Lynette Yiadom-Boakye

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Lynette Yiadom-Boakye
Rayuwa
Haihuwa Greater London (en) Fassara, 1977 (46/47 shekaru)
ƙasa Birtaniya
Ƙabila Afirkawan Amurka
Karatu
Makaranta Falmouth University (en) Fassara
Royal Academy Schools (en) Fassara 2003)
Harsuna Turanci
Sana'a
Sana'a painter (en) Fassara
Wurin aiki Landan
Fafutuka contemporary art (en) Fassara

Lynette Yiadom-Boakye (an haife ta a shekara ta 1977) ƴar Burtaniya ce kuma marubuciya, ta al'adun Ghana. An fi saninta da hotunan batutuwa masu ban mamaki, ko waɗanda aka samo daga abubuwan da aka samo, waɗanda aka fentin su da launuka masu launi. Ayyukanta sun ba da gudummawa ga sake farfadowa a cikin zanen Black. Sau da yawa ana gabatar da zane-zanenta a cikin nune-nunen kansa.

Rayuwa ta farko da aiki[gyara sashe | gyara masomin]

An haifi Lynette Yiadom-Boakye a Landan, Burtaniya inda a halin yanzu take zaune da aiki.[1] Iyayenta sun yi aiki a matsayin ma'aikatan jinya ga Hukumar Lafiya ta Kasa bayan sun yi hijira daga Ghana a cikin shekarun 1960.[2] Yiadom-Boakye ta bayyana kanta a matsayin "yaro mai banƙyama - maki masu kyau, babu wani mugunta - amma kuma tana da kyau wajen rayuwa a cikin kaina, ta amfani da tunanin ta a matsayin tserewa. " A matsayinta na babban jami'a a makarantar sakandare, ta ɗauki darasi na tushe na fasaha a matsayin gwaji kuma bayan kalmomi ta ba da niyyar zama mai zane-zane don zama mai zane na tsakiya St. Martins College of Art and Design (1996-7); duk da haka, ba ta ji daɗin lokacinta a ƙarshe ta sami lambar yabo ta Falmouth College of Art (1997-2000) inda ta samu a ƙarƙashin digiri na Falgraduate a shekara ta 2000.[3]] Daga nan ta kammala digiri na MA a Makarantun Royal Academy a shekara ta 2003. A can ne, a cikin shekara ta ƙarshe ta makarantar digiri, ta zo ga fahimtar da ta canza jagorancin aikinta, wanda ya haifar da shahararta. A wata hira da Dodie Kazanjian na Vogue ta ce "Maimakon ƙoƙarin sanya labaran da suka rikitarwa a cikin aikina, na yanke shawarar sauƙaƙe, da kuma mayar da hankali kan adadi da kuma yadda aka fentin shi. Wannan a cikin kansa zai ɗauki labarin.Bayan kwaleji ta yi aiki don tallafa wa kanta har zuwa 2006 lokacin da ta sami Arts Foundation Fellowship don zanen kuma ta sami damar mayar da hankali kawai kan zanen.[3][3]

A shekara ta 2010 Okwui Enwezor ta amince da aikinta. Tare da mai kula da Naomi Beckwith, Okwui Enwezor ta tsara nune-nunen ta a Gidan Tarihi na Studio a Harlem . [4][5] Ta kasance daga cikin wadanda aka zaba don Kyautar Turner a shekarar 2013.[6] Baya ga ayyukanta na zane-zane, Yiadom-Boakye ta koyar a Makarantar Fasaha ta Ruskin, Jami'ar Oxford inda take mai koyarwa mai ziyara ga shirin Master in Fine Arts.[7] An san tasirinta a matsayin mai zane a cikin Powerlist na 2019 kuma daga baya aka lissafa ta cikin "mafi girma 10" na mutanen da suka fi tasiri na al'adun Afirka ko Afirka na Caribbean a Burtaniya a shekarar 2020. [8][9]

Ayyuka[gyara sashe | gyara masomin]

File:Skylark Lynette Yiadom-Boakye 2010.jpg
Skylark (2010) by Lynette Yiadom-Boakye a National Gallery of Art's nuna Tarihin Afro-Atlantic a Washington, DC a cikin 2022

Ayyukan zane-zane[gyara sashe | gyara masomin]

