Otobong Nkanga
| Rayuwa | |
|---|---|
| Haihuwa | Kano, 13 Satumba 1974 (51 shekaru) |
| ƙasa | Najeriya |
| Mazauni | Birnin Antwerp |
| Karatu | |
| Makaranta |
Jami'ar Obafemi Awolowo École nationale supérieure des beaux-arts de Paris (mul) |
| Sana'a | |
| Sana'a |
dan nishadi, mai sassakawa, painter (en) |
|
Mahalarcin
| |
| Wurin aiki | Amsterdam |
| Kyaututtuka |
gani
|
| otobong-nkanga.com | |
Otobong Nkanga (an haife ta a shekara ta 1974) ƙwararriyar mai zane ce, mai yin zane-zane da kuma mai wasan kwaikwayo, wacce take zaune a Antwerp, Belgium . A shekara ta 2015, ta lashe kyautar Yanghyun . [1]
A cikin aikinta, ta binciko sauye-sauyen zamantakewa da na yanayin muhalli na muhallinta, ta lura da sarkakiyar da ke tattare da su, kuma ta fahimci yadda albarkatu kamar ƙasa da ƙasa, da kuma ƙimomin da za su iya kasancewa, ke ƙarƙashin nazarin yanki da al'adu. An nuna ayyukanta a cibiyoyi da yawa, ciki har da Tate Modern KW Institute (Berlin), Stedelijk Museum da kuma biennale of Sharjah . [2] Ta kuma halarci Biennale na 20 na Sydney . [3]
Rayuwar farko da ilimi
[gyara sashe | gyara masomin]An haifi Otobong Nkanga a Kano, Najeriya, a shekarar 1974 kuma ta shafe mafi yawan lokacin yarinta a Legas . Sha'awarta ga fasaha da muhalli ta samo asali ne a lokacin yarinta lokacin da take tattara ma'adanai da zane-zane da mica a kan titunan Legas . [4] Mahaifiyarta malamar fasaha ce. Mahaifinta ya mutu tana da shekaru bakwai. Mahaifiyarta sai ta kula da Nkanga da 'yan uwanta uku. A lokacin ƙuruciyarta, iyalinta suka ƙaura zuwa Paris, Faransa, saboda aikin mahaifiyarta. [5] Nkanga ta yi karatun fasaha a Jami'ar Obafemi Awolowo da ke Ile-Ife kuma ta ci gaba da karatunta a Ecole des Beaux-Arts da ke Paris. [5] Mahaifiyarta ta mutu a hatsarin mota a daidai lokacin da ta fara karatun jami'a. [6] Daga nan ta ci gaba da samun digiri na biyu a fannin Fasaha a Dasarts, Amsterdam, da ke Netherlands a shekarar 2008. [7] A halin yanzu tana zaune kuma tana aiki a Antwerp, Belgium. [8]
Aiki da aiki
[gyara sashe | gyara masomin]Jigogi da kayan aiki
[gyara sashe | gyara masomin]A cikin aikinta, Nkanga ta binciki jigogi na mulkin mallaka na neocolonialism, tashin hankalin muhalli, da kuma kare muhalli. Misali, a cikin The Weight of Scars ta nuna tabon haƙo ma'adinai. [1] Haka kuma, baje kolin bincike na farko na Nkanga a Amurka, To Ding a Hole That Rushewa Again, ya aika da saƙon gargaɗi game da duniya tana da yunwar kayan duniya da ba za a iya ƙoshi ba kuma tana yin duk abin da za ta samu. [2] A cikin Pursuit of Bling, an isar da wannan saƙon ta hanyar jawo hankali ga neman albarkatun ƙasa da sha'awar duniya na samun ma'adanai da ƙarfe masu wuya. [3] Ta waɗannan hanyoyin, akwai takamaiman wurin aiki ga aikinta, kamar yadda ta ce: "Aikina yana da alaƙa da wuraren da na zauna. Abin da ke faruwa a ɗayan yana shafar wani. Wannan gaskiya ne ga yanayi ma." [4]
