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Susanne Wenger

Daga Wikipedia, Insakulofidiya ta kyauta.
Susanne Wenger
Rayuwa
Haihuwa Graz, 4 ga Yuli, 1915
ƙasa Austriya
Switzerland
Mutuwa Osogbo, 12 ga Janairu, 2009
Yanayin mutuwa Sababi na ainihi (cuta)
Karatu
Harsuna Turanci
Jamusanci
Sana'a
Sana'a painter (en) Fassara, printmaker (en) Fassara, mai sassakawa, mai daukar hoto, draftsperson (en) Fassara da masu kirkira
Kyaututtuka

Susanne Wenger MFR, wacce aka fi sani da Adunni Olorisha (4 ga Yuli 1915 - 12 ga Janairu 2009), ta kasance mai fasaha 'yar Austria-Nigeria kuma firist 'yar Yarbawa [1] wacce ta yi ƙaura zuwa Najeriya. Babban abin da ta fi mayar da hankali a kai shi ne al'adun Yarbawa kuma ta yi nasara wajen gina haɗin gwiwar masu fasaha a Osogbo . Ta yi haɗin gwiwa da masu fasaha na gida a Osogbo don sake ginawa da sake yin ado da Osun Osogbo Sacred Grove tare da sassaka da sassaka waɗanda ke nuna ayyukan Orishas daban-daban.[2][3][4][5][6][7][8]

Wenger ta kasance babbar mai fafutukar kare Osun Grove. Saboda ƙoƙarinta, an mayar da gonar a matsayin abin tunawa na ƙasa a shekarar 1965, kuma daga baya aka sanya ta a matsayin wurin tarihi na duniya. [9][10][11][12]

Rayuwar farko da aiki

[gyara sashe | gyara masomin]

An haifi Susanne Wenger a Graz, Austria . Ita 'yar wata malamar makarantar sakandare ce ta Turanci da Faransa kuma uwa ce da wani babban jami'in soja na Austro-Hungary ya haifa. [13] [14] Wenger ta halarci Makarantar Fasaha ta Aiwatar da Aiki a Graz a shekarar 1930, ta ƙware a fannin tukwane. Daga baya ta ci gaba da karatunta, da farko a Cibiyar Ilimi da Bincike ta Tarayya ta Higher Graphical sannan kuma a Kwalejin Fasaha ta Vienna tare da Herbert Boeckl. Yayin da take makarantar, ta koyi fasahar zane-zane kuma ta inganta ƙwarewarta ta zane. [15]

Bayan ƙarshen Yaƙin Duniya na Biyu, Wenger ma'aikaciya ce a mujallar yara ta kwaminisanci mai suna Unsere Zeitung ("Jaridarmu"). Ta tsara murfin bugu na farko. A shekarar 1947, abokai suka gayyace ta don ta kafa ƙungiyar zane-zane ta Vienna. [1] A Vienna, a lokacin da kuma bayan yaƙin, yawancin ayyukanta na gwaji ne, [1] suna samun wahayi daga ruhaniya; waɗannan ayyukan sun haɗa da zane-zanen fensir masu launi da hotuna masu ban mamaki waɗanda ke da wahalar fahimta.

A shekarar 1947, Wenger ta yi tafiya zuwa Italiya, an ba ta wannan tafiya a matsayin kyauta saboda lashe gasar talla. Bayan dawowarta, ta sami nasarar sayar da ayyukanta ga wani dillalin fasaha, Johann Egger, wanda shi ma ya riƙe ayyukan Hans Arp, Paul Klee da Piet Mondrian. [13]

Bayan ta zauna a Italiya da Switzerland kuma bisa shawarar Egger, a shekarar 1949, Wenger ya tafi Paris, [13] inda ta haɗu da mijinta na gaba, masanin harsuna Ulli Beier . A wannan shekarar, an ba Beier matsayi a matsayin ƙwararren mai magana a Ibadan, Najeriya. An ba shi wannan matsayi ne kawai ga wani malami mai aure, ma'auratan da ba su yi la'akari da aure ba [14] kafin tayin sun yanke shawarar yin aure a Landan suka yi ƙaura zuwa Najeriya. A Ibadan, sabuwar kwalejin tana wajen birnin kuma galibin malaman Burtaniya ba sa yin mu'amala da ɗaliban Afirka. [13] Martanin ma'auratan ga yanayin mulkin mallaka shine ƙaura daga Ibadan zuwa ƙauyen Ede a shekara mai zuwa. A Najeriya, Wenger ya rungumi wasu sassan fasaha da fasaha na Afirka kuma ya shiga cikin fasahar yadi mai ban sha'awa .

