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Ahlam Shibli

Daga Wikipedia, Insakulofidiya ta kyauta.
Ahlam Shibli
at the Jeu de Paume 2013
Sunan yanka أحلام شبلي
Haihuwa Samfuri:Birth year and age
Shibli-Umm al-Ghanam, Israel
Aiki Artist, photographer

Ahlam Shibli, an haife shi a shekara ta 1970) mai ɗaukar hoto ne na Falasdinu, kuma an haife shi a Shibli-Umm al-Ghanam, Isra'ila . [1] [2] [3] Ayyukanshi sun binciko jigogi na gida da mallakarsu da kuma rubuta rayuwar Larabawa a ƙauyukan da Isra'ila ba ta amince da su ba a yankunan Negev da arewacin Galili .

Tarihin Rayuwa

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An haifi Shibli a Isra'ila. [1] [4] [5] Kundin nunin da ta gudanar a ƙasar Italiya ya bayyana cewa ta bayyana kanta a matsayin "Balastinu daga Isra'ila." A wurin baje kolin nata na "Goter" a gidan kayan tarihi na Tel Aviv, gidan kayan gargajiya ya amince da ayyana Shibli a matsayin "Balastinu Isra'ila" a cikin sanarwar nunin na wata-wata, amma ya ƙi sanya wannan bayanin a cikin kundin nunin. A al'adance, fage na fasahar Isra'ila ya kasance yana ɓata sunan masu fasaha na Larabawa a Isra'ila a ƙarƙashin lakabin " Falasdinawa ", kodayake ya fara haɗawa da "Falasdinawa" ta wata hanya, cikin iyaka. [6]

Sana'ar fasaha

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Matsakaicin fasaharshi shine ɗaukar hoto. [7] Ayyukansa sun binciko rayuwar abin da ya bayyana a matsayin "mutanenta," Larabawa na zuriyar Badawiyya a Isra'ila. Adrian Searle ta bayyana hotunanta a matsayin "marasa hankali da rashin ban mamaki...matuƙar motsi." [1] A cikin 2005, ta ɗauki hotunan sojojin Isra'ila-Larabawa [5] waɗanda suka ba da kansu don aikin soja a cikin Sashin Tsaro na Sojojin Isra'ila .

ya kuma ɗauki hoton 'yan madigo, 'yan luwadi, maza da mata da maza da mata a London, Zurich, Barcelona da Tel Aviv ; masu kula da baƙi da tsofaffi a Barcelona; da yara a gidajen marayu a Poland. [8]

An zaɓi Shibli a matsayin ɗan wasan kwaikwayo na farko na birnin Acre a cikin shirin da wannan birni ya ɗauki nauyinsa tare da Ma'aikatar Al'adu da Wasanni ta Isra'ila. Aikinta, "Sense biyar," an nuna shi a shekarar 2002 Acco Festival of Alternative Israel Theater . [9]

Ta shiga cikin 27th São Paulo Biennial (2006/7), [10] documenta 12 (2008), [11] na 3rd Athens Biennale (2011), [8] [12] da documenta 14 (2017). [13]

Kyauta

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A cikin shekara ta 2003, Shibli ya lashe lambar yabo ta fasaha ta Isra'ila Nathan Gottesdiener na 9.

Ayyuka

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Solo nune-nunen

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Ayyukan hoton Ahlam Shibli sun kasance shaida ce mai sarkakiya ta kasancewar gida da rashin gida. Yin amfani da hanyoyin daftarin aiki, Shibli ya ɓullo da wani tsarin aiki wanda ke gujewa haƙiƙanin da ke da alaƙa da aikin jarida. Maimakon shaidar gani, aikinta na ɗaukar hoto ya ƙunshi hulɗar tattaunawa tare da batutuwa. Kowane jeri yana tattara ilimin da aka samu ta hanyar tuntuɓar ma'amala tare da mulkin mallaka da rikice-rikice yayin da ake gujewa koli da wasan kwaikwayo galibi ana tura su ta hanyar wakilcin kafofin watsa labarai. [14]

Jerin irin su Goter (2002-03), Arab al-Sbaih (2007) da The Valley (2007-08) ana sanar da su ta hanyar yanayin yanayi. Ra'ayin Shibli game da shimfidar wurare, garuruwa, matsugunai, ciki, da waje, da makabarta, sun nuna tarin alamomi da ke bayyana tasirin mulkin Isra'ila a kan ƙasar. Babban misali na wannan hadadden labari shine Trackers (2005), jerin hotuna da suka shafi samarin Larabawa wadanda suka yanke shawarar shiga sojojin Isra'ila. A cikin kalmomin mawaƙin, aikin ya bincika farashin da ’yan tsiraru da aka yi wa mulkin mallaka suka biya ga yawancin masu mulkin mallaka, don haka za a iya yarda da su, canza ainihin su, tsira, ko watakila duk waɗannan da ƙari . [14]

