Al lailu lana

Daga Wikipedia, Insakulofidiya ta kyauta.
Al lailu lana
Asali
Lokacin bugawa 1949
Asalin suna Al lailu lana da الليل انا
Asalin harshe Larabci
Ƙasar asali Misra
Characteristics
Genre (en) Fassara drama film (en) Fassara
Launi black-and-white (en) Fassara
Direction and screenplay
Darekta Mahmoud Zulfikar (en) Fassara
Marubin wasannin kwaykwayo Youssef Gohar (en) Fassara
Mahmoud Zulfikar (en) Fassara
'yan wasa
External links

Al lailu lana (Arabic) fim ne na Masar na 1949 wanda Mahmoud Zulfikar ya jagoranta kuma ya fito da shi. The simintin ya hada da Sabah da Suleiman Naguib.[1][2][3][4]

Labarin fim[gyara sashe | gyara masomin]

Nawal, mawaƙi, da Maysa, mai rawa, abokai ne guda biyu waɗanda ke aiki a cikin ƙungiyar tafi-da-gidanka. Manajan ƙungiyar Mohsen ya kai su birnin El Mahalla El Kubra . Mohsen ya karɓi kuɗin shiga ya gudu, don haka mai gidan ya kore su. An kori Nawal da Maysa daga otal ɗin su kuma sun kwana a kan titi, a ƙarshe sun sami mota mara amfani don barci a ciki. Lokacin da mai motar ya zo, Dokta Wahid Kamel, wanda ke ziyarar gida, kuma lokacin da ya shiga motarsa, ya san kasancewarsu kuma sun gane shi bayan ya ya yaudare cewa su malamai ne. Wahid ya sake ganin Nawal, kuma sun yi ja don fadawa soyayya da juna kuma Wahid ya gaya wa mahaifinsa, Pasha cewa yana so ya auri malamin makaranta, kuma ya ki. Nawal ta fito daga gidan wasan kwaikwayo da dare a cikin tufafi da kayan shafawa, don haka 'yan sanda na ɗabi'a sun yi mata zargi kuma sun bi ta, don haka ta ɓoye a cikin gidan Abbas Hamed, mai zane wanda ya sha da yawa har sai ya bugu kuma ya gaya mata cewa zai kashe kawunsa wanda yake mai kula da shi kuma ya sace duk gadonsa, sannan ya hauka. Nawal ta yi ƙoƙari ta karɓi makullin daga aljihunsa, amma ba za ta iya ba, don haka ta kwana a cikin ɗakin, kuma da safe ta sami damar karɓar makullin ta fita, yayin da 'yan sanda suka mamaye ɗakin kuma suka kama Abbas kan zargin kashe kawunsa, wanda aka kashe daren da ya gabata kuma wanda a baya ya yi barazanar kashe shi a gaban shaidu. Abbas ya sami nasarar tserewa kuma ya nemi Nawal domin ita kadai ce shaida game da rashin laifi. Wahid ya ba da shawarar auren Nawal, amma ta guje masa kuma ta yanke shawarar kada ta sake saduwa da shi, saboda ta yi masa ƙarya game da aikinta kuma ta fahimci cewa ita malama ce kuma ba ta gaya masa cewa tana aiki a matsayin mawaƙa a cikin zauren ba. Koyaya, Maysa ta kira Wahid kuma ta gaya masa gaskiya, don haka ya ƙara kusanci da ita kuma ya auri ta duk da rashin amincewar mahaifinsa, Pasha, wanda ya yarda. Abbas ya kira Nawal ya nemi ta ta taimaka masa kuma ta ba da shaida cewa ta kwashe dare a cikin gidansa kuma ta nemi ta sake saduwa da shi a cikin gidan sa don ta yarda ta mika kansa da shaidarta a madadinsa, don haka ta tafi wurinsa a bayan mijinta, wanda ya kalli ta kuma ya yi shakkar halinta kuma ya yi tunanin tana cikin wani al'amari da Abbas, kuma ya sake ta nan take. Nawal bai iya saduwa da Abbas ba saboda 'yan sanda sun kama shi, kuma lokacin da Wahid ya san labarin Abbas, ya amince da Nawal ya ba da shaida a madadinsa, duk da abin kunya da wannan ya haifar masa, kuma hakika Nawal ya tafi kotu ya wanke Abbas kuma ya ba da shaidar cewa ta kwashe wannan dare tare da shi, don haka kotun ta wanke shi kuma an kama ainihin mai kisan kai, kuma Abbas ya rantse wa Wahid cewa matarsa tana da gaskiya kuma ta sha wahala. A ƙarshe, Wahid ya sake auren Nawal kuma ya kasance cikin farin ciki har abada.

Ma'aikatan fim[gyara sashe | gyara masomin]

  • Darakta: Mahmoud Zulfikar
  • Marubuci: Youssef Gohar
  • Studio: Aziza Amir Films
  • Mai rarraba: Fim din Bahna
  • Kiɗa: Riad Al Sunbati da Charl Vusculo
  • Hotuna: Bruno Salvi

Ƴan wasa[gyara sashe | gyara masomin]

Ƴan wasa na farko[gyara sashe | gyara masomin]

  • Mahmoud Zulfikar a matsayin Dokta Wahid Kamel
  • Sabah a matsayin Nawal
  • Suleiman Naguib a matsayin pasha, mahaifin Wahid
  • Nelly Mazloum a matsayin Maysa
  • Salah Nazmi a matsayin Abbas Hamed

Taimako[gyara sashe | gyara masomin]

Manazarta[gyara sashe | gyara masomin]

  1. Al Lailu lana | Film | 1949 (in Harshen Polan), archived from the original on 2019-12-12, retrieved 2022-09-25
  2. Sadoul, Georges (1966). The Cinema in the Arab Countries (in Turanci). Interarab Centre of Cinema & Television. Archived from the original on 2022-09-25. Retrieved 2022-09-25.
  3. "Night is Ours, The [al-leil lana] (1949) - (Sabah) Egyptian film poster F, EX $145 *". www.musicman.com. Archived from the original on 2021-07-26. Retrieved 2022-09-25.
  4. قاسم, محمود. موسوعة الأفلام العربية - المجلد الثاني (in Larabci). E-Kutub Ltd. ISBN 978-1-78058-322-8. Archived from the original on 2022-09-25. Retrieved 2022-09-25.

Haɗin waje[gyara sashe | gyara masomin]