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Art

Daga Wikipedia, Insakulofidiya ta kyauta.
fasaha
academic major (en) Fassara, essentially contested concept (en) Fassara, academic discipline (en) Fassara, field of work (en) Fassara, economic sector (en) Fassara da matter (en) Fassara
Bayanai
Ƙaramin ɓangare na Nishaɗi
Bangare na Al'ada da arts (en) Fassara
Karatun ta art history (en) Fassara, art practice (en) Fassara, sociology of art (en) Fassara da art (en) Fassara
Product, material, or service produced or provided (en) Fassara work of art (en) Fassara
Hashtag (en) Fassara art, Kunst da artwork
Has characteristic (en) Fassara art genre (en) Fassara, art style (en) Fassara, type of arts (en) Fassara da Classificatory disputes about art (en) Fassara
Tarihin maudu'i Tarihin Fasaha
Gudanarwan masu kirkira, art writer (en) Fassara da fictional artist (en) Fassara
Mastodon instance URL (en) Fassara https://mastodon.art da https://sunny.garden
A agogo daga hagu na sama: hoto na 1887 na Vincent van Gogh ; siffar kakannin mata ta wani mai fasaha na Chokwe ; cikakken bayani daga Haihuwar Venus ( c. 1484 ) na Sandro Botticelli ; dan Okinawan Shisa zaki
hoton zaninika

Art wani nau'i ne na ayyukan ɗan adam daban-daban, kuma samfurin da aka samo asali, wanda ya haɗa da ƙirƙira ko ƙwarewa mai ƙirƙira, mai bayyana ƙwarewar fasaha, kyakkyawa, ƙarfin tunani, ko ra'ayoyin ra'ayi.

Babu wani ma'anar da aka yarda gaba ɗaya game da abin da ya ƙunshi fasaha, kuma fassararsa ta bambanta sosai cikin tarihi da al'adu. A cikin al'adar Yammacin Turai, rassan gargajiya guda uku na zane-zane na gani suna zanen, sassaka, da kuma gine-gine. Gidan wasan kwaikwayo, raye-raye, da sauran zane-zane, da wallafe-wallafe, kiɗa, fina-finai da sauran kafofin watsa labarai kamar kafofin watsa labarai, suna cikin ma'anar fasaha mai zurfi. Har zuwa karni na 17, fasaha tana nufin kowane fasaha ko ƙwarewa kuma ba a bambanta da fasaha ko kimiyya ba. A cikin amfani na zamani bayan karni na 17, inda la'akari na ado ke da mahimmanci, an raba zane-zane masu kyau kuma an bambanta su da ƙwarewar da aka samu gabaɗaya, kamar kayan ado ko zane-zane.

Yanayin fasaha da abubuwan da ke da alaƙa, kamar kerawa da fassara, ana bincika su a cikin reshe na falsafar da aka sani da aesthetics. Sakamakon zane-zane ana nazarin su a fagagen ƙwararrun zargi na fasaha da tarihin fasaha.

A cikin hangen nesa na tarihin fasaha, ayyukan fasaha sun wanzu kusan tsawon lokacin ɗan adam: daga farkon fasahar tarihi zuwa fasahar zamani; duk da haka, wasu masana suna ganin cewa ainihin manufar "ayyukan fasaha" ba su dace da kyau a wajen al'ummomin Yammacin zamani ba. [1] Ɗaya daga cikin ma'anar fasaha ta farko tana da alaƙa da tsohuwar ma'anar Latin, wanda kusan ke fassara zuwa "ƙwarewa" ko "sana'a", kamar yadda ke da alaƙa da kalmomi kamar "mai sana'a". Kalmomin Turanci da aka samo daga wannan ma'anar sun haɗa da kayan tarihi, wucin gadi, kayan fasaha, fasahar likitanci, da fasahar soja. Duk da haka, akwai sauran amfani da kalmomin baki da yawa, duk suna da alaƙa da iliminta.

kwalban karni na 20, mutanen Twa, Rwanda. Ayyukan fasaha na iya yin ayyuka masu amfani, ban da ƙimar kayan adonsu.

Bayan lokaci, masana falsafa kamar Plato, Aristotle, Socrates da Kant, da sauransu, sun tambayi ma'anar fasaha. [2] Tattaunawa da yawa a cikin Plato suna magance tambayoyi game da fasaha: Socrates ya ce waƙar mawaƙa ne suka yi wahayi zuwa gare ta, kuma ba ta da hankali. Ya yi magana da yarda da wannan, da sauran nau'o'in hauka na (buguwa, sha'awa, da mafarki) a cikin Phaedrus (265a–c), amma duk da haka a cikin <i id="mwcQ">Jamhuriyar</i> yana so ya haramta babban fasahar waƙa na Homer, da dariya kuma. A cikin Ion, Socrates bai ba da alamar rashin amincewa da Homer da ya bayyana a cikin Jamhuriyar ba. Tattaunawar Ion ta nuna cewa Homer's Iliad ya yi aiki a cikin tsohuwar duniyar Girka kamar yadda Littafi Mai-Tsarki yake yi a yau a duniyar Kirista ta zamani: a matsayin fasahar adabi da Allah ya hure wanda zai iya ba da jagorar ɗabi'a, idan da za a iya fassara shi da kyau. [3]

