Hafez

Hafez
Rayuwa
Haihuwa	Shiraz, 1325
ƙasa	Muzaffarids of Iran (en) Timurid Empire (en)
Harshen uwa	Farisawa
Mutuwa	Shiraz, 1389
Makwanci	Tomb of Hafez (en)
Karatu
Harsuna	Farisawa Tajik (en) Larabci
Sana'a
Sana'a	maiwaƙe, lyricist (en) da marubuci
Wurin aiki	Farisa
Muhimman ayyuka	The Divān of Hafez (en)
Wanda ya ja hankalinsa	Ibn ul-Arabi, Sanai (en) , Anwari, Nizami Ganjavi (en) , Khaqani (en) , Attar of Nishapur (en) da Mansur Al-Hallaj (en)
Fafutuka	lyric poetry (en)
Sunan mahaifi	حافظ
Artistic movement	lyric poetry (en)
Imani
Addini	Musulunci Mabiya Sunnah Sufiyya

Khājeh Shams-od-Dīn Moḥammad Ḥāfeẓ-e Shīrāzī (Persian: خواجه شمس‌‌الدین محمد حافظ شیرازی), wanda akafi sani da pen name Hafez (حافظ, Ḥāfeẓ, 'Mai hadda; mai tsaron (lafiya)'; 1325–1390) ko Hafiz, Y kasance aPersian lyric poet wanda da yawa ayyukan da aka tattara suna la'akari iranians a matsayin daya daga cikin manyan pinnacles a Persian literature.Ana yawan samun ayyukansa a gidajen masu magana da Farisa. wadanda suke koyon wakokinsa da zuciya daya suna amfani da su a matsayin karin magana da maganganu na yau da kullun. His life and poems have become the subjects of much analysis, commentary, and interpretation, influencing post-14th century Persian writing more than any other Persian author.

Hafez is best known for his Divān, a collection of his surviving poems probably compiled after his death. His works can be described as "antinomian" and with the medieval use of the term "theosophical"; the term "theosophy" in the 13th and 14th centuries was used to indicate mystical work by "authors only inspired by the holy books" (as distinguished from theology). Hafez primarily wrote in the literary genre of lyric poetry or ghazals, which is the ideal style for expressing the ecstasy of divine inspiration in the mystical form of love poems. He was a Sufi.

Legends

An yi tatsuniyoyi masu yawa na mu'ujiza a kusa da Hafez bayan mutuwarsa.An ce ta hanyar sauraron karatun mahaifinsa,Hafez ya cika aikin koyon Alkur'ani da zuciya tun yana ƙarami (wannan shine ma'anar kalmar Hafez).A lokaci guda,ance ya san ayyukan Rumi, Saadi, Attar Neyshapuri,da Nizami Ganjavi.

A cewar wata al'ada, kafin ya sadu da maigidansa na Sufi Hajji Zayn al-Attar,Hafez yana aiki a gidan burodi,yana isar da burodi ga wani yanki mai arziki na garin.A can,ya fara ganin Shakh-e Nabat,wata mace mai kyau,wacce aka yi wa wasu waƙoƙinsa jawabi.Ya yi farin ciki da kyakkyawa amma ya san cewa ba za a buƙaci ƙaunar da yake mata ba, an yi zargin ya gudanar da farkawarsa ta farko a cikin sha'awarsa na cimma wannan haɗin kai. Duk da haka,ya haɗu da wani abu mai kyau wanda ya bayyana kansa a matsayin mala'ika,kuma ci gaba da ƙoƙarinsa na haɗin kai ya zama abin ban mamaki; neman haɗin ruhaniya tare da allahntaka.

A shekara ta 60,an ce ya fara Chilla-nashini, farkawa ta kwana 40 da dare ta hanyar zama a cikin da'irar da ya zana wa kansa. A rana ta 40,ya sake saduwa da Zayn al-Attar a kan abin da aka sani da cika shekaru arba'in kuma an ba shi kofin Ruwan inabi na Shirazi. A can ne akace ya sami "Cosmic Consciousness".

A cikin wani labari,Timur da fushi ya kira Hafez don ya ba da labarin ɗaya daga cikin ayoyinsa:

Samarkand ita ce babban birnin Timur kuma Bukhara itace birni mafi kyau a masarautar. "Tare da bugawa da takobina mai haske", Timur ya koka, "Na mamaye mafi yawan duniya mai zama... don kyawanta Samarkand da Bokhara,kujerun gwamnati ta; kuma za ku sayar da su don baƙar fata na wata yarinya a Shiraz!"

Hafez, labarin ya tafi, ya sunkuya sosai kuma ya amsa, "Alas, O Prince,wannan nau'i ne wanda ke haifar da masifar da kuka same ni". Timur yayi mamakin kuma ya gamsu da wannan martani har ya kori Hafez tare da kyawawan kyaututtuka.