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Masquerades (fim)

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Masquerades (fim)
Asali
Lokacin bugawa 2008
Asalin harshe Larabci
Ƙasar asali Aljeriya da Faransa
Distribution format (en) Fassara video on demand (en) Fassara
Characteristics
Genre (en) Fassara comedy film (en) Fassara
During 94 Dakika
Launi color (en) Fassara
Direction and screenplay
Darekta Lyes Salem
Marubin wasannin kwaykwayo Lyes Salem
'yan wasa
Samar
Editan fim Florence Ricard (en) Fassara
Director of photography (en) Fassara Pierre Cottereau (en) Fassara
Kintato
Narrative location (en) Fassara Aljeriya
Tarihi
External links

Masquerades (مسخرة) fim ne na ƙasar Aljeriya na 2008 wanda Lyes Salem ya jagoranta. [1]

Takaitaccen bayani

[gyara sashe | gyara masomin]

Kauye a Algiers. Mai girman kai da rashin kunya, Mounir yana fatan kowa ya yaba masa, amma yana da rauni: Ƴar uwarsa, Rym, wacce ke barci a ko'ina. Wata rana da daddare a hanyar dawowa daga birnin, kuma cikin jin daɗi, sai ya yi wa kowa kirari da cewa wani ɗan kasuwa mai arziki ya nemi hannun 'yar'uwarsa. Washe gari, shi duk mai hassada ne. Mounir ya makale da ƙaryarsa, ya canza makomar danginsa.

  • Mounir (Lyes Salem) - mijin Habiba, da kuma babban yayan Rym
  • Rym (Sarah Reguieg) - ƴar'uwar Mounir da abin sha'awar Khliffa
  • Khliffa (Mohamed Bouchaïb) - Babban abokin Mounir, cikin soyayya da Rym
  • Habiba (Rym Takoucht) - Matar Mounir
  • Amine (Merouane Zmirli) - Mounir da yaron Habiba
  • Rédouane Lamouchi (Mourad Khan) - ɗan kasuwa kuma
  • Fespaco 2009 ( Burkina Faso )
  • Bikin Francophone de Namur 2008 (Bélgium)
  • Bikin Francophone d'Angoulême 2008 (Faransa)
  • Dubai International Film Festival 2008
  1. Global Film Discussion Guide - Masquerades (pdf) Archived 2018-04-04 at the Wayback Machine "In the scene where Mounir, dressed in an elegant suit, accompanies new best friends Rédouane and Hamza on a trip out of town to scam a pair of gullible shepherds out of their money, our sympathies are drawn to the innocent shepherds immediately, in part by use of a tight close-up that fills the screen entirely with the sincere and modest face of one of the two men. We also get a reverse-shot of Rédouane in close-up, but by contrast, Rédouane wears a phony, ingratiating expression. Despite his proximity, he’s at a further distance from our sympathies, as it were, as if ripe for more critical inspection and evaluation by the audience."