Fatimah Tuggar

Fatimah Tuggar
Rayuwa
Haihuwa	Jahar Kaduna, 15 ga Augusta, 1967 (57 shekaru)
ƙasa	Najeriya
Karatu
Makaranta	Yale University (en) ; Kansas City Art Institute (en)
Sana'a
Sana'a	mai zane-zane, mai daukar hoto, mai kwasan bidiyo da video artist (en)
Wurin aiki	New York
Kyaututtuka	gani Guggenheim Fellowship (2019) ;

Fatimah Tuggar (an haife ta a ranar 15 ga watan Agustan shekarar alif 1967) ta kasan ce kuma yar Najeriya ce mai zane wacce take zaune yanzu haka a ƙasar Amurka. ^[1] Bidiyo na Tuggar da aikin ta na duniyar dijital na bincike ne akan tasirin al'adu da zamantakewar fasaha.^[2]

Rayuwar ta

Tuggar an haife tane a garin Kaduna, Nijeriya, a shekarar 1967. ^[3]

Yanzu haka tana zaune ne a garin Torontdakede Ontario, inda takkujerar e Mataimakin Furofesa a Fannin Fasaha a Kwalejin Fasahtada Jami'ar Kere-kere ta Ontario.

Ilimi

Tuggar ta yi karatu ne a makarantar koyon zane-zane na Blackheath da ke Landan, Ingila. Kafin ta sami BFA daga Kansas City Art Institute a Amurka. ^[3] Tuggar ta kammala MFA a Jami'ar Yale a shekarar 1995. Bayan ta kammala karatu daga Yale, ta yi karatun digiri na farko na digiri na shekara guda a gidan tarihin Whitney na American Art. Ta kuma halarci Kano Corona da Queens Collage Yaba a Najeriya kafin ta halarci Convent of the Holy Family a Littlehampton, dake garin Sussex a Ingila.^[4]

Ayyuka da kariyan ta

Tuggar ta ƙirƙiro hotuna, abubuwa, girkawa da kuma ayyukan fasahar watsa labarai masu koyarwa da kuma ilimantar wa. A cikin al'amuran rayuwar Afirka da ta Yamma. Wannan yana jawo hankali ga aikin da ake ciki kuma yana la'akari da batun jinsi, na mallakar da kuma ra'ayin ci gaba.

Tuggar ta nuna aikinta a cikin nune-nunen rukuni a Museum of Art Art ( MOMA ), da New Museum of Art Art, da kuma nune-nunen shekara biyu na duniya kamar Moscow Biennale of Contemporary Art (2005), Palais des Beaux-Arts, Brussels (2003), Center Georges Pompidou a cikin Paris (2005), da Bamako Biennal, Mali, 2003. Ta karɓi tallafi daga cibiyoyi kamar WA Mellon Research Fellowship - John Hope Franklin Humanities Institute, Durham, NC, US, Productionanƙurin Samun Artan wasa - Kitchen, New York, New York, US, Civitella Ranieri Fellowship - Civitella Ranieri, Umbertide, Umbria, Italia, Techno-Oboro Residency - Oboro Arts Center, Montreal, Canada, Techno-Oboro Residency - Oboro Arts Center Montreal, Kanada, Zane-zane na Zamani, Copenhagen, Denmark.

Abubuwa yawanci suna ƙunshe da wasu nau'ikan bricolage ; hada abubuwa biyu ko sama daga Yammacin Afirka da Yammacin kwatankwacinsu don magana game da wutar lantarki, kayayyakin more rayuwa, samun dama da kuma tasirin sakewa tsakanin fasaha da al'adu. Hakanan, kuɗaɗen komputarta da ayyukan hotunan bidiyo suna haɗo bidiyo da hotuna da ta harbe kanta kuma ta samo kayan daga tallace-tallace, mujallu da hotunan tarihi. Ma'ana ga Tuggar kamar yana kwance a cikin waɗannan maganganu waɗanda ke bincika yadda kafofin watsa labarai ke shafar rayuwarmu ta yau da kullun. Gabaɗaya aikin Tuggar yana amfani da dabaru na sake lalata don ƙalubalantar fahimtarmu da haɗe mu da hanyoyin sabawa na kallo. Jikinta yana ayyana ra'ayoyi game da launin fata, jinsi da kuma aji ; ^[5] damun tunaninmu game da batun. Aikinta yana nuni da matsayinta na fuskoki da dama kuma yana kalubalantar ra'ayin Afirka mai kama da juna.