Ayyukan Yiadom-Boakye sun ƙunshi mafi yawan hotuna na batutuwan Black. Hotunan ta galibi na alama ne, tare da launuka masu laushi da laushi. Halin duhu na aikinta an san shi da ƙirƙirar jin dadi wanda ke ba da gudummawa ga yanayin da ba shi da lokaci na batutuwanta.[10] Hotunan da take yi na mutane masu ban mamaki suna nuna mutane suna karatu, suna shakatawa, da kuma hutawa a cikin al'adun gargajiya. Ta kawo hoton batutuwan ta fuska masu tunani da kuma nuna shakatawa, suna sa matsayi da yanayin su ya dace da masu kallo da yawa. Masu sharhi sun danganta wasu daga cikin yabo na aikin Yiadom-Boakye ga wannan alaƙa. Tana ƙoƙari ta hana batutuwanta daga kasancewa da alaƙa da takamaiman shekaru goma ko lokaci; yawancin zane-zanenta suna nuna adadi / mutane na asalin Afirka. Wannan yana haifar da zaɓuɓɓuka kamar ba zanen takalma a kan batutuwanta ba, kamar yadda takalma ke aiki a matsayin hatimi na lokaci. Wadannan adadi yawanci suna hutawa a gaban bayanan da ba a san su ba, suna iyo a cikin launuka masu duhu. Wadannan abubuwan da suka faru, amma abubuwan da suka shafi motsin rai suna tunatar da masu sharhi game da tsoffin mashawarta kamar Velasquez da Degas.[11]

Halin mai zane ya canza dan kadan bayan bude wasan kwaikwayon ta na 2017 "A cikin Yanayin Ƙaunar". Nunin ya nuna sabon tsarin launi mai dumi. Batutuwan da ta yi a cikin wannan wasan kwaikwayon sun haɗa da cikakkun bayanai kamar su bene mai laushi, murfin kai mai ƙarfi da tufafin wanka, da rawaya, orange, da kuma kore.[11]

Kodayake kowane hoto yana dauke da mutum ɗaya kawai, ana gabatar da zane-zanen a cikin ƙungiyoyi waɗanda aka shirya kamar hotunan iyali. Tare da wakilcin da take yi game da siffar ɗan adam, Yiadom-Boakye ta bincika hanyoyin da aka tsara na matsakaiciyar zanen kuma ta bayyana fannonin siyasa da na tunani a cikin ayyukanta, waɗanda ke mai da hankali kan halayen tunanin da ke bayan duniyarmu a wani lokaci daban kuma a wani wuri da ba a sani ba.[12] Ta zana siffofin da aka cire da gangan daga lokaci da wuri, kuma ta ce, "Mutane suna tambayar ni, 'Wane ne, ina ne suke?" Abin da ya kamata su tambaya shine 'me' su ne?"[13]

Yiadom-Boakye tana ba da kwarin gwiwa ga zane-zanenta daga abubuwan da aka samo ta amfani da su da kuma abubuwan tunawa, adabi, da tarihin zane-zane. [10] Ta kuma sami wahayi daga kiɗa da masu fasaha ciki har da: Miles Davis, John Coltrane, Bill Evans, Nick Drake, Lisa Yuskavage, Chris Offili, da Isaac Julien . [14] [10]

Gidan kayan gargajiya na Tate yana ba da gabatarwa ga aikinta wanda yake da yawa, don tafiya tare da babban nune-nunen aikinta da aka gudanar daga 2 ga Disamba 2020 zuwa 9 ga Mayu 2021. [15][10]

Rubuce-rubuce[gyara sashe | gyara masomin]

Ga mai zane, Yiadom-Boakye ba ta da kyau wajen bayyana kanta a matsayin marubuciya kamar yadda mai zane - gajerun labaranta da waƙoƙin waƙoƙinta suna bayyana akai-akai a cikin kundin littattafanta.

Misalan ayyukanta da aka nuna a cikin kundin sun haɗa da abubuwan da aka cire guda biyar daga wani labari mai suna "Officer of the Law" da wasu bayanan da ba a sani ba game da aikata laifuka. [2]Labarin ta "Officer of the Law" wani ɗan gajeren labari ne wanda ke amfani da dabbobi don haruffa. Yiadom-Boakye kuma ta kirkiro waka kamar yadda aka nuna a cikin bayanin ta "Wani abu kusa da Confession. " Misali na wannan:

"Mutuwa amma don rayuwa a cikin ni,

Inda koguna Black ke gudana a cikin Bath,

Kasancewa da Mai fafutuka da Dalilinta

Kuma ya faɗakar da Mugun ga Dukkanin su

Ina Bask inda Allah ba zai iya ganina ba.