Cikin shekara guda da isowarta, ta sha fama da rashin lafiya da tarin fuka ya haifar, daga nan sai ta ƙara zama mai ibada ta koma addinin Yarabawa . Ta fara sha'awar addinin bayan ta haɗu da Ajagemo, wani firist na Obatala a Ede. [16] Ajagemo ya gabatar wa Wenger ra'ayin Yarabawa, harshe da addini, kuma ba da daɗewa ba mutanen biyu suka ƙulla alaƙa ta musamman. [15] A wannan lokacin, Wenger ya gwada zane-zane masu launuka iri-iri waɗanda dabarun adire suka yi tasiri a kansu.

Wenger da Beier sun rabu a ƙarshe, inda Wenger daga baya ya auri mai buga ganga na gida Lasisi Ayansola Onilu, wanda a lokacin ne ta kafa kanta a matsayin mai shiga tsakani a farfaɗo da addinin Orisha. Wenger ya bar Ede ya koma Ilobu, kafin ta zauna a Osogbo a 1961. Yayin da take zaune a garin, ta fara sha'awar wuraren bauta da aka keɓe wa Orishas; daga baya ta sake gina sassaka da yawa na addini a cikin wurare masu tsarki kuma Majalisar Gundumar Osogbo ta ba ta umarnin gyara wuraren ibada da yawa na gida, musamman wurin ibada da aka keɓe wa allahiyar kogi, Oshun. [16] An kuma fara Wenger cikin ayyukan ibada na Obatala, Soponna, da Ogboni, kuma daga baya aka ba shi sarautar Adunni Olorisha .

  1. "Susanne Wenger".
  2. Laduke, Betty (1989). "Susanne Wenger and Nigeria's Sacred Osun Grove". Woman's Art Journal. 10 (1): 17–21. doi:10.2307/1358125. ISSN 0270-7993. JSTOR 1358125.
  3. "The white priestess of 'black magic'". 10 September 2008. Retrieved 18 August 2018.
  4. Omoruyi, David (September 1965). "How I Fell in Love and Married Ace Drummer, Lasisi". Spear: Nigeria's National Magazine. ISSN 0038-6634. OCLC 1645029.
  5. "The white priestess of 'black magic'". 10 September 2008. Retrieved 18 August 2018.
  6. Aragbabalu, Omidiji (18 August 2018). "The art of Suzanne Wenger" (PDF).
  7. mondial, UNESCO Centre du patrimoine. "Forêt sacrée d'Osun-Oshogbo". whc.unesco.org (in French). Retrieved 18 August 2018
  8. Unknown, Unknown (13 June 2018). "THE MEGA CITY / LIFESuzanne wenger's groove". New Telegraph.
  9. Ogundiran, Akinwumi (2014). "The Osun-Osogbo Grove as a Social Common and an Uncommon Ground: An Analysis of Patrimonial Patronage in Postcolonial Nigeria". International Journal of Cultural Property (in Turanci). 21 (2): 173–198. doi:10.1017/S0940739114000058. ISSN 0940-7391. S2CID 162599099.
  10. Ikegwu, Jacinta; Okonkwo, Emeka (2010). "THE CONTRIBUTIONS OF SUSANA WENGER TO THE MANAGEMENT AND CONSERVATION OF OSUN-OSHOGBO SACRED GROVE/SHRINE IN NIGERIA". Nsukka Journal of the Humanities. 18: 1–12.
  11. "The Oshun Diaries by Diane Esguerra | Eye Books"
  12. Africa. "Susan Wenger, The White Priestess Of An African Goddess, Passes On!". www.africaresource.com. Retrieved 18 August 2018.
  13. 1 2 3 4 Probst, Peter (2008). "M odernism against M odernity: A Tribute to Susanne Wenger". Critical Interventions (in Turanci). 2 (3–4): 245–255. doi:10.1080/19301944.2008.10781356. ISSN 1930-1944. S2CID 170247850. Cite error: Invalid <ref> tag; name ":4" defined multiple times with different content.
  14. 1 2 "Susanne Wenger - "Art is Ritual"". Susanne Wenger Foundation (in Turanci). 27 February 2014. Retrieved 15 August 2019. Cite error: Invalid <ref> tag; name ":5" defined multiple times with different content.
  15. 1 2 Laduke, Betty (1989). "Susanne Wenger and Nigeria's Sacred Osun Grove". Woman's Art Journal. 10 (1): 17–21. doi:10.2307/1358125. ISSN 0270-7993. JSTOR 1358125. Cite error: Invalid <ref> tag; name ":3" defined multiple times with different content.
  16. 1 2 Omoruyi, David (September 1965). "How I Fell in Love and Married Ace Drummer, Lasisi". Spear: Nigeria's National Magazine (in Turanci). ISSN 0038-6634. OCLC 1645029. Cite error: Invalid <ref> tag; name ":1" defined multiple times with different content.