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Yayoi Kusama

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Yayoi Kusama
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Rayuwa
Cikakken suna草間彌生
HaihuwaMatsumoto, Nagano, 22 ga Maris, 1929
ƙasaJapan
Mutuwa東京 (mul) Fassara da Tokyo, 14 ga Augusta, 2026
Yanayin mutuwaSababi na ainihi (multiple organ dysfunction syndrome (en) Fassara)
Karatu
MakarantaKyoto City University of Arts (en) Fassara
Kyoto City Senior High School of Art (en) Fassara
HarsunaHarshen Japan
Sana'a
Sana'aconceptual artist (en) Fassara, mai sassakawa, Marubuci, painter (en) Fassara, draftsperson (en) Fassara, mai daukar hoto, installation artist (en) Fassara, Mai tsara tufafi, video artist (en) Fassara, mai nishatantar da mutane, collagist (en) Fassara, architectural drafter (en) Fassara, mai zane-zane, object artist (en) Fassara, maiwaƙe da prose writer (en) Fassara
Wurin aikiTarayyar Amurka, Holand, Tokyo, Kyoto da New York
Muhimman ayyukaA Message of Love, Directly from My Heart unto the Universe (en) Fassara
Kyaututtuka
MambaZero (en) Fassara
Fafutukaabstract art (en) Fassara
contemporary art (en) Fassara
feminist art (en) Fassara
pop art (en) Fassara
Artistic movementabstract art (en) Fassara
installation art (en) Fassara
public art (en) Fassara
IMDbnm0476202
yayoi-kusama.jp

Yayoi Kusama 'Yar wasan kwaikwayo ce ta ƙasar Japan wadda ta yi aiki a fannin sassaka da kuma girka abubuwa . Ta kuma kasance mai himma a fannin zane, wasan kwaikwayo, zane-zanen bidiyo, salon zamani, waƙa, almara, da sauran fasahohi. Aikinta ya dogara ne akan fasahar ra'ayi kuma yana nuna wasu halaye na mata, minimalism, surrealism, da kuma art brut, fasahar pop, da kuma bayyana ra'ayin jama'a, kuma an haɗa ta da abubuwan da suka shafi tarihin rayuwa, tunani, da jima'i. An amince da ita a matsayin ɗaya daga cikin mawakan da suka fi shahara a duniya, kuma tana ɗaya daga cikin mawakan mata da suka fi sayarwa a duniya kuma ta kasance lamba ta 19 a cikin jerin manyan mawakan 50 na Sotheby a shekarar 2023. [1] Ayyukanta sun yi tasiri ga mutanen zamaninta, ciki har da Andy Warhol da Claes Oldenburg .

An haifi Kusama a Matsumoto, kuma an horar da shi a Jami'ar Fasaha ta Kyoto City na tsawon shekara guda a cikin salon zane na Japan mai suna nihonga . [2] Ta samu kwarin gwiwa daga tunanin Amurka na rashin fahimta . Ta koma birnin New York a shekarar 1958 kuma ta kasance wani ɓangare na al'amuran avant-garde na New York a duk tsawon shekarun 1960, musamman a cikin harkar fasahar pop . Ta rungumi ci gaban al'adun hippie na ƙarshen shekarun 1960, ta jawo hankalin jama'a lokacin da ta shirya jerin abubuwan da suka faru inda aka zana hotunan mahalarta tsirara da dige-dige masu launin polka masu haske. [3] [4] Ta fuskanci wani lokaci a shekarun 1970 wanda aka yi watsi da ayyukanta sosai, amma sake farfaɗo da sha'awa a shekarun 1980 ya dawo da ita ga jama'a. Kusama ta ci gaba da ƙirƙirar fasaha a gidajen tarihi daban-daban a faɗin duniya, tun daga shekarun 1950 zuwa gaba.

