Atlantics

Daga Wikipedia, Insakulofidiya ta kyauta.
Atlantics
Asali
Mawallafi Mame Bineta Sane
Lokacin bugawa 2019
Asalin suna Atlantique
Asalin harshe Yare
Ƙasar asali Faransa, Senegal da Beljik
Distribution format (en) Fassara video on demand (en) Fassara
Characteristics
Genre (en) Fassara drama film (en) Fassara
During 106 Dakika
Direction and screenplay
Darekta Mati Diop (en) Fassara
Marubin wasannin kwaykwayo Mati Diop (en) Fassara
Olivier Demangel (en) Fassara
'yan wasa
Samar
Mai tsarawa Judith Lou Lévy (en) Fassara
Ève Robin (en) Fassara
Director of photography (en) Fassara Claire Mathon (en) Fassara
Tarihi
External links
netflix.com…
Atlantics
Film poster
Directed by Mati Diop
Written by
  • Mati Diop
  • Olivier Demangel
Produced by
  • Judith Lou Lévy
  • Eve Robin
Starring
Cinematography Claire Mathon
Edited by Aël Dallier Vega
Music by Fatima Al Qadiri
Production

companies
Distributed by
  • Ad Vitam (France)
  • Cinéart (Belgium)
  • Netflix (worldwide)
Release date
  • 16 May 2019 (2019-05-16) (Cannes)
  • 2 August 2019 (2019-08-02) (Senegal)
  • 2 October 2019 (2019-10-02) (France)
  • 13 November 2019 (2019-11-13) (Belgium)
Running time
104 minutes
Countries
  • France
  • Senegal
  • Belgium
Languages

Warning: Display title "Atlantics" overrides earlier display title "<i>Atlantics</i>". Atlantics ( French: Atlantique ) Fim ne a shekarar 2019, Ƙasashen duniya sunyi jaɗin gwuiwa na samar allahntaka romantic wasan kwaikwayo fim mai ba da umarni Mati Diop, a ta ƙunshi directorial halarta a karon. An zaɓi shi don yin gasa don Palme d'Or a 2019 Cannes Film Festival . Diop ya kafa tarihi lokacin da aka fara fim din a Cannes, inda ta zama Bakar fata ta farko da ta ba da umarni a fim din da aka nuna a gasar a bikin.

Fim ɗin ya ta'allaƙa ne akan wata budurwa, Ada, da abokin aikinta, Souleiman, suna fafitikar fuskantar aikin yi, aji, ƙaura, laifi, gwagwarmayar dangi, da fatalwa . Yin aiki mafi yawa tare da 'yan wasan da ba a san su ba, Diop ya mayar da hankali a cikin fim din game da batutuwa irin su rikicin 'yan gudun hijira, nadama, asara, baƙin ciki, gwagwarmayar aji, da ɗaukar nauyin (ko a'a) na ayyukan mutum. Ana amfani da Tekun Atlantika ta hanyoyi da yawa a cikin fim ɗin, gami da a matsayin alama da injin don canji, girma, rayuwa, da mutuwa.

Labari[gyara sashe | gyara masomin]

A wata unguwa da ke birnin Dakar da ke kan gaɓar tekun Atlantika, ana gab da bude hasumiya mai kama da zamani a hukumance. Ma’aikatan ginin ba a biya su albashi ba tsawon watanni. Wani dare, ma'aikatan sun yanke shawarar barin ƙasar ta teku, don neman kyakkyawar makoma a Spain. Daga cikinsu akwai Souleiman, masoyin Ada. Duk da haka, Ada an aura ga wani mutum - Omar attajiri. Ada ta damu matuka game da Souleiman, yayin da take jiran labarin makomarsa a shirin aurenta. A ranar daurin aurenta, gadon Omar a ban mamaki ya kama wuta a wani harin da ake zargin an kai mata ne, kuma an tura wani matashin jami’in tsaro domin ya binciki lamarin.

