Xiaoyu Weng
 Xiaoyu Weng | |
|---|---|
| Rayuwa | |
| Haihuwa | 1985 (40/41 shekaru) |
| ƙasa | Sin |
| Sana'a | |
| Sana'a |
curator (en)  |
Xiaoyu Weng (翁笑雨) mace ce mai kula da harkokin fasaha, marubuciya, edita kuma mai ilimi da aka haifa a birnin New York, kuma mai kula da harkokin fasaha na zamani. Aikinta na kula da harkokin fasaha yana da fannoni daban-daban, daga cikinsu akwai tasirin duniya baki ɗaya, haɗuwar fasaha, kimiyya, da fasaha, da kuma sauye-sauyen muhalli da muhalli da ke tasowa ta hanyar kallon mata, asali, da kuma kawar da mulkin mallaka. [1]
Rayuwar farko da ilimi
[gyara sashe | gyara masomin]An haifi Xiaoyu Weng a birnin Shanghai, kuma yana da digiri na farko a fannin Tarihin Fasaha daga Kwalejin Fasaha ta Tsakiya da ke Beijing da kuma digiri na biyu a fannin Gudanar da Ayyuka daga Kwalejin Fasaha ta California da ke San Francisco (2007-2009). [2]
Sana'a
[gyara sashe | gyara masomin]Weng shi ne babban jami'in kula da fasaha na farko a Cibiyar Fasaha ta Zamani ta Wattis a Kwalejin Fasaha ta California (2009-2010) [3] kuma darektan shirye-shirye na Ƙungiyar Fasaha ta Zamani ta Asiya da ke San Francisco. [4]
Gidauniyar Fasaha ta Kadist, 2010–2015
[gyara sashe | gyara masomin]A farkon aikinta, Weng ta gano cewa ta fi son yin magana kai tsaye da masu fasaha masu rai fiye da tarihin fasaha. [5] A shekara ta 2010, an nada Weng a matsayin darektan kafa Asia Programs a Kadist Art Foundation 's Asia Programmes for Paris and San Francisco, inda ta kula da masu fasaha, ta gina tarin fasahar Asiya na zamani, sannan ta ƙaddamar da Kadist Curatorial Collaboration, wanda ke shirya nune-nunen da aka tsara don ƙarfafa musayar al'adu. [1] Nune-nunen da shirye-shiryenta a Kadish galibi sun haɗa da masu fasaha da aiki a hanyoyin zamani, kamar shigar da bidiyo, "adabi na dijital" ko shigarwa da daukar hoto. Ta shirya nune-nunen kamar Ho Tzu Nyen: The Cloud of Unknowing (2011), Ming Wong: Making Chinatown (2012), Young Hae Chang Heavy Industries: Pacific Limm (2013), Robert Zhao Renhui: Flies Prefers Yellow (2014). [1] Weng ta ce yin aiki a Kadist ya haɓaka sha'awarta ga ayyukan fasaha da al'adu a Kudu maso Gabashin Asiya. Ya ba ta "damar zuwa Singapore don tafiye-tafiyen bincike da kuma fahimtar yanayin da ake ciki". [6]
A lokacin da take a Kadist, Weng ta kuma shiga cikin wasannin kwaikwayo na wasu cibiyoyi kamar Invisible Hand: Curating as Gesture, bikin CAFAM International na biyu a shekara ta 2014 a Cibiyar Tarihi ta Fasaha ta Tsakiya, Beijing, wanda ta kasance ɗaya daga cikin waɗanda suka yi haɗin gwiwa da ita. Ta kuma kasance mai haɗin gwiwa da mai kula da baje kolin Landscape: na kama-da-wane, na gaske, mai yiwuwa? (taken shirin yana nufin "masu aikin ontological guda huɗu na Félix Guattari ") don Gidan Tarihi na Guangdong Times da ke Guangzhou da Cibiyar Fasaha ta Yerba Buena da ke San Francisco a 2014. [1] [2]
Manazarta
[gyara sashe | gyara masomin]- ↑ 1.0 1.1 1.2 "Tales of Out Time at the Guggenheim". ocula.com. Ocula magazine. Retrieved 2021-09-05. Cite error: Invalid
<ref>tag; name "ocula" defined multiple times with different content - ↑ "Xiaoyu Weng". www.biennialfoundation.org. 5th Ural Industrial Biennial of Contemporary Art. 27 November 2018. Retrieved 2021-09-04.
- ↑ "Kadiview with Xiaoyu Weng, 2008-2009". kadish.org. Kadish Art Foundation. Retrieved 2021-09-04.
- ↑ "Xiaoyu Weng". www.guggenheim.org. Guggenheim Museum, New York. Retrieved 2021-09-04.
- ↑ "Curator Xiaoyu Weng on Tales of Our Time". www.youtube.com. Guggenheim Museum, Nov 3, 2016. 3 November 2016. Retrieved 2021-09-05.
- ↑ "Kadiview with Xiaoyu Weng, 2008-2009". kadish.org. Kadish Art Foundation. Retrieved 2021-09-04.