Ayyukanta sunyi sharhi game da maudu'ai masu matukar wahala kamar kabilanci, fasaha da al'adun bayan mulkin mallaka. Mai zane ya zaɓi kada ya miƙa saƙo mai ma'ana, amma don haɓaka nunin al'adun da ya wuce kwatancen al'adu na bayyane. Alal misali, a cikin shekara ta 1996 sassaka mai taken Turntable, ^[6] Tuggar amfani raffia fayafai a wuri na roba records. Abubuwan zane suna magana ne game da hanyoyin da gabatarwar gramophone yayi tasiri ga cigaban yaren gida. Saboda yanayin kamanceceniya tsakanin vinyl da fai-fai a yawancin harsunan Arewacin Najeriya vinyl ya sami sunan daga raffia disc. Misali a kasar hausa ana kiran raffia fai-fai kuma vinyl itace fai-fain gramophone.^[7]

Musamman, aikin mai zane ya nuna yadda waɗannan al'amuran ke haɗuwa ta hanyar ayyukan wakilcin gani kamar tallan talabijin, Hollywood fim, da ƙirar samfur. Fusion Cuisine, wanda aka ƙirƙira tare da Kitchen (wata cibiya mai ba da agaji ta zane-zane a New York), cikin raha tana bayyana irin tunanin da Amurkawa keyi na fasahar-kayan masarufi ta hanyar samar da 'yanci da ci gaban kasa yayin bayyanar da bambancin launin fata da yanki wanda ya zama tushen waɗannan wahayin. na nan gaba. Bidiyon ya kunshi faifan bidiyo guda biyu: bayan yakin duniya na II yakin Amurka wanda ke tallata fasahohin cikin gida da aka yi niyya zuwa ga fararen Amurkawa masu matsakaicin matsayi da hotunan matan Afirka na zamani da mai zane-zanen ya dauka a Najeriya. Fusion Cuisine yana canzawa tsakanin tashoshin fim na tarihin rayuwar yau da gobe da hotunan birni da ayyukan kwanan gida a Nigeria.

Bajekolin ta sun haɗa da:

(2015) " Fasahar Daidaitawa: Neman Ma'ana a Cikakken Hoton Hotuna " ( Bascom: Cibiyar Nuna Kayayyakin Kayayyakin, Highlands, North Carolina)

(2013) " A cikin Ganyayyun Seams " (Gidan Hoto na Fasaha, Jami'ar Delaware, Newark, DE)

(2012, 2011, 2010) " Rikodin: Art na Zamani da Vinyl " ( Nasher Museum of Art, Jami'ar Duke ; Cibiyar Nazarin Zamani, Boston, MA)

(2012) "Katunan Post Harlem" (Gidan Tarihi na Studio Harlem, New York, NY)

(2009) "Ku Gaya Ni Kuma: Ra'ayi Mai Takaitawa" (Franklin Humanities Institute, Jami'ar Duke, Durham, NC)

(2009) " A Allon: Abota ta Duniya Archived 2017-03-19 at the Wayback Machine " (Artspace a Kansas City Art Institute, Kansas City, MO)

(2005) "Kayan girkin Inna" (Indiana Black Expo's Celebration Celebration, Cultural Arts Pavilion, Indianapolis, Indiana)

(2005) " Rencontres de Bamako: Biennale Africaine de la Photographie: Bayyana Lokaci Archived 2021-01-23 at the Wayback Machine "

(2001) "Masarauta / Jiha: 'Yan Artists Suna Haɗuwa da Duniya" (Gidan Hoto na Cibiyar Digiri, Jami'ar City ta New York)

(2000) "Shayari da Powerarfi" (Gidan Tarihi na Zamani Art Cleveland)

