El Anatsui
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| Rayuwa | |
| Haihuwa | Ghana da Anyako, 13 ga Yuni, 1944 (81 shekaru) |
| ƙasa |
Najeriya Ghana |
| Ƙabila |
Yan Ghana Afirkawan Amurka |
| Karatu | |
| Makaranta | Kwame Nkrumah University of Science and Technology |
| Harsuna |
Turanci Pidgin na Najeriya |
| Sana'a | |
| Sana'a |
mai sassakawa, painter (en) |
| Wurin aiki | Najeriya |
| Employers | Jami'ar Najeriya, Nsukka |
| Kyaututtuka |
gani
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| Mamba |
Royal Academy of Arts (en) American Academy of Arts and Sciences (en) |
| Fafutuka |
contemporary art (en) |
| Artistic movement |
installation art (en) abstract art (en) |
| elanatsui.com | |
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Wannan mukalar bata da Reference (Manazarta) ko daya, ka taimaka ta hanyar samar da Manazarta daga littafi ko yanar gizo, duba wannan shafin domin samun masaniya akan yanda zaka samar da Reference (Manazarta) a cikin wannan mukalar.
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El Anatsui mashahurin mai sassaƙa ne na duniya wanda keɓaɓɓen kayan masarufi da ban sha'awa ya burge masu sauraro a duk duniya.[1] [2][3]Ya shahara saboda amfani da kayan da aka jefar da su, musamman ma kwalabe, wadanda ya ke hada su da kyau don samar da manyan kaset. Ayyukan zane-zane na Anatsui suna ƙalubalantar ra'ayoyin al'ada na sassaka da bincika jigogi na amfani, haɗin kai, da kuma asalin Afirka. An baje kolin aikinsa a manyan gidajen tarihi da gidajen tarihi a duniya, wanda ya ba shi yabo da karramawa.[4][5][6]
Rayuwar farko da ilimi
[gyara sashe | gyara masomin]An haifi El Anatsui a Anyko, a yankin Volta na Ghana. Karan cikin ’ya’yan ubansa 32, Anatsui ya rasa mahaifiyarsa kuma kawunsa ya rene shi. Kwarewarsa ta farko game da fasaha shine ta hanyar zana haruffa akan allo.[7] Ya yi horo a Kwalejin Fasaha, Jami'ar Kimiyya da Fasaha, da ke Kumasi a tsakiyar Ghana. Ɗaya daga cikin tasirinsa na farko shine sculptor Vincent Akwete Kofi.[8]
Aikinsa na sassaka da sassaƙa itace ya fara ne a matsayin abin sha'awa don raya al'adun da ya girma da su.[9] Ya fara koyarwa a Jami’ar Najeriya, Nsukka, a shekarar 1975, kuma ya kasance mai alaka da kungiyar Nsukka.[10]
An ɗauki shekaru da yawa don nemo masu fasaha waɗanda za su iya mamaye fitaccen wuri a kewayen duniya yayin zabar zama a wajen manyan biranen. [11]William Kentridge ya yi suna daga Johannesburg, kuma El [12]Anatsui ya mamaye duniya yayin da yake zaune yana aiki a garin Nsukka na jami'ar Najeriya.[13][14]
Nuni
[gyara sashe | gyara masomin]Aikin Anatsui ya karu a hankali, ya fara daga kauyensa Nsukka kafin ya koma wurare irin su Enugu da Legas, daga karshe ya koma kasashen duniya[15]. A cikin 1990, Anatsui ya fara nuna wasan farko mai mahimmanci a gidan kayan tarihi na Studio a Harlem, New York. Har ila yau, ya kasance ɗaya daga cikin mawaƙa guda uku da aka ware a baje kolin "Mawakan Afirka na Zamani: Canjin Al'adu" na 1990, wanda aka tsawaita tsawon shekaru biyar.[16] Tun daga lokacin Anatsui ya nuna aikinsa a duniya, ciki har da gidan kayan tarihi na Brooklyn (2013); Cibiyar [17]Fasaha ta Clark (2011); [18] Jami'ar Rice Art Gallery, Houston (2010); [19] Babban Gidan Tarihi na Art, New York (2008-09); [20] National Museum of African Art, Smithsonian Institute, Washington, D.C. (2008); [21] Gidan Tarihi na Fowler a UCLA (2007); [22] Venice Biennale (1990 da 2007); [23]Gidan Gallery na Hayward (2005); [24] Liverpool Biennial (2002); [25] National Museum of African Art (2001); [26] Cibiyar de Cultura Contemporània de Barcelona (2001); [27] na 8th Osaka Sculpture Triennale (1995); [28] na 5 Gwangju Biennale (2004); Gidan kayan tarihi na Larabawa na fasahar zamani a Doha (2019); [23] da Kunstmuseum Bern (2020).[29]
Nune-nunen
[gyara sashe | gyara masomin]Tufafin Mutum (1998–2001) a Gidan Tarihi na Biritaniya a 2009 Aikin [30]Anatsui ya karu a hankali, tun daga kauyensu na Nsukka kafin ya koma wurare irin su Enugu da Legas, daga karshe ya koma kasashen duniya. [31]A cikin 1990, [32]Anatsui ya sami wasan kwaikwayo na farko mai mahimmanci a gidan kayan tarihi na Studio a Harlem, New York. [33]Ya kuma kasance daya daga cikin [34]masu fasaha uku da aka ware a baje kolin "Mawakan Afirka na Zamani: Canjin Al'adu" na 1990.[35]
Manazarta
[gyara sashe | gyara masomin]- ↑ "El Anatsui". 15 March 2017
- ↑ "El Anatsui | Biography, Art, Bottle Caps, & Facts | Britannica"
- ↑ "Biografía y obras: Anatsui, el | Guggenheim Museum Bilbao"
- ↑ Sollins, Marybeth. "El Anatsui". Art 21
- ↑ Christinee, Lindsay (8 September 2020). "Fall In Love With These Sustainable Artists". The Wellness Feed. Archived from the original on 22 January 2021. Retrieved 19 January 2021.