A cikin kwanaki masu zuwa, Ada ta faɗa cikin tuhuma kuma an yi masa tambayoyi da gwajin budurcinta. A halin yanzu, kawarta Fanta, da kuma matashin mai binciken suna fama da wata cuta mai ban mamaki. A hankali ya bayyana cewa ruhohin mutanen da suka bace a teku suna dawowa kuma kowane dare ya mallaki gawarwakin wasu mazauna Dakar. Galibi dai sun mayar da hankali ne kan hamshakin attajirin da ya hana su albashi, lamarin da ya tilasta musu ketare teku. Suna neman a biya su albashi, inda suka yi barazanar kona hasumiya idan ba haka ba. Lokacin da suka karɓi albashinsu daga hannun attajirin sai su tilasta masa ya tona kaburburansu domin ruhinsu ya huta. Amma Souleiman yana so kawai ya kasance tare da Ada. Abin takaici, ya mallaki matashin mai binciken, wanda da farko ya tsorata Ada. Amma yayin da ta sadu da sauran ruhohi, ciki har da wanda ya mallaki Fanta, ta fahimci kuma ta kwana tare da sabon Souleiman. Yayin da yake nazarin faifan bidiyon daurin auren, jami'in binciken ya ga cewa, a ƙarƙashin ikon ruhun Souleiman, shi ne ya aikata kone-kone. Ya rufe ƙarar.

Ƴan wasa[gyara sashe | gyara masomin]

liyafa[gyara sashe | gyara masomin]

Mahimman liyafa[gyara sashe | gyara masomin]

Shafin yanar gizon mai tarawa na Rotten Tomatoes ya ruwaito cewa 95% na masu sukar sun ba da fim ɗin kyakkyawan nazari bisa 155 sake dubawa, tare da matsakaicin ƙimar 7.9/10. Ijma'in masu sukar gidan yanar gizon ya karanta, "Wani wasan kwaikwayo na allahntaka wanda ba a iya faɗi ba wanda ya samo asali a cikin sharhin zamantakewa na duniya, Atlantique yana nuna kyakkyawar makoma mai ban sha'awa ga mai yin fim Mati Diop." A kan Metacritic, fim din yana da nauyin nauyin 85 daga cikin 100 bisa ga masu sukar 30, yana nuna "yabo na duniya".

Hannah Giorgis na The Atlantic yayi sharhi, "A cikin Atlantics, fim ɗin Cannes Grand Prix - wanda darektan Faransa-Senegal Mati Diop ya lashe, ruwan duka barazana ne kuma tushen ta'aziyya. Tare da aikin kyamara mai laushi da tattaunawa mai nunawa, Diop yana jefa inuwa bisa teku da duk damarsa. . . Sakamako shine labarin soyayya mai ɗaukar nauyi tare da ɓarna na sukar zamantakewa wanda ke gudanar da zama a lokaci ɗaya mai ban tsoro da bege." K. Austin Collins da ya rubuta wa Vanity Fair ya bayyana cewa, " Atlantics sun ba da mamaki da mamaki saboda yana ƙoƙarin cire wani abu mai banƙyama da wuya a ayyana shi, labarin fatalwa (ko labarin aljan ne?) wanda ya samo asali ne daga gaskiyar abin da ke Dakar da kuma ta. ƙananan azuzuwan, wannan siyasa ce a sarari, saboda haka, amma wanda kuma da alama yana da ban tsoro kuma ba gaskiya bane, yana raye ga duk abin da waɗannan asirin ke da shi. " Bilal Ƙureshi na NPR ce, "Atlantics ne fatalwa labarin game da hijirarsa. Yana ba da tarihin samarin da suka bar ƙasashe kamar Senegal da fatan isa Turai, da kuma yadda rashinsu — da rashinsu — ke damun matan da suka bari.” Jay Weissberg da ya rubuta wa Iri-iri ya bayyana cewa, "Babban teku mai yawan gaske ne mai maimaitawa, hoto mai ban sha'awa a cikin fasalin Mati Diop na farko na Atlantics, amma idan aka yi la'akari da mummunan ma'anarsa ga mutanen Senegal, wadanda suka yi hasarar rayuka da yawa zuwa zurfinsa, darektan ya tabbatar da hakan. mirgina tãguwar ruwa zama hypnotic maimakon kyau. Wannan yanke shawara ce da ta dace ga wannan fim na soyayya da jin daɗi, wanda ya fi dacewa da wasu zaɓen ba da labari mara kyau waɗanda ke cike da takaici duk da cewa ba sa daidaita yanayin asara da haɗin kai na mata a cikin labarin wata budurwa da soyayya ta mutu a teku."

