Testament (2004 film)

Testament (2004 film)
Asali
Lokacin bugawa	2004
Asalin harshe	Larabci; Faransanci
Ƙasar asali	Faransa da Moroko
Characteristics
Direction and screenplay
Darekta	Hassan Legzouli (en)
'yan wasa
	Roschdy Zem (mul) ; Mohamed Majd (en) ; Aure Atika (en)
Samar
Editan fim	Nathalie Hubert (en)
Kintato
Narrative location (en)	Moroko
External links
	Specialized websites IMDb: tt0371322; ;

Ten'ja (Larabci: تينجا, English title Testament) fim ne da aka shirya shi a shekarar 2004 na Larabci da Faransanci-Morocca wanda Hassan Legzouli ya ba da umarni, wanda darekta da Emmanuelle Sardou suka rubuta. Fim ɗin ya haɗa da Roschdy Zem, Aure Atika, da Abdou El Mesnaoui. ^[1] ^[2] ^[3] ^[4]

Manazarta

↑ Peter I. Barta, Phil Powrie Bicultural Literature and Film in French and English 2015 1317564774 p93 "As a Moroccan émigré filmmaker, even one who has lived in France for over twenty years, Legzouli presumably has a ... Legzouli's largely uncritical (re-)investment in the myth of return identifies Ten'ja as the most conventional of all the return"
↑ Alistair Fox, Michel Marie, Raphaelle Moine A Companion to Contemporary French Cinema 2015 1118585364 - p.154 "... Exils / Exiles (Tony Gatlif, 2004); Ten'ja / Testament (Hassan Legzouli, 2004); Il était unefois dans l'oued / Once Upon a Time in the Oued (Djamel Bensalah, 2005); Bled Number One. The journeys depicted in these films are at once physical (traveling through space and time) and metaphorical (leading to a greater self-understanding on the part of the protagonist) and can pose as many problems as they provide answers."
↑ Michael Gott, Thibaut Schilt Open Roads, Closed Borders: The Contemporary French-language Road Movie 2013 1841506621
↑ Sylvie Durmelat, Vinay Swamy - Screening Integration: Recasting Maghrebi Immigration in ... - 2012 080323838X p.15 "Focusing on Ten'ja (Legzouli 2004), Bled number one (AmeurZaïmeche 2006), and Exils (Gatlif 2004), Higbee suggests that these films reappropriate the road-movie genre in order to reflect on the meaning of displacement and belonging, .."

[1] Peter I. Barta, Phil Powrie Bicultural Literature and Film in French and English 2015 1317564774 p93 "As a Moroccan émigré filmmaker, even one who has lived in France for over twenty years, Legzouli presumably has a ... Legzouli's largely uncritical (re-)investment in the myth of return identifies Ten'ja as the most conventional of all the return"

[2] Alistair Fox, Michel Marie, Raphaelle Moine A Companion to Contemporary French Cinema 2015 1118585364 - p.154 "... Exils / Exiles (Tony Gatlif, 2004); Ten'ja / Testament (Hassan Legzouli, 2004); Il était unefois dans l'oued / Once Upon a Time in the Oued (Djamel Bensalah, 2005); Bled Number One. The journeys depicted in these films are at once physical (traveling through space and time) and metaphorical (leading to a greater self-understanding on the part of the protagonist) and can pose as many problems as they provide answers."

[3] Michael Gott, Thibaut Schilt Open Roads, Closed Borders: The Contemporary French-language Road Movie 2013 1841506621

[4] Sylvie Durmelat, Vinay Swamy - Screening Integration: Recasting Maghrebi Immigration in ... - 2012 080323838X p.15 "Focusing on Ten'ja (Legzouli 2004), Bled number one (AmeurZaïmeche 2006), and Exils (Gatlif 2004), Higbee suggests that these films reappropriate the road-movie genre in order to reflect on the meaning of displacement and belonging, .."

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