A kan wani wuri mara kyau, idanuna suna yin ruwa

Kuma ya jawo makafi a kan yanka."[2]

A cikin jawabai game da aikinta, mai zane ya lura cewa rubuce-rubucenta a gare ta kamar yadda zanen ta yake, kuma ya bayyana cewa tana "rubuce abubuwan da ba ta zana kuma tana fentin duk abubuwan da ba za ta rubuta ba". An ba wa zane-zanen ta lakabi na waka.

Kasuwar fasaha[gyara sashe | gyara masomin]

A wani siyarwar 2019 a Phillips a London, Yiadom-Boakye's Leave A Brick Under The Maple (2015), hoto mai girman mutum, an sayar da shi kusan dala miliyan 1.[16]

A cikin 2022 Christie's 20th/21st Century Frieze Week season auction, Yiadom-Boakye's Highpower an kiyasta a £ 600,000 kuma an sayar da shi a £ 1,482,000 [17]

Batun don aikin wasu[gyara sashe | gyara masomin]

An zana shi a cikin 2017, Hoton Kehinde Wiley ta Lynette Yiadom-Boakye, Jacob Morland na Capplethwaite an nuna shi a Cibiyar Yale don Fasaha ta Burtaniya a New Haven, CT . [18]

Hoton Yiadom-Boakye na mai daukar hoto Sal Idriss an gudanar da shi a cikin tarin National Portrait Gallery, London.[19]

Waƙar Bayan Iteration of a Painting by Lynette Yiadom-Boakye, Destroyed by the Artist Herself by Ama Codje an buga ta Massachusetts's Review a ranar 26 ga Disamba, 2019 [20]

Nuni[gyara sashe | gyara masomin]

Yiadom-Boakye ya shirya nune-nunen solo da yawa a gidajen tarihi da wuraren baje kolin duniya. Shahararrun abubuwan da ta nuna sun hada da Duk wani adadi na damuwa (2010), Gidan Tarihi na Studio a Harlem, New York; Ayoyi bayan Dusk (2015), [21] Serpentine Galleries, Landan; [22] A Passion To A Principle (2016), [23] Kunsthalle Basel, Switzerland; Under-Song For a Cipher (2017), New Museum, New York؛ [4] [5] da Fly In League With The Night (2022-2023), Tate Britain, London.[24][25][26]

Ta kuma shiga cikin nune-nunen rukuni da nune-nununen da yawa, gami da 55th Venice Biennale (2013); Sharjah Biennial (2015); [27] 58th Venice Biennal (2019), [1] da Tarihin Afro-Atlantic (2021-2022). [28] Ayyukan Yiadom-Boakye an haɗa su a cikin tarin kayan gargajiya da yawa a Amurka ciki har da Gidan Tarihi na Carnegie, da Gidan kayan gargajiya na Pérez na Miami, kuma hoton Sarki na Sa'a yana bayyane a nuni na dogon lokaci na ma'aikata na 2023 .[29]

Kyaututtuka[gyara sashe | gyara masomin]

Yiadom-Boakye an yaba da ita sosai saboda aikinta, ta sami lambar yabo ciki har da The Arts Foundation fellowship don zanen (2006), Pinchuk Foundation Future Generation Prize (2012), [30] Next Generation Prize daga New Museum of Contemporary Art (2013), [3] South Bank Sky Arts Award for Visual Art (2016) [3] da kuma Carnegie Prize a 57th edition of Carnegie International (2018).[31][11] An kuma zabi ta don Kyautar Turner (2013). [32]

Bayanan da aka ambata[gyara sashe | gyara masomin]

