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Masquerades (fim)

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Masquerades (fim)
Asali
Lokacin bugawa2008
Asalin sunaMascarades
Asalin harsheLarabci
Ƙasar asaliAljeriya da Faransa
Distribution format (en) Fassaravideo on demand (en) Fassara
Characteristics
Genre (en) Fassaracomedy film (en) Fassara da romance film (en) Fassara
During94 Dakika
Launicolor (en) Fassara
Direction and screenplay
DarektaLyes Salem
Marubin wasannin kwaykwayoLyes Salem
'yan wasa
Samar
Mai tsarawaIsabelle Madelaine (en) Fassara
Editan fimFlorence Ricard (mul) Fassara
Other works
Mai rubuta kiɗaMathias Duplessy (mul) Fassara
Director of photography (en) FassaraPierre Cottereau (en) Fassara
Kintato
Narrative location (en) FassaraAljeriya
Tarihi
External links

Masquerades (مسخرة) fim ne na ƙasar Aljeriya na 2008 wanda Lyes Salem ya jagoranta. [1]

Takaitaccen bayani

[gyara sashe | gyara masomin]

Kauye a Algiers. Mai girman kai da rashin kunya, Mounir yana fatan kowa ya yaba masa, amma yana da rauni: Ƴar uwarsa, Rym, wacce ke barci a ko'ina. Wata rana da daddare a hanyar dawowa daga birnin, kuma cikin jin daɗi, sai ya yi wa kowa kirari da cewa wani ɗan kasuwa mai arziki ya nemi hannun 'yar'uwarsa. Washe gari, shi duk mai hassada ne. Mounir ya makale da ƙaryarsa, ya canza makomar danginsa.

  • Mounir (Lyes Salem) - mijin Habiba, da kuma babban yayan Rym
  • Rym (Sarah Reguieg) - ƴar'uwar Mounir da abin sha'awar Khliffa
  • Khliffa (Mohamed Bouchaïb) - Babban abokin Mounir, cikin soyayya da Rym
  • Habiba (Rym Takoucht) - Matar Mounir
  • Amine (Merouane Zmirli) - Mounir da yaron Habiba
  • Rédouane Lamouchi (Mourad Khan) - ɗan kasuwa kuma
  • Fespaco 2009 ( Burkina Faso )
  • Bikin Francophone de Namur 2008 (Bélgium)
  • Bikin Francophone d'Angoulême 2008 (Faransa)
  • Dubai International Film Festival 2008
  1. ↑ Global Film Discussion Guide - Masquerades (pdf) Archived 2018-04-04 at the Wayback Machine "In the scene where Mounir, dressed in an elegant suit, accompanies new best friends Rédouane and Hamza on a trip out of town to scam a pair of gullible shepherds out of their money, our sympathies are drawn to the innocent shepherds immediately, in part by use of a tight close-up that fills the screen entirely with the sincere and modest face of one of the two men. We also get a reverse-shot of Rédouane in close-up, but by contrast, Rédouane wears a phony, ingratiating expression. Despite his proximity, he’s at a further distance from our sympathies, as it were, as if ripe for more critical inspection and evaluation by the audience."