Game da fasahar wallafe-wallafen da fasahar kiɗa, Aristotle yayi la'akari da waƙar almara, tragedy, ban dariya, waƙar Dithyrambic da kiɗa don zama mimetic ko kwaikwayo na kwaikwayo, kowannensu ya bambanta a cikin kwaikwayo ta hanyar matsakaici, abu, da kuma hanya. [4] Misali, waka tana kwaikwaya da kafafen yada labarai na raye-raye da juna, yayin da raye-raye ke kwaikwaya da kari kadai, kuma waka da harshe. Siffofin kuma sun bambanta a cikin abin koyi. Barkwanci, alal misali, kwaikwayo ne na ban mamaki na maza fiye da matsakaici; alhali tragedy yana kwaikwayi maza da ɗan kyau fiye da matsakaici. A ƙarshe, nau'ikan sun bambanta ta hanyar kwaikwayon su ta hanyar labari ko hali, ta hanyar canji ko canji, kuma ta hanyar wasan kwaikwayo ko babu wasan kwaikwayo. [5] Aristotle ya gaskanta cewa kwaikwayo dabi'a ce ga 'yan adam kuma ta zama ɗaya daga cikin fa'idodin ɗan adam akan dabbobi. [6]

Bugu da Ƙarin yanzu kuma takamaiman ma'anar kalmar fasaha azaman taƙaitaccen fasaha don ƙirƙira ko fasaha mai kyau ya bayyana a farkon ƙarni na 17. Kyakkyawan fasaha na nufin wata fasaha da ake amfani da ita don bayyana ƙirƙirar mai zane, ko don jawo hankalin masu sauraro, ko don jawo masu sauraro zuwa ga la'akari da ingantaccen aikin fasaha ko mafi kyawu.

A cikin wannan ma'ana ta ƙarshe, kalmar fasaha na iya nufin abubuwa da yawa: (i) nazarin fasaha mai ƙirƙira, (ii) tsarin yin amfani da fasaha mai ƙirƙira, (iii) samfurin fasaha na ƙirƙira, ko (iv) gwanintar masu sauraro tare da fasahar kere kere. Ƙirƙirar fasaha (zane-zane a matsayin horo) tarin horo ne wanda ke samar da zane-zane (zane-zane a matsayin abubuwa) waɗanda ke tilasta su ta hanyar motsa jiki (art a matsayin aiki) da kuma isar da saƙo, yanayi, ko alamar alama don mai fahimta don fassara (art a matsayin abubuwa). kwarewa). Art wani abu ne da ke motsa tunanin mutum, motsin zuciyarsa, imani, ko ra'ayinsa ta hanyar hankali. Ana iya yin ayyukan fasaha a sarari don wannan dalili ko fassara bisa hotuna ko abubuwa. Ga wasu malamai, irin su Kant, kimiyyar kimiyya da fasaha za a iya bambanta ta hanyar ɗaukar kimiyya a matsayin wakiltar yanki na ilimi da fasaha a matsayin wakiltar yankin 'yancin fadin albarkacin baki. [7]

Sau da yawa, idan ana amfani da wannan fasaha ta hanyar gama gari ko kuma a aikace, mutane za su ɗauke ta a matsayin sana'a maimakon fasaha. Hakanan, idan ana amfani da wannan fasaha ta hanyar kasuwanci ko masana'antu, ana iya ɗaukar ta fasahar kasuwanci maimakon fasaha mai kyau. A gefe guda, sana'a da ƙira wani lokaci ana la'akari da amfani da fasaha. Wasu masu bin zane-zane sun yi iƙirarin cewa bambanci tsakanin fasaha mai kyau da fasaha mai amfani yana da alaƙa da ƙimar ƙimar da aka yi game da fasaha fiye da kowane takamaiman ma'anar. [8] Koyaya, ko da fasaha mai kyau sau da yawa yana da maƙasudi fiye da tsantsar ƙirƙira da bayyana kai. Manufar ayyukan fasaha na iya zama don sadarwa ra'ayoyi, kamar a cikin fasaha na siyasa, ruhaniya, ko ilimin falsafa; don ƙirƙirar ma'anar kyakkyawa (duba kayan ado); don bincika yanayin tsinkaye; don jin daɗi; ko don haifar da motsin rai mai ƙarfi. Manufar ita ma tana iya zama kamar babu ita.

Venus na Willendorf, c. 24,000 - 22,000 BP
Bayan wani kwandon kwandon kwandon kwandon kwando ko tasa, a cikin Gidan kayan tarihi na Art na Metropolitan
Zanen kogon doki daga kogon Lascaux, c. 16,000 BP
An rubuta sa hannu mai salo na Sultan Mahmud II na Daular Usmaniyya a cikin rubutun Musulunci . An rubuta "Mahmud Khan dan Abdulhamid ya kasance mai nasara har abada".
Babban Masallacin Kairouan da ke Tunisiya, wanda kuma ake kira Masallacin Uqba, na daya daga cikin mafi kyawu, mafi mahimmanci, kuma mafi kyawun tsare-tsaren fasaha da gine-gine na manyan masallatai na farko. Wanda aka rubuta a halin yanzu tun daga karni na 9, shi ne kaka kuma abin koyi ga dukkan masallatai a kasashen yammacin Musulunci.
Zanen da mawakin daular Song Ma Lin ya yi, c. 1250 . 24.8 × 25.2 cm
  1. Empty citation (help) "Art: definition" . Oxford Dictionaries. Archived from the original on 1 September 2016. Retrieved 25 December 2015.
  2. Gilbert, Kuhn pp. 73–96
  3. Gilbert, Kuhn pp. 40–72
  4. Aristotle, Poetics I 1447a
  5. Aristotle, Poetics III
  6. Aristotle, Poetics IV
  7. Gilbert, Kuhn pp. 287–326
  8. David Novitz, The Boundaries of Art, 1992