Ta bayyana halin da take ciki a fili kuma ta zauna a cibiyar kula da lafiyar kwakwalwa tun daga shekarun 1970 har zuwa rasuwarta. Ta ce fasaha ta zama hanyarta ta bayyana matsalolin kwakwalwarta. [1] "Ina yaƙi da ciwo, damuwa, da tsoro kowace rana, kuma hanya ɗaya tilo da na gano da ta rage min rashin lafiya ita ce in ci gaba da ƙirƙirar fasaha," ta faɗa wa wani mai yin hira a shekarar 2012. "Na bi zaren zane-zane kuma ta wata hanya na gano hanyar da za ta ba ni damar rayuwa."

Rayuwa da aiki

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Rayuwar Farko: 1929–1949

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An haifi Yayoi Kusama a ranar 22 ga Maris, 1929 a Matsumoto, Nagano . [5] An haife ta a cikin dangin 'yan kasuwa waɗanda ke da gonar shuke-shuke da gonar iri, Kusama ta fara zana hotunan kabewa a makarantar firamare kuma ta ƙirƙiri zane-zane da ta gani daga abubuwan almara, waɗanda daga baya ayyukanta za su ayyana aikinta. [6] Mahaifiyarta ba ta goyon bayan ayyukanta na ƙirƙira ba; Kusama za ta yi gaggawar kammala fasaharta domin mahaifiyarta za ta ɗauke ta don ta hana ta. [7] Mahaifiyarta ta kasance mai cin zarafi ta jiki, kuma ta tuna da mahaifinta a matsayin "irin wanda zai yi wasa, wanda zai yi mata yawa". [8] Ta ce mahaifiyarta sau da yawa tana aika ta don leƙen asiri kan harkokin mahaifinta bayan aure, wanda hakan ya sanya mata raini ga jima'i a cikin rayuwarta, musamman ƙashin maza da kuma farce : "Ba na son jima'i. Ina da sha'awar jima'i. Lokacin da nake ƙarami, mahaifina yana da masoya kuma na ganshi. Mahaifiyata ta aike ni don leƙen asiri a kansa. Ban so in yi jima'i da kowa tsawon shekaru ba ... Sha'awar jima'i da tsoron jima'i suna tare da ni." Ana iya cewa yarintarta mai ban tausayi, gami da abubuwan da ta gani a mafarki, su ne asalin salon fasaharta. [9] Kabewa waɗanda suka yi fice a cikin fasaharta sun fito ne daga ziyarar da ta kai wani babban wurin girbin iri tare da kakanta lokacin da take ƙarama. [10] Ta ce ta "yi mamakin kyawunsu da kyawunsu" da kuma "karimcinsu mara misaltuwa" duk da cewa galibi ba sa ƙarfafa mata girmamawa sosai. [11]

Lokacin da Kusama ta cika shekara goma, ta fara fuskantar abubuwan almara masu ban mamaki waɗanda ta bayyana a matsayin "hasken haske, auras, ko kuma filayen digo masu yawa". [1] Waɗannan abubuwan da ta gani sun haɗa da furanni da suka yi magana da Kusama, da kuma zane-zane a cikin yadi da ta kalli yadda za ta rayu, ta ninka, ta kuma mamaye ta ko kuma ta kawar da ita, [2] wani tsari da ta aiwatar a cikin sana'arta ta fasaha kuma ta kira shi "share kanta". [3] Fasahar Kusama ta zama mafakarta daga iyalinta da kuma tunaninta lokacin da ta fara samun mafarki. [4] An ruwaito cewa ta yi sha'awar duwatsu masu santsi da suka rufe bakin kogin kusa da gidan danginta, wanda ta ambata a matsayin wani muhimmin tasiri da ke bayan dogayen layukan da take da su.