Ayyuka na baya-bayan nan irin su Trauma (2008-09) sun fuskanci yanayin da ba a sani ba na mulkin mallaka da kuma aiki da kuma neman ma'anar gida. An fara da tunawa da kisan gillar da aka yi a Tulle a ranar 9 ga watan Yulin shekara ta 1944, Shibli ya yi waiwaye ne kan yadda al'ummar ƙasar suka ki amincewa da mamayar Jamus, sai bayan wasu 'yan shekaru a yakin mulkin mallaka a Indochina da Aljeriya. Jerin irin wannan, ko wanda aka sadaukar don rayuwar yau da kullun a gidan marayu na Poland, Dom Dziecka. Gidan yana yunwa lokacin da ba ku nan (2008), ko Gabashin LGBT (2006), wanda Shibli ya rubuta rayuwar al'ummomin transsexual, ya tsawaita tsarin aikinta fiye da batun Falasdinu. [14]

A cikin jerin Mutuwa (2011-12), muhimmin aiki a cikin wannan baje kolin, Shibli ya binciko wasu hanyoyin da waɗanda ba su nan ba ke sake kasancewa - 'an sake gabatar da su': Mayakan Falasdinawa waɗanda suka faɗi a yayin da suke adawa da kutsen Isra'ila, waɗanda sojojin Isra'ila suka kashe a ƙarƙashin yanayi daban-daban (Shahid), maza da mata waɗanda suka fashe kansu ga masu kisan gilla a cikin Isra'ilawa, ko kuma a cikin sharuddan Isra'ilawa waɗanda suka gaza yin la'akari da su. shahidai. [14] [15]

Yawancin wakilcin shahidai shine abin gani wanda ya baiwa Shibli damar bayyana yadda al'ummar Palasdinu ke tsara al'umma da na cikin gida a kusa da wadannan alkaluma da ba a nan da kuma mutuwarsu. Sau da yawa an rage su zuwa abubuwan haɓakawa waɗanda ke karkatar da jiki da fuskoki da sunan siyasar asalin ƙasa, tilastawa yaduwar abubuwan tunawa yana ba da shaida ga yanayin gida[14]

2017

  • Ahlam Shibli: Kallon . Remai Modern Museum, Saskatoon. Gregory Burke da Sandra Guimarães ne suka shirya. Gabatarwar yanar gizo. [16]

2013

  • Gidan Fatalwa, Gidan Tarihi na Gidan Tarihi na Barcelona, Barcelona, Spain; [14] [17] Jeu de Paume, Paris, Faransa; [14] [17] Museu de Arte Contemporânea de Serralves, Porto, Portugal [14] [17]

2009

  • Wydomowienie/Unhoming, Gidan Tarihi na Fasahar Zamani, Warsaw [18]

2007

  • Goter, and Trackers, Dundee Contemporary Arts, Dundee [19]

2006

  • Trackers, Max Wigram Gallery, London; [20] [21] [22] Herzliya Museum of Contemporary Art, Herzliya ; Kunsthalle Basel, Basel [23]

2003

  • ɓata lokaci : Ba a gane ba, Hoton Kai, da Goter, Ikon Gallery, Birmingham [1]
  • Goter, Tel Aviv Museum of Art, Tel Aviv [9] [24]

2002

  • Matsayi, Hagar Art Gallery, Jaffa [9] [25] [26]
  • Unrecognized, el Kahif Gallery, Bethlehem [25]
  • Hanyoyi biyar, Bikin Acco na Madadin gidan wasan kwaikwayo na Isra'ila, Acre [9]

2000

  • Ba a gane ba, al Matal Cultural Center, Ramallah ; Heinrich Böll Foundation, Tel Aviv [9] [27]

1999

  • Wadi Salib a cikin Mujalladi tara, Cibiyar Al'adun Faransa, Ramallah; Heinrich Böll Foundation, Tel Aviv [9] [27]

Duba kuma

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  • Fasahar gani a Isra'ila
  • fasahar Falasdinawa

