Gidan Kayan Tarihi Na Dynamic

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Gidan Kayan Tarihi Na Dynamic
  • Gidan Kayan Tarihi Na Dynamic
Lamban rijistar harshe
ISO 639-3


Gidan kayan tarihi na Dynamic sanannen wajen yawon shakatawa ne, na ɗaya daga cikin gidan kayan tarihi a cikin garin Dakar,kasar Senegal.

Tarihi[gyara sashe | gyara masomin]

Gidan kayan tarihin wani bangare ne na jerin ayyukan al'adu wanda Shugaba Léopold Sédar Senghor ya kafa. Senghor da André Malraux ne suka bude gidan kayan gargajiyan a ranar 31 ga watan Maris din shekarar 1966 kuma sun taka muhimmiyar rawa a bikin Dakar na Negro Arts, wanda ya gudana daga 1 ga watan afrelu zuwa 24 ga watan afrelu shekarar 1966.[1][2] An tsara gidan kayan tarihin ne don yin aiki a matsayin bikin ƙaddamar da al'adun Afirka, kuma ya ƙunshi kayan tarihi da tarihi daga al'adun zamanin Nok na Iron Age har zuwa zamanin yau.[3] Baje kolinsa na farko ya nuna sama da 600 na fasahar Afirka da aka aro daga gidajen tarihi guda 50 a duniya. Musée d'Art Moderne de Paris kuma ya ba da rancen Ayyukan Gidan Tarihi na Dynamic daga Pablo Picasso, Fernand Léger, da Amedeo Modigliani don nuni. [4]

Daga shekarun 1960s zuwa shekarar 1970s, gidan kayan gargajiyan ya ƙunshi tarin fasaha da al'adu daga tarihin Senegal, da kuma nune-nunen masu fasaha irin su Pablo Picasso, Friedensreich Hundertwasser, Pierre Soulages da Marc Chagall. A cikin shekarar 1988, an rufe gidan kayan gargajiya da jayayya kuma gwamnatin Senegal ta sake gina ginin a matsayin kotun. A shekarar 1996, Abdou Diouf ya ba da sanarwar cewa za a sake bude gidan adana kayan tarihi sannan kuma kotun ta koma, duk da cewa hakan bai cimma ruwa ba.[5] Shugaba Macky Sall ya mayar da ginin ga al'ummar fasaha a cikin shekarar 2016, a kan bikin 50th na bikin Negro Arts, domin ya sake zama gidan kayan gargajiya.[6]

Gine-gine[gyara sashe | gyara masomin]

A waje na Dynamic Museum yana tunawa da gine-gine na gargajiya, yayin da ciki ya fi fili kuma an tsara shi don bayar da shimfidar nunin nuni.

Manazarta[gyara sashe | gyara masomin]

  1. "Comment | Why Africa's future museums should forget Western models" . www.theartnewspaper.com . Retrieved 2020-02-13.
  2. "An Unattainable Consensus? National Museums and Great Narratives in French- speaking Africa" (PDF). Great Narratives of the Past. Traditions and Revisions in National Museums. Linköping University Electronic Press. 2011.
  3. Allais, Lucia (2018-10-16). Designs of Destruction: The Making of Monuments in the Twentieth Century . University of Chicago Press. ISBN 978-0-226-52261-6 .
  4. Murphy, David. "The first black arts festival was shaped by Cold War politics" . The Conversation. Retrieved 2020-02-13.
  5. "Le musée dynamique de Dakar : histoire et perspectives | Beaux-arts°Nantes" . beauxartsnantes.fr . Retrieved 2020-02-13.
  6. Murphy, David; Vincent, Cédric (2019-01-02). "Inside Dakar's Musée Dynamique: reflections on culture and the state in postcolonial Senegal" (PDF). World Art. 9 (1): 81–97. doi :10.1080/21500894.2018.1493532 . ISSN 2150-0894 . S2CID 159128762 .Empty citation (help)