A lokacin Yaƙin Pacific, lokacin da Kusama ke da shekaru 13, an tura ta aiki a wani masana'antar soja inda aka ba ta aikin yin layu don rundunar sojojin Japan ta Daular Japan . Da take magana game da lokacin da ta yi a masana'antar, ta ce ta yi lokacin ƙuruciyarta "cikin duhu" duk da cewa koyaushe tana iya jin kararrakin harba makami mai linzami da kuma ganin jiragen yaƙi na Amurka B-29 suna shawagi a sama da rana. Yaƙin ya yi tasiri sosai ga yarintarta, kuma ta ce a wannan lokacin ne ta fara daraja ra'ayoyin 'yancin kai da na kirkire-kirkire. Ta halarci makarantar sakandare ta Arigasaki.

Ta ci gaba da karatun zane-zanen Nihonga a Makarantar Fasaha da Sana'o'i ta Kyoto a shekarar 1948. Saboda takaicin wannan salon Japan na musamman, ta fara sha'awar zane-zanen avant-garde na Turai da Amurka, inda ta shirya nune-nunen zane-zanenta da dama a Matsumoto da Tokyo a shekarun 1950. [12]

Nasarar farko a Japan: 1950–1956

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A shekarar 1950, ta fara zana siffofi na halitta masu kama da na halitta a cikin fenti mai launin ruwa, gouache, da mai, musamman a kan takarda. Ta fara rufe saman - bango, benaye, zane-zane, da kuma daga baya, kayan gida, da mataimakan tsirara - da dige-dige na polka waɗanda suka zama halaye na musamman na aikinta. Wasan kwaikwayo na farko ya faru ne a Japan a shekarar 1952. [13]

Manyan filayen da ke ɗauke da dige-dige na polka, ko "raguna marasa iyaka", kamar yadda ta kira su, an ɗauke su kai tsaye daga abubuwan da ta gani. Aikin da ta fara rubutawa wanda ta haɗa waɗannan dige-dige shine zane a shekarar 1939 tana da shekaru 10, inda aka rufe hoton wata mace 'yar Japan da ke sanye da kimono, wacce ake ɗauka a matsayin mahaifiyar mai zane, kuma aka goge ta da dige-dige. Jerin farko na manyan kayayyaki, wani lokacin fiye da 30 feet (9.1 m) - zane-zanen zane masu tsayi, Infinity Nets, an rufe su gaba ɗaya cikin jerin raga da ɗigo-ɗigo waɗanda ke nuni ga wahayin mafarki.

Gidan Tarihi na Metropolitan Museum of Art ya buga rubutun bango da lakabin abubuwa na Surrealism Beyond Borders ya bayyana cewa Kusama ba a haɗa shi da Surrealism a hukumance ba, amma ya tattauna farkon gouaches kamar A Circus Rider's Dream (1955) dangane da motsi. Wannan rubutun ya nuna cewa tana hulɗa da mai sukar mawaƙi Shūzō Takiguchi, wanda aka bayyana a can a matsayin babban mai goyon bayan Surrealism a Japan . [14]

Birnin New York: 1957–1972

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Bayan ya zauna a Tokyo da Faransa, Kusama ya bar Japan yana da shekaru 27 zuwa Amurka. Ta bayyana cewa ta fara ɗaukar al'ummar Japan a matsayin "ƙanana, mai yawan bauta, mai yawan mulkin kama-karya, kuma mai yawan raina mata". Kafin ta bar Japan zuwa Amurka, ta lalata yawancin ayyukanta na farko. [5] A shekarar 1957, ta koma Seattle, inda ta yi baje kolin zane-zane a Zoe Dusanne Gallery. Ta zauna a can har tsawon shekara ɗaya kafin ta koma birnin New York, bayan ta yi wa Georgia O'Keeffe wasiƙu inda ta bayyana sha'awar shiga cikin shahararrun mutane a birnin, kuma ta nemi shawarar O'Keeffe. Ta isa birnin New York a shekarar 1958 inda aka haifi mafi yawan shahararrun tarin kayan tarihinta: Infinity Networks da sassaka. Nunin farko da ta yi wanda ya sami babban nasara shine a shekarar 1959 a Brata Gallery sannan ta ci gaba da yin wasan kwaikwayo na farko na zane-zanen jiki da " abubuwan da suka faru ". [15] A lokacin da take a Amurka, ta yi sauri ta kafa sunanta a matsayin shugaba a cikin ƙungiyar avant-garde kuma ta sami yabo kan ayyukanta daga mai sukar fasaha Herbert Read .

