | ||
| The Ballet from "Robert le Diable" | Edgar Degas | 1871 | 29.100.552 | MET | |
| Woman Drying Her Arm | Edgar Degas | 29.100.553 | MET | ||
| Fan Mount: The Ballet | Edgar Degas | 1879 | 29.100.554 | MET | |
| Fan Mount: Ballet Girls | Edgar Degas | 1879 | 29.100.555 | MET | |
| Russian Dancer | Edgar Degas | 1899 | 29.100.556 | MET | |
| Dancer with a Fan | Edgar Degas | 29.100.557 | MET | ||
| Three Dancers Preparing for Class | Edgar Degas | 29.100.558 | MET | ||
| Mademoiselle Lucie Delabigne (1859–1910), Called Valtesse de la Bigne | Édouard Manet | 1879 | 29.100.561 | MET | |
| Girl Weaving a Garland | Jean-Baptiste Camille Corot | 29.100.562 | MET | ||
| Reverie | Jean-Baptiste Camille Corot | 29.100.563 | MET | ||
| Portrait of a Child | Jean-Baptiste Camille Corot | 29.100.564 | MET | ||
| Sibylle | Jean-Baptiste Camille Corot | 1870s | 29.100.565 | MET | |
| The Calm Sea | Gustave Courbet | 1869 | 29.100.566 | MET | |
| Bacchante in a Landscape | Jean-Baptiste Camille Corot | 1865 | 29.100.598 | MET |
Duba kuma
[gyara sashe | gyara masomin]- Havemeyer
Albarkatu
[gyara sashe | gyara masomin]- Louisine Havemeyer.1993. Sha shida zuwa sittin: Abubuwan Tunawa na Mai Tarawa . New York: Ursus Press.
- Louisine W. Havemeyer. 1922. Torch na Zaɓe: Tunawa da Masu Rubuce-rubucen 'Yan Ta'adda (Mayu), shafi na 1922. 528–538.
- Louisine W. Havemeyer. 1922. Muhimmin Littafin Kurkuku: Tunawa da Masu Rubuce-rubucen 'Yan Ta'adda (Yuni) shafi na 1922. 661–675.
- Alice Cooney Frelinghuysen. 1993. Gado Mai Kyau: Tarin Havemeyer New York: Gidan Tarihi na Fasaha na Metropolitan.
Manazarta
[gyara sashe | gyara masomin]- ↑ Wright, Catharine Morris (1979). Lady of the silver skates : the life and correspondence of Mary Mapes Dodge, 1830-1905. Jamestown, R.I.: Clingstone Press. p. 77. ISBN 0-9602454-1-3.
- ↑ Weitzenhoffer, Frances (1986). The Havemeyers: Impressionism Comes to America. New York: Harry N. Abrams, Inc. p. 20. ISBN 0-8109-1096-9.
- ↑ 3.0 3.1 Empty citation (help)
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