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Vedat Örfi Bengü

Daga Wikipedia, Insakulofidiya ta kyauta.
Vedat Örfi Bengü
Rayuwa
Haihuwa Istanbul, 14 Oktoba 1900
ƙasa Turkiyya
Mutuwa Istanbul, 25 Mayu 1953
Ƴan uwa
Yara
Ƴan uwa
Karatu
Harsuna Turkanci
Sana'a
Sana'a jarumi, darakta, marubin wasannin kwaykwayo da mai tsara fim
IMDb nm0071119

Vedat Örfi Bengü, wanda aka fi sani da Wedad Orfi, da Wadad Orfi, (Oktoba 14, 1900 - Mayu 25, 1953) ya kasance mai shirya fina-finai da kuma ɗan wasan kwaikwayo na Turkiyya da Masar.[1]

Rikici game da Muhammadu

[gyara sashe | gyara masomin]

cikin 1926, Örfi ya kusanci Youssef Wahbi don taka rawar Muhammadu a cikin fim, wanda gwamnatin Turkiyya da mai gabatar da fim din Jamus za su tallafawa.[2] [2] Shugaban Turkiyya, Mustafa Kemal Atatürk, da Majalisar Ulama ta Istanbul suka ba da amincewar fim din, Jami'ar Al-Azhar ta Musulunci a Alkahira ta buga wani yanke shawara na shari'a wanda ya nuna cewa Musulunci ta haramta wakilcin Muhammadu da sahabbansa. [2] haka, Sarki Fouad ya gargadi Whabi cewa za a kore shi kuma a kwace shi daga matsayin ɗan ƙasar Masar idan ya shiga cikin fim din. haka, an watsar da fim din daga baya.

Leila / Layla - fim na farko na Masar

[gyara sashe | gyara masomin]

A shekara ta 1927 Örfi ya samar kuma ya fito a fim din "Neda Allah" ("The Call of Allah") wanda shine aikin hadin gwiwa tare da Aziza Amir . D[3]Daga baya aka sake yin fim din kuma aka sake shi a matsayin "Laila" ("Leila") tare da wasu hotunan Orfi na asali da aka bari a cikin fim din. Sau da yawa ana ɗaukar samarwar ta ƙarshe a matsayin fim na farko na Masar.[3]

Hotunan fina-finai

[gyara sashe | gyara masomin]
  • 1927: Laila
  • 1928: Wanda aka azabtar / al-Dahiyyah
  • 1929: Kyau daga hamada / Ghaddat al-sahra
  • 1929: Wasan kwaikwayo na Rayuwa / Ma Sat al-Hayat

Rayuwa ta mutum

[gyara sashe | gyara masomin]

A cikin shekarun 1930 Örfi ya koma Turkiyya.

  1. Armes, Roy (2008), "Orfi, Wedad", Dictionary of African Filmmakers, Indiana University Press, p. 105, ISBN 978-0253351166, Egyptian silent filmmaker of Turkish origin.
  2. 2.0 2.1 2.2 Shohat, Ella (2009), "Sacred Word, Profane Image: Theologies of Adaptation", in Bayrakdar, Deniz (ed.), Cinema and Politics: Turkish Cinema and The New Europe, Cambridge Scholars Publishing, p. 17, ISBN 978-1443804158
  3. 3.0 3.1 Mejri, Ouissal (2017), "The Birth of North African Cinema", in Bisschoff, Lizelle (ed.), Africa's Lost Classics: New Histories of African Cinema, Routledge, pp. 29–30, ISBN 978-1351577397

Haɗin waje

[gyara sashe | gyara masomin]