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Gidan Kayan Tarihi Na Dynamic

Daga Wikipedia, Insakulofidiya ta kyauta.
Gidan Kayan Tarihi Na Dynamic
  • Gidan Kayan Tarihi Na Dynamic
Lamban rijistar harshe
ISO 639-3

Gidan kayan tarihi na Dynamic sanannen wajen yawon shakatawa ne, na ɗaya daga cikin gidan kayan tarihi a cikin garin Dakar,kasar Senegal.

Gidan kayan tarihin wani bangare ne na jerin ayyukan al'adu wanda Shugaba Léopold Sédar Senghor ya kafa. Senghor da André Malraux ne suka bude gidan kayan gargajiyan a ranar 31 ga watan Maris din shekarar 1966 kuma sun taka muhimmiyar rawa a bikin Dakar na Negro Arts, wanda ya gudana daga 1 ga watan afrelu zuwa 24 ga watan afrelu shekarar 1966.[1][2] An tsara gidan kayan tarihin ne don yin aiki a matsayin bikin ƙaddamar da al'adun Afirka, kuma ya ƙunshi kayan tarihi da tarihi daga al'adun zamanin Nok na Iron Age har zuwa zamanin yau.[3] Baje kolinsa na farko ya nuna sama da 600 na fasahar Afirka da aka aro daga gidajen tarihi guda 50 a duniya. Musée d'Art Moderne de Paris kuma ya ba da rancen Ayyukan Gidan Tarihi na Dynamic daga Pablo Picasso, Fernand Léger, da Amedeo Modigliani don nuni. [4]

Daga shekarun 1960s zuwa shekarar 1970s, gidan kayan gargajiyan ya ƙunshi tarin fasaha da al'adu daga tarihin Senegal, da kuma nune-nunen masu fasaha irin su Pablo Picasso, Friedensreich Hundertwasser, Pierre Soulages da Marc Chagall. A cikin shekarar 1988, an rufe gidan kayan gargajiya da jayayya kuma gwamnatin Senegal ta sake gina ginin a matsayin kotun. A shekarar 1996, Abdou Diouf ya ba da sanarwar cewa za a sake bude gidan adana kayan tarihi sannan kuma kotun ta koma, duk da cewa hakan bai cimma ruwa ba.[5] Shugaba Macky Sall ya mayar da ginin ga al'ummar fasaha a cikin shekarar 2016, a kan bikin 50th na bikin Negro Arts, domin ya sake zama gidan kayan gargajiya.[6]

A waje na Dynamic Museum yana tunawa da gine-gine na gargajiya, yayin da ciki ya fi fili kuma an tsara shi don bayar da shimfidar nunin nuni.

  1. "Comment | Why Africa's future museums should forget Western models" . www.theartnewspaper.com . Retrieved 2020-02-13.
  2. "An Unattainable Consensus? National Museums and Great Narratives in French- speaking Africa" (PDF). Great Narratives of the Past. Traditions and Revisions in National Museums. Linköping University Electronic Press. 2011.
  3. Allais, Lucia (2018-10-16). Designs of Destruction: The Making of Monuments in the Twentieth Century . University of Chicago Press. ISBN 978-0-226-52261-6 .
  4. Murphy, David. "The first black arts festival was shaped by Cold War politics" . The Conversation. Retrieved 2020-02-13.
  5. "Le musée dynamique de Dakar : histoire et perspectives | Beaux-arts°Nantes" . beauxartsnantes.fr . Retrieved 2020-02-13.
  6. Murphy, David; Vincent, Cédric (2019-01-02). "Inside Dakar's Musée Dynamique: reflections on culture and the state in postcolonial Senegal" (PDF). World Art. 9 (1): 81–97. doi :10.1080/21500894.2018.1493532 . ISSN 2150-0894 . S2CID 159128762 .Empty citation (help)