Lafiyar kwakwalwa

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Kusama ta yi fama da matsalar tabin hankali, tana fama da matsalar rashin lafiyar kwakwalwa (OCD) da kuma abubuwan da ke faruwa a rayuwa da kuma rashin iya magana . Saboda wahalar da ta sha, ta sami zama na dindindin a Seiwa Hospital [ja] farawa a shekarar 1977. Ta bayyana cewa tun tana 'yar shekara 10 ta fara samun abubuwan almara na dige-dige, furanni, kabewa, da kuma zane-zane masu tsari waɗanda suka sa su bayyana kuma su yi magana da ita da kuma rufe ta, wani jigo da aka saba gani a cikin ayyukanta na baya. Ta bayyana wannan a matsayin "share kai" kuma ayyukanta da suka haɗa da kayan laushi da/ko launuka hanya ce ta sarrafa da rage ƙarfin ji da gogewarta. [16] [17]

A farkon rayuwarta, mahaifiyarta ta tilasta wa Kusama yin leƙen asiri kan rashin amincin mahaifinta, wanda hakan zai iya haifar mata da "ƙyamar jima'i". Mahaifiyarta ta kuma yi ƙoƙarin hana ta yin zane-zane, inda ta kwace kayan zane na Kusama da fatan hana ta. Bugu da ƙari, saboda ta zauna a Japan a lokacin Yaƙin Duniya na Biyu, wani lokacin ma ba ta da lafiya a jiki. [18] [19] [20]

Ma'ana da asalin aikinta

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Mai kula da ayyukan Kusama da ake nunawa an yi su ne don nutsar da mutum cikin tarin abubuwan da ke tattare da shi, abubuwan da ke damunsa, da kuma maimaitawa. Amfani da tsarin da ba shi da iyaka da maimaituwa na Kusama ya fara ne a matsayin hanyar magance tunanin da ke damun lafiyar kwakwalwarta, kuma waɗannan ra'ayoyin daga baya sun tsara yanayin fasaharta mai zurfi. Claire Voon ta bayyana ɗaya daga cikin kayan kwalliyar madubin Kusama a matsayin wanda zai iya "jigilar ku zuwa sararin samaniya mai natsuwa, zuwa wani wuri mai duhu na hasken da ke fitowa, ko kuma zuwa ga abin da zai iya zama rufin leviathan tare da kyanda". [21]

Ƙirƙirar waɗannan ji a tsakanin masu sauraro an yi shi ne da gangan. Waɗannan abubuwan da suka faru sun zama kamar na musamman a cikin aikinta domin Kusama tana son wasu su tausaya mata a cikin mawuyacin halin da take ciki. [21] Bedatri D. Choudhury ta bayyana yadda rashin jin daɗin mallakar Kusama a tsawon rayuwarta ya sa ta, ko dai a sani ko a cikin rashin sani, ta so ta sarrafa yadda wasu ke fahimtar lokaci da sarari lokacin da take shiga baje kolin kayanta. Fasaha ta zama hanyar magance matsalolin Kusama. [22]