  1. ↑ 1.0 1.1 "LYNETTE YIADOM-BOAKYE: The Love Within | Contemporary And". www.contemporaryand.com (in Jamusanci). Retrieved 2018-03-26.
  2. ↑ 2.0 2.1 2.2 Baruchello, Giorgio (2020). "W. Friese et al. (eds.), Ascending and Descending the Acropolis: Movement in Athenian Religion; and T. Møbjerg et al. (eds.), The Hammerum Burial Site: Customs and Clothing in the Roman Iron Age (Aarhus: Aarhus University Press, 2019)". Nordicum-Mediterraneum. 15 (1). doi:10.33112/nm.15.1.10. ISSN 1670-6242. S2CID 216505190.
  3. ↑ 3.0 3.1 3.2 3.3 "Lynette Yiadom-Boakye". Gale. Contemporary Black Biography. Retrieved 19 April 2023.
  4. ↑ Hirsch, Faye.
  5. ↑ Kazanjian, Dodie (27 March 2017). "How British-Ghanaian Artist Lynette Yiadom-Boakye Portrays Black Lives in Her Paintings". Vogue (in Turanci). Retrieved 17 April 2020.
  6. ↑ McGreevy, Nora, Stunning Paintings of Fictitious Black Figures Subvert Traditional Portraiture, Smithsonian, December 3, 2020, with slide show and video link
  7. ↑ "The Ruskin School of Art - Lynette Yiadom Boakye". www.rsa.ox.ac.uk. Retrieved 17 April 2020.
  8. ↑ "Who are the influential Black Britons honoured in Powerlist 2019?". Melan Magazine. 27 October 2018. Retrieved 17 April 2020.
  9. ↑ "Who's on the list of the most influential black people?". BBC News. 25 October 2019. Retrieved 17 April 2020.
  10. ↑ 10.0 10.1 10.2 10.3 An Introduction to Lynette Yiadom-Boakye From her imagined figures to her poetic titles, discover this figurative painter’s work, Tate Museum, accessed December 5, 2020
  11. ↑ 11.0 11.1 11.2 "LYNETTE YIADOM-BOAKYE'S LOVELY, 'LOUDER' NEW PAINTINGS". AFROPUNK (in Turanci). 2019-01-16. Retrieved 2019-03-03.
  12. ↑ "Haus der Kunst - Detail". www.hausderkunst.de (in Turanci). Retrieved 11 March 2017.
  13. ↑ Bollen, Christopher (2012-11-27). "Galleries - Interview Magazine". www.interviewmagazine.com. Retrieved 5 March 2016.
  14. ↑ "Lynette Yiadom-Boakye". artnet.com. Retrieved 5 April 2023.
  15. ↑ Exhibition Announcement, Lynette Yiadom-Boakye Fly In League With The Night - The first major survey of one of the most important painters working today, Tate Museum, December 2020
  16. ↑ Scott Reyburn (June 27, 2019), Female Artists With African Backgrounds Are Winners at Phillips Auction in London New York Times
  17. ↑ "David Hockney, Lynette Yiadom-Boakye and Beauford Delaney lead Christie's 20th/21st century Frieze Week season in London". Christie's. 14 October 2022. Retrieved 5 April 2023.
  18. ↑ "Art in Context : Kehinde Wiley's "Portrait of Lynette Yiadom-Boakye, Jacob Morland of Capplethwaite"". Yale Center for British Art. Archived from the original on 2019-12-09. Retrieved 2019-12-08.
  19. ↑ "Lynette Yiadom-Boakye - Portrait". National Portrait Gallery. Retrieved 2020-12-03.
  20. ↑ Codjoe, Ama (2019). "Poem After an Iteration of a Painting by Lynette Yiadom-Boakye, Destroyed by the Artist Herself". The Massachusetts Review (in Turanci). 60 (4): 718–719. doi:10.1353/mar.2019.0106. ISSN 2330-0485. S2CID 213931952.
  21. ↑ Yiadom-Boakye, Lynette, and Serpentine Gallery, host institution.
  22. ↑ "Lynette Yiadom-Boakye in conversation with Hans Ulrich Obrist (1 June 2015)", Serpentine UK.
  23. ↑ "Lynette Yiadom-Boakye : A Passion To A Principle". Contemporary And (in Jamusanci). Retrieved 2023-03-27.
  24. ↑ Bell, Natalie (4 March 2017). "Lynette Yiadom-Boakye: Under-Song For A Cipher". New Museum. Retrieved 1 December 2017.
  25. ↑ "Lynette Yiadom-Boakye: Under-Song For A Cipher". www.newmuseum.org (in Turanci). Retrieved 20 June 2017.
  26. ↑ Tate. "Lynette Yiadom-Boakye: Fly In League With The Night – Exhibition at Tate Britain". Tate (in Turanci). Retrieved 2022-03-04.
  27. ↑ "GIBCA • Lynette Yiadom-Boakye". www.gibca.se (in Harshen Suwedan). Archived from the original on 2018-03-27. Retrieved 2018-03-26.
  28. ↑ "Afro-Atlantic Histories". NGA. National Gallery of Art. Archived from the original on 18 April 2022. Retrieved 18 April 2022.
  29. ↑ "Collection at Perez". website (in Turanci). Retrieved 2023-04-11.
  30. ↑ "History - English - Future Generation Art Prize". futuregenerationartprize.org. Retrieved 2023-04-04.
  31. ↑ Russeth, Andrew (2018-10-13). "2018 Carnegie International's Prizes Go to Lynette Yiadom-Boakye, Postcommodity". ARTnews.com (in Turanci). Retrieved 2023-09-06.
  32. ↑ "Extracts and Verses". Archived from the original on 2018-01-29. Retrieved 2024-03-29.
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