(2000) "Tsallaka Layin" (Gidan Tarihi na Art na Queens)

(2000) "Sabuwar Duniya, Ayyuka da Dabi'u, Bienal de Valencia, Spain Bienal de Maia (Porto, Portugal)

(2000) "A Ruwan Buga Ruwa" ( Greene Naftali Gallery, New York)

(1999) "Son Zuciya da Wave" na 6 na Biranen Istanbul na Biyu

(1999) " Bayan Fasaha: Aiki a Brooklyn " (Gidan Tarihi na Fasaha na Brooklyn, New York)

(1998) " Village lokatai " (Plexus.org)

Manazarta

↑ Jegede, Dele (2009). Encyclopedia of African American Artists. Westport, Connecticut: Greenwood Press. pp. 235-237.
↑ Jegede, Dele (2009). Encyclopedia of African American Artists. Westport, Connecticut: Greenwood Press. pp. 235-237.
↑ ^3.0 ^3.1 Julie L. McGee, Mechanical Hall Gallery - Fatimah Tuggar: In/Visible Seams, University of Delaware. Retrieved 5 May 2013.
↑ https://books.google.com/books?id=1RdGM4teKDcC&pg=PA179
↑ Gonzalez, Jennifer, The Appended Subject: Race and Identity as Digital Assemblage. In Kolko, Nakamura, and Rodman, 2000, 27–50. New York: Routledge. Retrieved 9 September 2010.
↑ Nasher Museum of Art at Duke University. “Turntable”. Retrieved 9 September 2010.
↑ Brodsky, Judith (2012). The Fertile Crescent: Gender, Art, and Society. New Brunswick, New Jersey: Rutgers University Institute for Women and Art. p. 11. ISBN 978-0-9790497-9-8.

Hanyoyin haɗin waje

Karin karatu

Hamilton, Elizabeth (2013). " 'Yan Matan Analog a Duniyar Dijital: Tsoma bakin Afrofuturist na Fatimah Tuggar a cikin Siyasar" Al'adun gargajiya "na Afirka ". Nka: Jaridar Fasaha ta Zamani ta Afirka, A'a. 33.
Tuggar, Fatimah (2013). " Montage a matsayin Kayan aiki na Kayayyakin Kayayyakin Siyasa ," Visual Communications Journal : "Da'awar Hotuna," wanda Bolette Blaagaard & Carey Jewit suka shirya. shafi. 375-392, Jami'ar London, Cibiyar Ilimi ta Burtaniya; Al'adu, Sadarwa & Sashin Watsa Labarai, SAGE Publications, Fitowa ta Musamman, Agusta 2013, https://doi.org/10.1177/1470357213482607
Tuggar, Fatimah (2017). " Hanyoyi, Yin su, da Tasirin Afirka ta Yamma a cikin Aikin Fatimah Tuggar ." Fasahar Afirka, Vol. 50, A'a. 4, shafi na 12-17. https://doi.org/10.1162/AFAR_a_00370

[Jegede-1] Jegede, Dele (2009). Encyclopedia of African American Artists. Westport, Connecticut: Greenwood Press. pp. 235-237.

[2] Jegede, Dele (2009). Encyclopedia of African American Artists. Westport, Connecticut: Greenwood Press. pp. 235-237.

[UD_Visible_Seams-3] 3.0 ^3.1 Julie L. McGee, Mechanical Hall Gallery - Fatimah Tuggar: In/Visible Seams, University of Delaware. Retrieved 5 May 2013.

[4] ttps://books.google.com/books?id=1RdGM4teKDcC&pg=PA179

[5] Gonzalez, Jennifer, The Appended Subject: Race and Identity as Digital Assemblage. In Kolko, Nakamura, and Rodman, 2000, 27–50. New York: Routledge. Retrieved 9 September 2010.

[6] Nasher Museum of Art at Duke University. “Turntable”. Retrieved 9 September 2010.

[7] Brodsky, Judith (2012). The Fertile Crescent: Gender, Art, and Society. New Brunswick, New Jersey: Rutgers University Institute for Women and Art. p. 11. ISBN 978-0-9790497-9-8.

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