A lokacin bazara (fim)
| A lokacin bazara (fim) | |
|---|---|
| Asali | |
| Lokacin bugawa | 1929 |
| Asalin harshe | Harshan Ukraniya |
| Ƙasar asali | Kungiyar Sobiyet |
| Characteristics | |
Genre (en)  | documentary film |
| During | 79 Dakika |
| Launi |
black-and-white (en) |
| Direction and screenplay | |
| Darekta |
Mikhail Kaufman (en) |
| Samar | |
| Production company (en) | Daukakin-Hotuna dake karkashin Gudanarwar Siniman Ukrain |
| External links | |
A lokacin bazara (In Spring) ( Ukraine , Russian: Весной, romanized: Vesnoi ) wani fim ne na labarin gaskiya akan bincike na Soviet Ukraine wanda Mikhail Kaufman ya jagoranta. Fim din shine aikinsa na farko, wanda aka yi dangane da ra'ayoyin avant-garde manifesto Kinoks kuma shine farkon daraktan Kaufman.
A cewar wasu kafofin watsa labarai na Rasha, a ƙarshen karni na 20 an yi la'akari da cewa fim din ya ɓace; An gano kwafin a cikin shekarar 2005 a wani wurin adana kayan tarihi a Amsterdam.[1][2]
Kirkira[gyara sashe | gyara masomin]
Rashin jituwa ya faru tsakanin Michael Kaufman da Dziga Vertov a wajen samar da shirin "In Spring". Tsakanin 'yan'uwan masu shirya fina-finai biyu, akwai bambance-bambance ta fuskar fasaha ko a lokacin aiki akan hoton Man with a Movie Camera . A cewar Kaufman, shi kansa fim din yana da hargitsi da yawa, kuma an gudanar da taron faifan bidiyo ba tare da "tsarin da aka tsara ba". Wannan rashin jituwa ya sa Mikhail ya yanke shawarar ƙirƙirar fim ɗin nasa bisa tsarin salo da fasaha waɗanda ya yi amfani da shi a cikin fina-finan baya:
Bayani[gyara sashe | gyara masomin]
Farkon fim ɗin yana nuna sauyin yanayi a hankali daga hunturu zuwa bazara. Wani mutun mutumin na dusar ƙanƙara, wanda da farko ya yi kama da mai karfi, a hankali ya fara narkewa. Rafuffuka sun fara kwararowa a kan tituna kuma kankara yai ta nmnarkewa daga saman kogi. Jama'a suna buɗe tagogi, cire rufin hunturu, da kawo barguna masu dumi zuwa baranda. A kan tituna akwai amalanke da kvass da ice cream.
liyafa[gyara sashe | gyara masomin]
An saki shirin a shekarar 1930, ya sami karbuwa sosai, kuma ya zama batun bincike na nazarin fina-finai na musamman. Masanin fina-finan Faransa Georges Sadoul ya ayyana halartan daraktan Kaufman a matsayin "mafi kyawun hoto na 1929". A yayin tattaunawar da aka yi a Kiev bayan fara fim din, marubuci kuma mai suka Leonid Pervomayskiy ya lura cewa a cikin fim din akwai "Kaufman mai zane da Kaufman mawaƙi" kuma ya bayyana montage na darektan a matsayin "mai haske". A cewar marubuci Oleksandr Korniychuk, Kaufman ya sami damar "tsara hargitsatssun ra’ayoyi a waje daya ta hanyar amfani da dabara na yau da kullum”. Wani mai suka ya rubuta cewa "Kwatantan Kaufman yana da kyau kamar Greta Garbo kuma tururuwa da ke fama da kwakwa ana kallon su a matsayin bala'i."
Salon shirin[gyara sashe | gyara masomin]
A cikin hirarsa ta ƙarshe da aka buga a cikin mujallar "New World", Mikhail Kaufman ya ce a lokacin aikin ya kuma so ya nuna karfi mai lalacewa da "ilimin halittu na bazara", da kuma canji a cikin sani wanda ya zo tare da dusar ƙanƙara mai narkewa. Ga darektan yana da mahimmanci don "kaucewa yin wa'azin kai-da-kai": mai kallo tare da marubucin tare da marubucin canji na gajeren lokaci na duk abin da ke da rai dole ne ya ji alamar harbi da jeri da kansa.[4]
Manazarta[gyara sashe | gyara masomin]
- ↑ Assa Novikova (8 November 2014). "Without Vertov" (in Russian). Colta.ru. Retrieved 11 May 2015.
- ↑ "In the art park "Muzeon" a program of film screenings accompanied by live music has concluded" (in Russian). Russia-K. 2014. Retrieved 19 May 2015.
- ↑ Cite error: Invalid
<ref>tag; no text was provided for refs namedКЗ - ↑ Kopalina G. I. (1994). "Last interview of Mikhail Kaufman". No. 1. Novy Mir.