Justin Chang a cikin bita na jaridar Los Angeles Times ya lura cewa, "Da yake zana wani tasiri mai karfi na tatsuniyoyi na gida, Diop ta saƙa waɗannan abubuwan da ba su dace ba a cikin zanenta tare da cin kasuwa, fasaha da kuma ƙarfafa al'amuran gaskiya. A hannunta, fatalwa mai ramuwar gayya ba ta zama wauta ko rashin hankali ba kamar, a ce, hasumiya mai tsayi mai tsayin nan da ake ginawa a bakin teku.” Kelsey Adams na Yanzu ya ba fim ɗin taurari huɗu cikin biyar kuma ya rubuta, “Ko da yake labarin ƙaura ne, yana mai da hankali kan waɗanda aka bari a baya. Yayin da matan da ke cikin kunci ke kokawa da tafiyar mazajensu, al'amura suna ƙara zama ban tsoro. Konewar da ba a bayyana ba da cututtuka suna jujjuya Atlantika zuwa wani yanki na allahntaka, kuma Diop ya haɗa abubuwa na sufanci na musulmi da tarihin Faransanci ba tare da ɓata lokaci ba. Haɗin kai na fantasy da wasan kwaikwayo yana amfani da abubuwan allahntaka don gida a kan abubuwa masu yawa, rashin adalci da haruffan ke fuskanta." David Tsoron Rolling Stone ya ba fim ɗin taurari huɗu da rabi a cikin biyar, yana yin sharhi "ko da lokacin da abubuwa suka fara tsomawa cikin ƙasa na allahntaka, Atlantics ya ci gaba da kasancewa cikin ƙasa mara kyau, har yanzu ana sadaukar da shi don magance batun batun ba tare da ka'ida ba. Kuna jin kamar kuna kallon wani abu da ke da takamaiman yanki, amma duk da haka baya sa halayensa su ji kamar "wasu." Haka kuma ba ka taba jin cewa aikin ba wa wadannan mata masu ƙaramin ƙarfi murya wani abu ne da ya ginu a cikin sadaka, saboda Diop yana sa aikin ya ji kamar wajibi ne." Namwali Serpell na The Nation ya ce, "A asalinsa a tunanin Larabawa, djinn yana iya zama mai kyau ko mara kyau. A cikin asalinsa a cikin baƙi baƙi, aljanu bawa ne da aka tilasta yin umarni na wasu. Diop ya haɗu da al'amura guda biyu zuwa ƙarshen rashin fahimtar juna: waɗanda aka kora - namiji da mace, gudanarwa da aiki - ba a matsayin abokan gaba ba amma a matsayin gwarzo na gama gari."

A cikin bitar ta ga The Hollywood Reporter, Leslie Felperin ta lura, "Claire Mathon ta harbe shi sosai kuma Fatima Al Qadiri ta yi nasara, fim ɗin ya tattara wasu abubuwa masu ƙarfi sosai [...] Da yawa ra'ayoyi game da aji, post-imperialism da kuma ruhaniya dabi'u leke sama daga saman rubutu, amma ba su ci gaba da yawa rigima idan aka kwatanta da abin da Diop conjured da mafi tsanani da kuma kasa lokaci a cikin Dubban Suns. " Richard Brody na New Yorker ya lura cewa, "Diop yana yin fina-finai da haruffa da kuma birni tare da kusanci mai zurfi da kuma kuzari mai ƙarfi wanda sautin sauti da kiɗan kiɗan ya haɓaka; ta nuna kwarewar sirri na al'amuran jama'a - al'adar addini, cin gashin kansa na mata., ƙaura, cin hanci da rashawa - tare da zazzafan rubuce-rubuce, sha'awar ƙwazo, da tabbaci mai ƙarfi." Monica Castillo ta RogerEbert.com ta ba fim ɗin taurari huɗu cikin huɗu, tana yin sharhi, "A saman, wannan sanannen labarin masoya ne da aka ware ta hanyar yanayi da ya wuce ikon su, amma Atlantics da sauri ya bayyana kansa ya fi zurfi sosai. Diop, wanda ya rubuta wasan kwaikwayo tare da Olivier Demangel, ya haɗu da labarin tare da matsananciyar damuwa da ke tilasta su barin gida da kuma ƙaunatattun su, da sake maimaita rikicin 'yan gudun hijirar, kallon cin zarafin matalauta da masu arziki da tayin budurci., tsarki, da aure. Sirrin Atlantika yana buɗewa sannu a hankali, murɗaɗɗensa yana ɓoye abubuwan mamaki a bayyane."