A shekarar 1962, Kusama ta ƙirƙiro littafinta mai suna Accumulation of Stamps, 63 . Ma'aunin da ake amfani da shi shine lakabin da aka liƙa da tawada a kan takarda mai girman 23 3/4 x 29" (60.3 x 73.6) cm). Mai zane Philip Johnson ne ya bayar da kyautar wannan zane ga Sashen Zane da Bugawa a Gidan Tarihi na Fasaha ta Zamani . [23] [24] Kusama ta fuskanci mafarkin furanni, dige-dige, da raga a lokacin yarintarta. [25] Waɗannan wahayin sun mamaye kewayenta, suna rufe komai daga rufi zuwa tagogi da bango. Ta ga irin wannan tsari ya faɗaɗa ya mamaye jikinta da kuma dukkan sararin samaniya. [25] Abubuwan da Kusama ke yi, waɗanda galibi suna da alaƙa da lafiyar kwakwalwarta, sun yi tasiri sosai kan salon fasaharta kuma sun sa ta ƙirƙiri ayyukan da suka haɗu da ƙwarewarta ta sirri da kuma halartar masu sauraro. [26] Don jure yanayinta, Kusama ta ɗauki siffofi masu maimaitawa a cikin fasaharta, ta amfani da lakabi da sitika da aka saya a shaguna. Ba ta ɗauki fasaharta a matsayin ƙarshen kanta ba amma a matsayin hanyar magance nakasarta da ta samo asali tun tana ƙarama. Tsarin maimaitawa, wanda yake bayyana a cikin hotunanta, yana nuna hanyarta ta fasaha. Saboda haka, yawancin ayyukanta suna ɗauke da taken da suka haɗa da kalmomi kamar "tarawa" da "mara iyaka". [27]

Mai sukar fasaha ga jaridar The Australia, Christopher Allen, ya kira Kusama "ɗaya daga cikin mawakan da suka fi kowa rashin aiki a duniya". Marubuciya Emily LaBarge ta rubuta a cikin wani rubutu a yanar gizo ga jaridar The New York Times : "Fasaharta tana kiran duniyar halitta da kuma sararin samaniya mai faɗi a bayanta, kamar dai a ce babban aikin shiga tsakani a cikin fasaha shine tabbatar da matsayinmu a cikin duniya mai girma da kuma nuna yadda muke da alaƙa da kowa da komai. Ruhi mai maraba, sabon fasaha mai maraba wanda zai kasance koyaushe."

Ayyuka da wallafe-wallafe

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Aiki

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A cikin fim ɗin Kusama's Walking Piece (1966), wani wasan kwaikwayo da aka rubuta a cikin jerin zane-zane masu launuka goma sha takwas, Kusama ya yi tafiya a kan titunan birnin New York cikin kimono na gargajiya na Japan yayin da yake riƙe da laima . Kimono ya ba da shawarar rawar gargajiya ga mata a al'adar Japan. Duk da haka, an yi wa kabad ɗin kama da na gaske, domin a zahiri laima ce baƙar fata, wadda aka fentin ta da fari a waje kuma aka yi mata ado da furanni na bogi. Kusama ya yi tafiya a kan titunan da ba kowa a cikinsu ba cikin wani bincike da ba a sani ba. Sai ta juya ta yi kuka ba tare da wani dalili ba, daga ƙarshe ta tafi ta ɓace daga gani. [28]

Wannan wasan kwaikwayo, ta hanyar haɗa kimono, ya ƙunshi ra'ayoyin da matan Asiya-Amurkawa ke ci gaba da fuskanta. Duk da haka, a matsayinta na mai zane-zanen gargajiya da ke zaune a New York, yanayinta ya canza yanayin rigar, wanda ya haifar da haɗin kai tsakanin al'adu daban-daban. Kusama ta sami damar nuna ra'ayinta game da yadda masu sauraronta fararen fata 'yan Amurka ke rarraba ta, ta hanyar nuna rashin hankali na rarraba mutane a cikin mafi girman tukunyar narkewa a duniya. [29]

