Taron Marubutan Black da Artists

Taron Marubutan Black da Artists

Iri	babban taro

Aimé Césaire, Jacques Alexis da Richard Wright a La Sorbonne a cikin Satumba 1956.

Majalissar Marubuta da Mawaƙa ( Faransanci : Congrès des écrivains et artistes noirs ; wadda aka fi sani da Congress of Negro Writers and Artists ) taro ne na manyan baki haziƙai don magance matsalolin mulkin mallaka, bautar gumaka, da kuma Négritude . Majalisun Farko na Marubuta da Mawaƙa na Baƙar fata an shirya shi ne ta hanyar bitar al'adu, siyasa, da wallafe-wallafen Pan-African kwata kwata Présence Africaine . An gudanar da shi a birnin Paris na kasar Faransa a watan Satumba na shekarar 1956. yi jawabi a taron Majalissar Marubuta da Mawaka na Biyu, wanda aka gudanar a birnin Rome na kasar Italiya a shekara ta 1959. Kwamitin Taro na Caribbean ne ya shirya shi da farko kuma an bayyana shi a matsayin "taro mafi girma na Black Power da aka taɓa gudanarwa a wajen Amurka"

"Princes and Powers" na James Baldwin

An yi la'akari da asusun taron 1956 a cikin maƙalar "Princes and Powers", na marubucin Ba'amurke Ba'amurke James Baldwin, wanda ya jawo hankalin majalisar ga duniyar masu magana da Ingilishi. An buga rahotannin taron a cikin jaridu da yawa a kusa da birnin Paris, wanda ya baiwa yawancin masu sauraron Faransa ra'ayi game da batutuwan da ake tattaunawa. An buga rubutun a cikin mujallar wallafe-wallafen Preuves, wanda - Baldwin wanda ba a san shi ba - ya kasance gaba ga CIA . Ba tare da la'akari da dangantakar siyasa ba, wannan maƙala ta yada labaran Black Congress ga masu jin Turanci a duniya.

A cikin "Princes and Powers", Baldwin ya sake maimaita tattaunawa ta falsafa game da mulkin Afirka amma har da rikice-rikicen da ke kewaye da Négritude . Baldwin da sauran wakilan Amirka sun sami kansu a ware daga ra'ayoyin da wakilai masu magana da harshen Faransanci irin su Alioune Diop da Léopold Sédar Senghor suka yi. A matsayin masu goyon bayan Négritude, Diop da Senghor sun goyi bayan ƙirƙirar baƙar fata na duniya wanda ya rabu da mulkin mallaka da mulkin mallaka. A matsayin Baƙar fata Ba-Amurke, Baldwin ya lura cewa akai-akai nassoshi game da ainihin baƙar fata ɗaya kawai ya haskaka babban bambance-bambance a cikin ƙwarewar baƙar fata. Alal misali, Baldwin ya ambaci tattaunawa game da abin da ya ƙunshi al'ada. Ya yi tambaya ko za a iya samun al'adar baƙar fata guda ɗaya yayin da aka tarwatsa baƙar fata a duk faɗin duniya suna rayuwa ƙarƙashin yanayi da tarihi daban-daban. Abinda kawai yake da alaƙa da baƙar fata wakilan shine dangantakar su da farar fata. Koyaya, négritude ya ba da shawarar baƙar fata a waje da fari. Ta yaya za a iya ƙirƙirar baƙar fata na duniya a waje da farar fata alhali zalunci ne na fari wanda ke haɗa baƙar fata tare?

Majalisar Marubuta Baƙar fata da Mawaƙa a Montreal

A cikin 1968, daga Oktoba 11 zuwa Oktoba 14, an gudanar da taron Marubuta Baƙar fata da Mawaƙa a Jami'ar McGill don tunawa da adadi irin su Malcolm X da Martin Luther King . An shirya taron ne da farko ta taron matasa wanda ya ƙunshi galibin ɗaliban Caribbean da Baƙar fata na Kanada yayin da ƙungiyar ɗalibai ta McGill ta West Indian Student Association ke daukar nauyinta. Majalisar ta tattaro wasu manyan hazikan baki irin su Michael X, Rocky Jones, CLR James, Walter Rodney, James Forman da kuma musamman, Stokely Carmichael . Manufar wannan taron shine tattauna batun samun 'yancin kai na Baƙar fata ta hanyar maganganun adawa da batutuwan da suka haɗa da wariyar launin fata, Jari-hujja, mulkin mallaka, da kuma nuna bambanci.

An gabatar da ra'ayoyi a wurin taron a sassa daban-daban guda "Asalin da Sakamakon Rikicin Bakar Fata," Kwayoyin Kwayoyin Fadakarwa na Zamani, "Sake Ƙimar Ƙarfafawa" da "Halayen Gaba". Wannan taron ya sami kansa a matsayin tushen rikice-rikice kamar yadda ya ba da izinin halartar fararen fata, amma nan da nan ya biyo bayan taron da aka keɓance ga Baƙar fata.