The Guardian 's Peter Bradshaw ya ba fim ɗin taurari huɗu daga cikin biyar kuma ya rubuta, " Atlantique game da dawowar wadanda aka zalunta, ko kuma wadanda aka danne: mutanen da aka hana su hakkinsu a kan ginin ginin sannan kuma sun fuskanci ainihin yiwuwar wani abu. ƙabari ruwa. Ruhinsu ya tashi, kuma wannan ya zama labarin fatalwa ko labarin ramuwar gayya. Maiyuwa Atlantique bai zama cikakke ba, amma na yaba da yadda Diop ba kawai ya mika wuya ga yanayin da ake tsammani daga irin wannan kayan ba, amma duk da haka ba ta shiga cikin yanayin sihiri da gaske ba, kuma ba ta sanya labarin soyayya a fili yake ba. tsakiya. Fim ɗinta yana da asiri mai ruɗi." Eric Kohn na IndieWire ya ba da darajar fim ɗin B+ kuma ya lura, "Yayin da yake ci gaba da ci gaba da tafiya tare da hanyar sihiri, Atlantics ya kasance aikin soyayya mai zurfi wanda ya haifar da fargabar mutanen da ke kewaye da su da kuma neman abokantaka da za su iya kubutar da su daga yanke ƙauna. . Ba ya ƙyale su isa wurin, amma Diop baya buga sautin rashin bege gaba ɗaya. Daga ƙarshe, Atlantics ya nuna yadda ko da waɗannan munanan yanayi na iya samun ƙarfafawa ga matan da ke bakin tekun, da kuma dalilin da ya sa ya zama hanyar hanyar rayuwa mafi kyau ko da sun kasance a tsaye."

Yabo[gyara sashe | gyara masomin]

A Cannes, fim din ya lashe Grand Prix . An zabe shi azaman shigarwar Senegal don Mafi kyawun Fim ɗin Fim na Duniya a kyautar 92nd Academy Awards,[3][4] yana yin jerin sunayen Disamba.

Atlantique ya lashe Mafi kyawun Farko na Farko a cikin Zaɓen IndieWire na 2019 Critics Poll, kuma ya kasance matsayi na huɗu a cikin Mafi kyawun Fim ɗin Waje.[5][6]

Tsohon Shugaban Amurka Barack Obama ya sanya sunan Atlantics a cikin fina-finan da ya fi so da kuma jerin talabijin na 2019 a cikin jerin fina-finansa na shekara-shekara, waɗanda ya fito a kan shafin Twitter a ranar 29 ga Disamba 2019.[7]

Kafofin watsa labarai na gida[gyara sashe | gyara masomin]

A cikin Janairu 2020, an ba da sanarwar cewa Atlantics, ɗan Irish, Labari na Aure da Masana'antar Amurka za su karɓi faifan DVD da Blu-ray ta The Criterion Collection .

Magana[gyara sashe | gyara masomin]

  1. Lemercier, Fabien (8 January 2018). "Tournage en mars pour Atlantique (Shooting in March for Atlantic)". Cineuropa. Retrieved 2 December 2019.
  2. Brody, Richard. "Atlantics". The New Yorker (in Turanci). Retrieved 9 March 2020.
  3. "Bong Joon-ho's Parasite Wins the Palme d'Or at Cannes". Variety. Retrieved 26 May 2019.
  4. "Bong Joon-ho's Parasite wins Palme d'Or at Cannes film festival". The Guardian. Retrieved 26 May 2019.
  5. Raja, Norine (1 October 2019). "Exclusif : " Atlantique " de Mati Diop représentera le Sénégal aux Oscars". Vanity Fair France. Retrieved 1 October 2019.
  6. Roxborough, Scott (2 October 2019). "Oscars: Senegal Picks 'Atlantics' for International Feature Film Category". The Hollywood Reporter. Retrieved 2 October 2019.
  7. "10 Films Make Shortlist for Oscars' Best International Film". The New York Times. Retrieved 17 December 2019.