Manazarta

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  1. 1 2 3 4 Searle, Adrian (7 October 2003). "What lies beneath". The Guardian. Archived from the original on 12 September 2014. Retrieved 24 March 2008. Cite error: Invalid <ref> tag; name "Searle" defined multiple times with different content
  2. ↑ Cite error: Invalid <ref> tag; no text was provided for refs named Gelder
  3. ↑ Downey, Anthony (Spring 2009). "Thresholds of a Coming Community: Photography and Human Rights". Aperture (194): 41. ISSN 0003-6420. JSTOR 24473384.
  4. ↑ "Ahlam Shibli". Séminaire Des territoires (in Faransanci). 5 December 2007. Archived from the original on 8 May 2014. Retrieved 24 March 2008.
  5. 1 2 Aspden, Rachel (10 July 2006). "Between the lines". The New Statesman. Archived from the original on 22 April 2008. Retrieved 24 March 2008. Cite error: Invalid <ref> tag; name "Aspden" defined multiple times with different content
  6. ↑ Cite error: Invalid <ref> tag; no text was provided for refs named haaretz
  7. ↑ "Index of Artists: Ahlam Shibli – Biography". Universes in Universe: World of Art. Archived from the original on 18 October 2007. Retrieved 24 March 2008.
  8. 1 2 "Main Programme: A Rock and a Hard Place". 3rd Thessaloniki Biennale of Contemporary Art. 2011. Archived from the original on 3 March 2016. Retrieved 25 October 2023. Cite error: Invalid <ref> tag; name ":5" defined multiple times with different content
  9. 1 2 3 4 5 6 "Exhibitions Page - Ahlam Shibli - Solo Exhibits". Information Center for Israeli Art. Archived from the original on 4 December 2022. Retrieved 26 October 2023. Cite error: Invalid <ref> tag; name ":1" defined multiple times with different content
  10. ↑ Rattemeyer, Christian (February 2007). "27th Sao Paulo Bienal: Sao Paulo". Artforum. 45 (6): 10. Archived from the original on 13 July 2012. Retrieved 24 March 2008 – via FindArticles.
  11. ↑ "Ahlam Shibli - Goter - Photograph 2002/03". documenta 12. Documenta. 2007. Archived from the original on 20 October 2007. Retrieved 24 March 2008.
  12. ↑ Dezeuze, Anna (Dec 2011). "3rd Athens Biennale: Monodrome/3rd Thessaloniki Biennale of Contemporary Art: Old Intersections - Make it New". Art Monthly (352): 28–30. ISSN 0142-6702.
  13. ↑ Chevrier, Jean-François (2017). "Ahlam Shibli". Documenta 14 (in Turanci). Archived from the original on 17 May 2022. Retrieved 25 October 2023.
  14. 1 2 3 4 5 6 7 8 "Exhibition - Ahlam Shibli. Phantom Home". Barcelona Museum of Contemporary Art (in Turanci). 25 January 2013. Archived from the original on 24 October 2023. Retrieved 25 October 2023. Cite error: Invalid <ref> tag; name "MACBA" defined multiple times with different content
  15. ↑ Anani, Yazid (Spring 2013). "And My Shrine Is My Mother's Salon: On Ahlam Shibli's Death". Afterall: A Journal of Art, Context and Enquiry (in Turanci) (32): 118–128. doi:10.1086/670187. ISSN 1465-4253. JSTOR 670187.
  16. ↑ "Ahlam Shibli: Staring". Remai Modern (in Turanci). 2017-08-01. Retrieved 2024-04-19.
  17. 1 2 3 Bradley, Kim (1 May 2013). "Barcelona - Ahlam Shibli - MACBA". Art in America. 101 (5): 177–178. ISSN 0004-3214.
  18. ↑ "Ahlam Shibli. Wydomowienie (Unhoming)". Museum of Modern Art, Warsaw (in Turanci). 20 March 2009. Archived from the original on 29 January 2023. Retrieved 26 October 2023.
  19. ↑ Leaver-Yap, Isla (12 February 2007). "Everyday war". The List. Archived from the original on 5 January 2021. Retrieved 25 March 2008.
  20. ↑ Demos, T. J. (November 2006). "Ahlam Shibli - Max Wigram Gallery". Artforum. 45 (3): 315. Archived from the original on 27 October 2023. Retrieved 27 October 2023.
  21. ↑ Bell, Eugenia (14 August 2006). "Ahlam Shibli". Artforum (in Turanci). Archived from the original on 27 October 2023. Retrieved 27 October 2023.
  22. ↑ Mears, Emily Speers (Fall 2006). "Ahlam Shibli: Trackers". Bidoun (in Turanci). Archived from the original on 4 June 2023. Retrieved 27 October 2023.
  23. ↑ "Trackers". Kunsthalle Basel (in Turanci). 2006. Archived from the original on 26 September 2021. Retrieved 27 October 2023.
  24. ↑ "Artist Center: Ahlam Shibli - Amra". Information Center for Israeli Art. Archived from the original on 27 October 2023. Retrieved 27 October 2023.
  25. 1 2 "Palestinian Art - List of Exhibits". Hagar Art Gallery. Archived from the original on 27 October 2023. Retrieved 27 October 2023.
  26. ↑ Laïdi-Hanieh, Adila (Summer 2007). "In the Mirror of the Occupier: Palestinian Art through Israeli Eyes". Journal of Palestine Studies. 36 (4): 71. doi:10.1525/jps.2007.36.4.65. ISSN 0377-919X. JSTOR 10.1525/jps.2007.36.4.65.
  27. 1 2 Höller, Christian (Spring 2013). "Walls, No Bridges: The Relation Between Revealing and Disguising in Ahlam Shibli's Photographic Practice". Afterall: A Journal of Art, Context and Enquiry (in Turanci) (32): 106–117. doi:10.1086/670186. ISSN 1465-4253. JSTOR 670786. Cite error: Invalid <ref> tag; name ":4" defined multiple times with different content

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