A cikin al'adun jama'a

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  • Ƙungiyar mawakan 'yan asalin Amurka ta Superchunk ta haɗa da waƙar "Art Class (Song for Yayoi Kusama)" a cikin kundin waƙoƙinta na 2001 mai suna Here's to Shutting Up . [30]
  • A shekarar 1967, Jud Yalkut ya yi fim ɗin Kusama mai suna Kusama's Self-Obliteration . [31]
  • A shekarar 2013, mawakan Birtaniya masu suna The Boy Least Likely To sun yi wa Kusama waka ta musamman, inda suka rubuta wata waka musamman game da ita. [32] Sun rubuta a shafinsu na yanar gizo cewa suna yaba wa ayyukan Kusama saboda tana sanya fargabarta a ciki, wani abu da su kansu suke yi akai-akai. [33]
  • Magnolia Pictures ta fitar da shirin gaskiya na tarihin rayuwa na Heather Lenz, Kusama: Infinity, a shekarar 2018 [34] da kuma sigar DVD a shekarar 2019. [35]
  • Veuve Clicquot da Kusama sun ƙirƙiri kwalba da sassaka mai iyaka a watan Satumba na 2020. [36]
  • Yawon shakatawa na Cyndi Lauper na 2024 ya ƙunshi zane-zane na Kusama, ciki har da fararen sassaka da bangon da aka lulluɓe da dige-dige ja na Kusama. Masu wasan kwaikwayo na Lauper da kuma waɗanda suka yi fice a baya suma sun yi shigar fararen kaya masu launuka iri ɗaya da manyan dige-dige na polka ja. [37]