- ↑ "El Anatsui: The 100 Most Influential People of 2023". 13 April 2023.
- ↑ Oguibe, Olu (Winter 1998). "El Anatsui: Beyond Death and Nothingness". African Arts. 31 (1): 48–55+96. doi:10.2307/3337623. JSTOR 3337623
- ↑ Anatsui, El; James, Laura Leffler (2008). "Convergence: History, Materials, and the Human Hand—An Interview with El Anatsui". Art Journal. 67 (2): 36–53. ISSN 0004-3249. JSTOR 40598941.
- ↑ Akyeampong, Emmanuel Kwaku; Gates (Jr.), Henry Louis (2 February 2012). Dictionary of African Biography. OUP USA. ISBN 978-0-19-538207-5.
- ↑ "El Anatsui | Curriculum Vitae". El Anatsui. Retrieved 22 April 2022.
- ↑ Oguibe, Olu (Winter 1998). "El Anatsui: Beyond Death and Nothingness". African Arts. 31 (1): 48–55+96. doi:10.2307/3337623. JSTOR 3337623.
- ↑ "El Anatsui" biography at the National Museum of African Art, Washington, D.C.". Retrieved 24 January 2010.
- ↑ "El Anatsui | Curriculum Vitae". El Anatsui. Retrieved 22 April 2022.
- ↑ McDonald, John, "El Anatsui: out of Africa and taking the art world by storm", The Sydney Morning Herald, 6 February 2016.
- ↑ Gravity and Grace: Monumental Works by El Anatsui". Brooklyn Museum, Brooklyn, New York. Retrieved 20 August 2014.
- ↑ Vogel, Susan (2012). El Anatsui: Art and Life. New York: Prestel. pp. 11, 41–45, 85–89, 164. ISBN 978-3-7913-4650-2.
- ↑ Vogel, Susan (2012). El Anatsui: Art and Life. New York: Prestel. pp. 11, 41–45, 85–89, 164. ISBN 978-3-7913-4650-2.
- ↑ Gravity and Grace: Monumental Works by El Anatsui". Brooklyn Museum, Brooklyn, New York. Retrieved 20 August 2014.
- ↑ "El Anatsui: Gli (Wall)". (2010). Rice University Art Gallery, Houston, Texas. Retrieved 19 May 2013.
- ↑ Metropolitan Museum of Art, New York. (2008). "Rich Legacy of African Textiles on View in Metropolitan Museum Exhibition". Retrieved 29 January 2010.
- ↑ "El Anatsui at NMAA", Artnet, 17 January 2008. Retrieved 29 January 2010.
- ↑ "El Anatsui: Gawu". Fowler Museum at UCLA, Los Angeles, CA. (2007). Retrieved 1 July 2014.
- ↑ Preece, R. J. (2006). "El Anatsui interview: Out of West Africa". Sculpture/artdesigncafe. Retrieved 19 May 2013.
- ↑ "AFRICA REMIX: Contemporary Art of a Continent". Hayward Gallery, London. Retrieved 29 January 2010.
- ↑ Preece, R. J. (2006). "El Anatsui interview: Out of West Africa". Sculpture/artdesigncafe. Retrieved 19 May 2013.
- ↑ Preece, R. J. (2006). "El Anatsui interview: Out of West Africa". Sculpture/artdesigncafe. Retrieved 19 May 2013.
- ↑ Preece, R. J. (2006). "El Anatsui interview: Out of West Africa". Sculpture/artdesigncafe. Retrieved 19 May 2013.
- ↑ Preece, R. J. (2006). "El Anatsui interview: Out of West Africa". Sculpture/artdesigncafe. Retrieved 19 May 2013.
- ↑ "El Anatsui Triumphant Scale"
- ↑ "El Anatsui: the sculptor on making art from waste, and waking up the artist in all of us". The Art Newspaper - International art news and events. 9 October 2023. Retrieved 14 March 2024.
- ↑ "El Anatsui: the sculptor on making art from waste, and waking up the artist in all of us". The Art Newspaper - International art news and events. 9 October 2023. Retrieved 14 March 2024.
- ↑ Anatsui, El; James, Laura Leffler (2008). "Convergence: History, Materials, and the Human Hand—An Interview with El Anatsui". Art Journal. 67 (2): 36–53. ISSN 0004-3249. JSTOR 40598941.
- ↑ "El Anatsui" biography at the National Museum of African Art, Washington, D.C.". Retrieved 24 January 2010.
- ↑ Anatsui, El; James, Laura Leffler (2008). "Convergence: History, Materials, and the Human Hand—An Interview with El Anatsui". Art Journal. 67 (2): 36–53. ISSN 0004-3249. JSTOR 40598941
- ↑ Anatsui, El; James, Laura Leffler (2008). "Convergence: History, Materials, and the Human Hand—An Interview with El Anatsui". Art Journal. 67 (2): 36–53. ISSN 0004-3249. JSTOR 40598941