Nkanga tana amfani da nau'ikan kafofin watsa labarai da yawa kamar zane-zane, hotuna, zane, yadi, bidiyo, da sassaka, duk da haka an fi saninta da kayan aikinta. [7] Kamar yadda marubuciya kuma mai sukar fasaha Devon Van Houten Maldonado ta lura: "Ɗaya daga cikin ginshiƙan aikinta ya ƙunshi raba albarkatu daga ƙasa zuwa tarin abubuwa, sassaka, da alamomi - mafi yawansu sun fi mayar da hankali kan kayan da aka yi amfani da su." [9] Wasu muhimman abubuwan da aka samu a cikin fasaharta sun haɗa da "ra'ayin abin duniya," wanda shine ra'ayin cewa abubuwa za su iya ji, tunani, da tunawa; tana amfani da wannan ra'ayin don isar da abubuwan da suka faru na kayan halitta a cikin kayan aikinta. [5] Raguwa ta jiki - kamar hannaye da ƙafafu marasa jiki - wani abu ne da ke bayyana a cikin ayyukanta kuma yana nuna rashin fahimtar ainihin cikakken abu. [10] Ta amfani da abubuwan da aka samo daga tarin al'adu kamar Gidan Tarihi na Weltkulturen da ke Frankfurt am Main, Nkanga ta bincika, a cewar mai zane, mai kula da kuma marubuciya Yvette Mutumba, "dangantaka tsakanin yanayin kayayyakin tarihi na yanzu a cikin tarin Afirka na gidan tarihi da kuma yanayin al'adunsu na asali." [11]
Manazarta
[gyara sashe | gyara masomin]- ↑ Woo-young, Lee (12 November 2015). "Nigerian artist Otobong Nkanga wins Yanghyun art prize". The Korea Herald (in Turanci). Archived from the original on 26 September 2022. Retrieved 28 August 2024.
- ↑ "Otobong Nkanga". Contemporary And (in Faransanci). Archived from the original on 26 March 2023. Retrieved 7 March 2015.
- ↑ "20th Biennale of Sydney, Carriageworks". The Guardian. 14 January 2016. Archived from the original on 11 March 2022. Retrieved 28 August 2024.
- ↑ Clarke, Chris (February 2018). "Otobong Nkanga: The Breath from Fertile Grounds". Art Monthly (413): 35. ProQuest 2043673657.
- 1 2 3 Pahl, Katrin (2021). "Improbable Intimacy: Otobong Nkanga's Grafts and Aggregates". Theory & Event. 24 (1): 240–267. doi:10.1353/tae.2021.0009. ISSN 1092-311X. S2CID 234243538 Check
|s2cid=value (help). Cite error: Invalid<ref>tag; name "Pahl 2021 240–267" defined multiple times with different content. - ↑ Cite error: Invalid
<ref>tag; no text was provided for refs named ":0". - 1 2 "Otobong Nkanga". In Situ - fabienne leclerc (in Turanci). Archived from the original on 30 May 2024. Retrieved 15 November 2021. Cite error: Invalid
<ref>tag; name ":1" defined multiple times with different content. - ↑ "Otobong Nkanga | Visual Artist". Otobong Nkanga (in Turanci). Archived from the original on 11 July 2024. Retrieved 12 May 2021.
- ↑ Van Houten Maldonado, Devon (20 July 2018). "Imagining a Reconciliatory Relationship with the Earth". Hyperallergic. Archived from the original on 25 September 2023. Retrieved 28 August 2024.
- ↑ DeLand, Lauren (October 2018). "Otobong Nkanga". Art in America. 106 (9): 118–119. Archived from the original on 21 March 2023. Retrieved 28 August 2024.
- ↑ Mutumba, Yvette (2 October 2014). "Otobong Nkanga: Nothing Is Like It Seems, Everything Is Evidence". Afterall (in Turanci). Archived from the original on 29 September 2022.