manazarta

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  1. ↑ Sotheby's (11 December 2023). "The top 50 artists". Sothebys.com (in Turanci). Retrieved 28 August 2026.
  2. ↑ "Yayoi Kusama". guggenheim.org. Archived from the original on 21 February 2018. Retrieved 21 February 2018.
  3. ↑ "Yayoi Kusama, Harry Shunk, János Kender. The Anatomic Explosion, New York. 1968". Museum of Modern Art. Archived from the original on 22 February 2018. Retrieved 21 February 2018.
  4. ↑ "Yayoi Kusama, Harry Shunk, János Kender. Mirror Performance, New York. 1968". Museum of Modern Art. Archived from the original on 15 July 2022. Retrieved 21 February 2018.
  5. 1 2 "Yayoi Kusama". Encyclopedia Britannica (in Turanci). Archived from the original on 25 June 2022.
  6. ↑ "Yayoi Kusama Biography, Life & Quotes". The Art Story. Archived from the original on 29 February 2020. Retrieved 29 February 2020.
  7. ↑ Pound, Cath (26 September 2018). "Yayoi Kusama's extraordinary survival story". BBC. Archived from the original on 7 May 2019. Retrieved 7 May 2019.
  8. ↑ Cite error: Invalid <ref> tag; no text was provided for refs named "Nayeri".
  9. ↑ Dailey, Megan. "Yayoi Kusama: Art As An Escape". Archived from the original on 15 July 2022. Retrieved 8 May 2019.
  10. ↑ "Life, death and polka dot pumpkins: Yayoi Kusama at Guggenheim Bilbao". Hero (in Turanci). Archived from the original on 14 February 2026. Retrieved 27 August 2026.
  11. ↑ FUKUE, Natsuko. "Yayoi Kusama: Japan's Kaleidoscopic, Troubled 'Polka Dot Queen'". barrons (in Turanci). Retrieved 27 August 2026.
  12. ↑ Taylor, Rachel (6 March 2012). "Yayoi Kusama's early years". Tate Etc. Archived from the original on 20 January 2018. Retrieved 19 January 2018.
  13. ↑ "Yayoi Kusama, Artist of Infinities, Dies at 97". HyperAllergic. 27 August 2026. Retrieved 28 August 2026.
  14. ↑ "Surrealism Beyond Borders: Wall Text & Object Labels" (PDF). The Metropolitan Museum of Art. p. 52. Archived from the original on 24 April 2026. Retrieved 5 March 2026.
  15. ↑ "Yayoi Kusama: A Brief History". David Zwirner (in Turanci). Archived from the original on 11 February 2026. Retrieved 26 March 2026.
  16. ↑ Davis, Anna Isabel. "Yayoi Kusama's Depictions of Mental Health". digitalcommons.butler.edu. Archived from the original on 29 May 2024. Retrieved 27 May 2026.
  17. ↑ "Of Polka Dots and Pumpkins: Yayoi Kusama's Infinite Imagination Lights Up Los Angeles". PBS SoCal (in Turanci). 23 October 2017. Archived from the original on 6 June 2026. Retrieved 27 May 2026.
  18. ↑ Tess in the City (24 July 2020). "Transforming Trauma: A Day in the Life of Yayoi Kusama". Medium (in Turanci). Archived from the original on 12 October 2025. Retrieved 27 May 2026.
  19. ↑ Gompertz, Will (5 April 2023). "How Yayoi Kusama Transformed Her Terrors Into Art". Literary Hub (in Turanci). Archived from the original on 11 August 2026. Retrieved 27 May 2026.
  20. ↑ "Yayoi Kusama and Psychedelic Schizophrenia – Unit". Archived from the original on 28 January 2026. Retrieved 27 May 2026.
  21. 1 2 Voon, Claire (23 February 2017). "Immersed in Yayoi Kusama's Lonely Labyrinths and Infinite Worlds". Hyperallergic. Archived from the original on 7 May 2019. Retrieved 7 May 2019.
  22. ↑ Choudhury, Bedatri D. (11 September 2018). "To Infinity and Beyond, Yayoi Kusama Grapples With Conventions". Hyperallergic. Archived from the original on 7 May 2019. Retrieved 7 May 2019.
  23. ↑ "Yayoi Kusama's 'Dots Obsession' Closes at Philip Johnson's Glass House". www.architecturalrecord.com. 27 September 2016.
  24. ↑ "Yayoi Kusama. Accumulation of Stamps, 63. 1962". Museum of Modern Art. Archived from the original on 24 May 2023. Retrieved 2023-05-24.
  25. 1 2 "Yayoi Kusama. Accumulation of Stamps, 63. 1962". Museum of Modern Art. Archived from the original on 24 May 2023. Retrieved 2023-05-24.
  26. ↑ Wye, Pamela; Zelevansky, Lynn; Hoptman, Laura; Tatehata, Akira; Munroe, Alexandra (Winter 1998). "Is She Famous Yet?". Art Journal. 57 (4): 96. doi:10.2307/777932. JSTOR 777932.
  27. ↑ "Cycles of Repetition: Kusama and Hesse". Phillips.com. Archived from the original on 24 May 2023. Retrieved 24 May 2023.
  28. ↑ "Yayoi Kusama, Walking Piece, 1966". Whitney.org. 11 July 2012. Retrieved 28 August 2026.
  29. ↑ Schultz, Stacy E. (2012). "Asian American Women Artists: Performative Strategies Redefined". Journal of Asian American Studies. 15 (1): 105–127. doi:10.1353/jaas.2012.0000. S2CID 145241859.
  30. ↑ {{AllMusic}} template missing ID and not present in Wikidata.
  31. ↑ Zinman, Gregory (September 2013). "Dream Reeler: Jud Yalkut (1938–2013)". The Brooklyn Rail. Archived from the original on 1 March 2021. Retrieved 3 March 2021.
  32. ↑ "a world of polka dots, by the boy least likely to". the boy least likely to. Archived from the original on 23 May 2019. Retrieved 23 May 2019.
  33. ↑ "blog spirit.com". Archived from the original on 23 August 2013.
  34. ↑ Kusama: Infinity on IMDb
  35. ↑ "Kusama: Infinity DVD". Archived from the original on 15 July 2022. Retrieved 23 May 2019 – via blu-ray.com.
  36. ↑ "Yayoi Kusama's Famous Polka Dots Adorn Veuve Clicquot Champagne Collaboration". hypebeast.com. 9 September 2020. Archived from the original on 5 December 2020. Retrieved 27 November 2020.
  37. ↑ Ho, Karen K. (21 October 2024). "Cyndi Lauper's Farewell Tour Features Yayoi Kusama, Daniel Wurtzel, Refik Anadol, and Other Artists". ARTnews.com (in Turanci). Archived from the original on 23 December 2024. Retrieved 23 December 2024.
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